Archive: September 2008 (21-28 of 28)

Sep 11 2008 10:27 PM ET

'Where the Wild Things Are' gets long-awaited release date

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Hipsters, rejoice! Director Spike Jonze’s much-anticipated Where the Wild Things Are has finally found a new release date. The big-screen adaptation of Maurice Sendak’s classic children’s tale will hit theaters on October 16, 2009 — almost a year after it was originally scheduled to open. Still, that’s better than never opening at all, which many feared would be the beleaguered project’s fate when Warner Bros. removed it from its release slate in July. It seems the issues Warners execs were having with Jonze’s live-action take on the beloved story have been assuaged by a new cut the director delivered earlier this month. This new version, says one inside source, features Jonze’s re-shoots — specifically smaller scenes added to bolster the storyline between Max, played by newcomer Max Records, and the Wild Things. Now Jonze will work furiously to bring the Wild Things’ faces to life with CG animation, a task he’s confident he can complete by next October. 

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Sep 10 2008 10:37 PM ET

Brett Ratner says 'Guitar Hero' movie isn't happening...yet

Director Brett Ratner has been plenty vocal about wanting to develop a movie based on the game Guitar Hero. But Activision, the company that owns the franchise, isn’t going for it. “I’d really like to do it, but they’re not letting me,” he tells EW.com. “I expressed my interest, but because it’s such a success, it’s like now there’s no reason to make a movie about it.” Ratner is a big fan of the game, incorporating it into videos he’s directed for Miley Cyrus and Mariah Carey, and he envisioned a story about a small-town kid who dreams of fame and wins a Guitar Hero competition. “The game is wish-fulfilling, everyone can be a rock star.” But despite the setback, Ratner is not giving up hope. “I might prevail,” he says. “I usually do.”

Sep 10 2008 11:52 AM ET

'Sex and the City' movie: Michael Patrick King ready for a sequel

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Good news for fans of the fabulous foursome: We seem to be one stiletto-heeled step closer to a Sex and the City movie follow-up. “When I finished [the first one], I didn’t have a thought in my head about a sequel,” says writer-director Michael Patrick King. But he says that all changed once the film, which earned $153 million domestically, screened worldwide. “It doesn’t feel done to me at all. It feels like it generated a whole new burst of enthusiasm for these characters. I thought if I could come up with a really fun, worthy story it would certainly be a great chance to do it again.” Still in the negotiation stage, King won’t divulge any scenarios for the film (“If I tipped my head right now, ideas would come pouring out”), but hints at a milieu. “It’s always nice to see the girls in the summer.”

Sep 9 2008 09:24 PM ET

Toronto update: An amazing double feature

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Today is my last full day up here in Toronto, and I believe I’ve just seen perhaps the two strongest films at the festival back-to-back: The Wrestler and Slumdog Millionaire. You’ve already read EW critics Owen Gleiberman and Lisa Schwarzbaum rave about them, and I can tell you that all the hype is justified. Of course I was watching both films with my Oscar-obsessed eyes, and I’d say that Mickey Rourke is a very strong Best Actor contender for his surprisingly tender turn in The Wrestler. He surprised me scene after scene and I bet the Academy will feel the same. The gorgeous Slumdog, meanwhile, could be a contender in the adapted screenplay category, for Simon Beaufoy, a past nominee for The Full Monty); and in the directing race, meaning the fabulously inventive Danny Boyle could possibly earn his first career nod. After seeing these two fantastic pieces of work, I know it’s now time to come home.

Sep 9 2008 04:28 PM ET

Toronto 2008: Midterm Report and Oscar Buzz!

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Now that the opening weekend of the Toronto film festival is over, my
EW colleague Missy Schwartz and I have put together a video lightning
round of Oscar buzz on some of the fest’s top tickets: Burn After Reading, Rachel Getting Married, The Secret Life of Bees, Appaloosa, and Slumdog Millionaire. Check out the clip.

Sep 9 2008 10:25 AM ET

Seth Green talks 'Heroes' and 'Italian Job' sequel

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While on the scene at Sunday’s much talked about VMA Awards, EW.com caught up with self-described "weirdo" and Emmy nominee (for his Cartoon Network hit Robot Chicken) Seth Green to inquire about what he may or may not be up to in the near future. Here’s what he dished:

  • HEROES: It’s true, Green and pal Breckin Meyer have joined the cast of the NBC drama, so naturally we begged the actor to give us some hints to their upcoming arc, and in typical Heroes fashion, he was 100 percent vague. "They have a first page that says, like, ‘Keep our secrets,’ " Green says. Still, we did get this out of him: "We’re starting on set Monday. That’s what this whole beard is for." Facial hair aside, Green admits he would’ve done anything for the gig: "I’m a really big fan of the show," he says, "and I kind of begged for a long time to see if there was anything I could do."
  • ”ROBOT CHICKEN”: Green is also keeping mum on who you can expect to see on future episodes of the animated series, but he did report there will be a little something for fans of Darth Vader:   "We’re working on a second Star Wars special, it’s going to come out in November. Carrie Fisher’s in it."
  • A SEQUEL TO ”THE ITALIAN JOB?” Green wants to clear up one important detail about the supposed follow up to the 2003 crime thriller (tentatively titled, The Brazilian Job): it ain’t happening. "That’s been listed as ‘In Production’ for over four years, and maybe you’ll print this and someone will actually stop saying that!" he says. "There are a couple of scripts that have been written, but in the last six years since we made the movie, Paramount’s hierarchy has changed hands four times and it’s never seemed to be a priority for the studio to make the movie." With the success of the film’s cast (Mark Wahlberg and Charlize Theron have been nominated for Oscars, Mos Def for an Emmy, and Jason Statham hit big with his Transporter series), says Green, "You would think that they would make the movie. There’s enough of a fan outcry for it, but we just haven’t been able to get the studio to greenlight it."
Sep 3 2008 11:24 PM ET

'X-Files' creator Chris Carter hospitalized for exhaustion

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Chris Carter, writer, producer, and director of The X-Files: I Want to Believe, was hospitalized on Tuesday due to “physical exhaustion and an acute sleeping disorder,” a source close to Carter (pictured, right, with David Duchovny and Gillian Anderson) tells EW.com. The source says the hospitalization stems from Carter “working on multiple films back to back over a two year period” — the recently released X-Files sequel and Fencewalker, a covert project he is rumored to have begun shooting earlier this year. He is expected to recover quickly.

Sep 3 2008 06:58 PM ET

'Watchmen' to get its day in court

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Watchmen fans, the clock is now ticking — and that’s a good thing. A Jan. 6 trial date has been set for Warner Bros. and Fox to duke it out over what’s basically a very expensive unpaid toll ticket. To wit: Did Warner Bros. and producer Larry Gordon move on Zack Snyder’s $100 million adaptation of Alan Moore’s dark, revisionist superhero saga without first properly buying out Fox’s stake in the film? Regardless how the question is answered, the Jan. 6 court date would seem to all but assure that Watchmen will be released on March 6. For all you furious anti-Fox geeks who bought crayons to make Wolverine pickets, we hope you kept the receipt.

Parsing U.S. District Court Judge Gary Allen Feess’ edicts on this matter has become great entertainment blogger sport — so let’s play! With a trial looming, and with the judge stating the case is too “complex” for him to grant Fox’s request that he block Watchmen’s release, pressure is on both parties to settle the dispute before one of them emerges a big loser. As some armchair analysts have pointed out, arguments will likely center on whether or not a 1991 payment to Fox effectively renders this whole business moot, or if a subsequent 1994 agreement between Fox and Gordon (who has been trying to mount a Watchmen movie for many years with several different studios) kept that option open. In papers filed prior to the Labor Day weekend, Warner Bros. put forth the fanciful notion that Fox doesn’t deserve squat because they sat on their hands for years and did nothing to make the movie or even prevent others from doing so. Fox’s counter-argument: BWAHAHAHAHAHAHA! Such kidders, you Warner Bros. people are! Even if that’s true — so what?

You’d think Warner Bros. would want to pony up some cash just to
make this stupid thing go away — that is, after milking it for all the PR
it’s worth, given how much everyone is all "Watchmen this" and "Watchmen
that" these days. Seriously, I should have “Zack Snyder’s $100 million
adaptation of Alan Moore’s dark revisionist superhero saga” programmed
into a default setting on my computer by now. If there was ever any
worry that this “obscure” comic was going to have to deal with an
awareness/relevancy problem with mainstream moviegoers, that concern
has now been alleviated by a factor of 37.98%, according to the
Crackpotatron we keep in the EW bloggercave — and that number is growing
larger every day.

Of course, increased recognition and increased commercial potential
also favors Fox, if Fox is going to insist on profit participation in
worldwide theatrical revenues and aftermarket stuff like DVDs licensed
products.

Then again, with all of us talking about this all the time, thus
raising the stakes of humiliation for both studios, maybe there’s equal
pressure on both sides to settle this thing and seal the resolution air
tight to avoid the risk of getting a big fat egg — or several thousand
small ones — splatted across the face.

This is all to say that I really have no damn clue, but I think it would be fair to say the following:

1.    Hollywood is slimy.
2.    Fox may get some money, and if
they have the stones to actually go to trial and fight for what’s right
instead of just a check, even get what they legally deserve… but man, are they losing the PR war with fans. Threatening to take Watchmen away from geeks
has unleashed some truly venomous blather toward Fox and its
moviemaking upper management — residual bitterness from adaptations of Daredevil, Elektra, Fantastic Four, The League of Extraordinary Gentlemen, and the first and third X-Men
movies. Never mind that most, if not all of these films were varying
degrees of “successful.” Those guys at the studio know what they’re
doing, but the hardcore fanboys sure don’t like the way they creatively
do it.
3.    Fox probably doesn’t really care much about point No. 2.
4.    Fanboys are probably stung to hear point No. 3.
5.    But they’ll totally get over it when Watchmen opens on March 6, 2009.*

*Pending future developments that make us change our mind.

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