Archive: December 2008 (1-10 of 57)

Dec 31 2008 10:50 PM ET

Oscar roundup: 'Defiance' and 'Good'

Defiance_l
New Year’s Eve sees two last-minute entries into this year’s Oscar
race: Defiance and Good. Though both films feature Academy-friendly
players (Defiance director Ed Zwick also helmed Glory and Blood
Diamond
, while Good star Viggo Mortensen was nominated for Best Actor
last year), they’re long shots at best.

DEFIANCE

Long shot
Best Supporting Actor, Liev Schreiber
Indie stalwart Schreiber is certainly the standout of the film, but
except for its inclusion on the NBR top 10, it hasn’t gained any awards
traction.

GOOD

Long shot

Best Actor, Viggo Mortensen
If The Road hadn’t been pushed to 2009, Mortensen might have had a shot
a repeat Best Actor nomination. But not for this overloud, stagey drama.

addCredit(“Karen Ballard”)

Dec 30 2008 11:46 PM ET

Oscar nods: Who'll be snubbed?

Tagged:

Blanchettbenjaminbutton_l1_3
Last night I put my annual Oscar-nomination predictions feature to bed (it’ll be in this Friday’s issue of EW), and narrowing the four acting races down to five contenders each meant leaving off a few very worthy candidates who may end up getting overlooked this year.

Without revealing my exact predictions just yet, I’ll give you a taste by naming a handful of performers I’m predicting will be snubbed this year. In many of these cases, I hope I’m wrong.


 

Best Actress
Cate Blanchett, The Curious Case of Benjamin Button
Melissa Leo, Frozen River

Best Actor
Richard Jenkins, The Visitor
Leonardo DiCaprio, Revolutionary Road

Best Supporting Actor
Michael Shannon, Revolutionary Road
James Franco, Milk

Best Supporting Actress
Amy Adams, Doubt
Rosemarie Dewitt, Rachel Getting Married

How about you? Which top contenders do you predict will barely miss the cut on Jan. 22? Share your thoughts below.

More Oscars coverage:
Memorable moments from the ’08 Oscars
Video: Four films courting Oscar buzz
Full coverage of the 2009 Academy Awards

Dec 29 2008 10:01 PM ET

Should box office affect the Oscars?

Pittlangella_dl1
This weekend’s box office results bring up a perennial question: Does a movie need to be a commercial hit to score a Best Picture nomination? Certainly poor box office performance helped kill movies like Memoirs of a Geisha and The Kite Runner in the past, while blockbusters like The Sixth Sense and The Fugitive capitalized on their financial success to earn Oscar nods.

This weekend, The Curious Case of Benjamin Button performed strongly with almost $40 million in its first four days, a fantastic figure for what is essentially an art film (granted, one starring Brad Pitt) with a nearly three-hour running time. Meanwhile, Frost/Nixon, despite earning rave reviews, has posted decent but not terrific numbers, grossing $1.5 million over the three-day portion of the weekend in 205 theaters. Despite playing in one-fifteenth the number of theaters as Button, its per-theater average was still the lower of the two. I’ve had a couple friends wonder if the soft box office means Frost has moved down a few pegs in the Best Picture race. Perhaps it’s now the No. 4 contender instead of No. 3 (Milk, which has been doing well in limited release, is on the rise), but I still think it’s solidly in there for a nomination next month.

The question is, should it make a difference? Whether or not The Dark Knight ends up snagging the fifth slot may just provide the answer.

What do you think?

Related movie reviews:
The Curious Case of Benjamin Button
Frost/Nixon
Milk
The Dark Knight

Dec 27 2008 09:22 PM ET

'Marley & Me' leads strong holiday box office through Friday

Tagged:

Marleymeanistondog_l
After setting a box office record on Christmas day, Marley & Me was again top dog at the box office on Friday, raising its estimated two-day receipts to $28.6 million. Friday audiences also continued to make a winner of Oscar contender The Curious Case of Benjamin Button; the David Fincher-directed story starring Brad Pitt as a man aging backward banked $22 million heading into Saturday. Close on its heels was Adam Sandler’s Bedtime Stories, which took in $20.2 million, with weekend matinees for kids promising to boost its total by Sunday. The good news also extended to comeback kid Tom Cruise, whose Valkyrie scored a two-day estimate of $16.5 million. The other Christmas Day opener, The Spirit, had less to celebrate, barely sneaking into the top 10 with a two-day total of $6.5 million. Check back at EW.com on Sunday afternoon for the complete four-day Box Office Report.

Dec 26 2008 08:31 PM ET

'Arrested Development' movie: Will Arnett is ready to go

Tagged:

Willarnett_l
As an Arrested Development movie inches closer to reality and the producers try to corral all of the old cast, one thing you can count on: Will Arnett is ready to reunite. "Arrested Development has such a special place in my heart,” he tells EW.com, “and I can’t wait to strap that fake hand back on and fight the seal once and for all—wait, which guy did I play?" (For the uninitiated, that’d be highly incompetent illusionist GOB.) Fans have been clamoring for another round of Bluth family dysfunction ever since the critically lauded show was cancelled in 2006 (and the finale slyly hinted that the story could continue on the big screen). ”It’ll be fun to get back together with everybody and work on it,” says Arnett. “It’s been so long now, we almost have to do it. It’s like we have to finish the joke.” What details can he spill about the project?  “I’m sure I’m not speaking out of turn when I say Christmas Day ’09, 12:01 a.m. is the first show,” he shares. “We’re opening on—this is unprecedented—13,000 screens. This is going to be mind-blowing. We start shooting this summer. It’s going to be directed by Obama’s Secretary of the Treasury, I’m not sure how [series creator] Mitch Hurwitz feels about that. Part of the Wall Street bailout is for our budget. We’re getting a bill and a half; because we were a business considered under duress because of the cancellation, blah blah blah, we met federal requirements. And the box office is guaranteed by the FDIC.”  Sounds like money in the bank.

More on Arrested Development and Will Arnett from EW:

Arrested Development movie: From Maeby to Shirley?

Jason Bateman talks Arrested Development (July 2008)

Jeffrey Tambor talks Arrested Development (June 2008)

31 TV Shows You Loved, Lost

Dec 26 2008 06:12 PM ET

Judge In 'Watchmen' Case Rules For Fox; Fans Brace For Fallout

Tagged:

Drmanhattan_l You know how Santa Claus gives lumps of coal on Christmas Eve to those who’ve been very, very naughty? Well, so do judges. In a twist befitting the comic book in question, the judge presiding over the legal battle for distribution rights to Watchmen found in favor of Fox. The bottom line: Warner Bros. had absolutely no right to roll film on Zack Snyder’s adaptation of the Alan Moore/Dave Gibbons superhero classic. As fans wait to see if the ruling will prevent the film from being released as scheduled on March 3, Fox and Warner Bros. are waiting to see if the court will determine how much Fox should get for being so wronged — unless the studios decide to settle the matter themselves.

The ruling comes as a surprise to Hollywood observers, mostly because no one expected the judge would issue this ruling at all. The conventional wisdom was that Warner Bros. and Fox would settle privately, and the rightness and wrongness of the situation would never be officially called. Moreover, on Dec. 16, the judge set a Jan. 20 trial date for the dispute, saying he had no intention of fulfilling the request of both parties to issue a summary judgment. Why? Because, he said, the darn thing was just too complicated!

But on Christmas Eve, Judge Gary Allen Feess reversed course and issued a ruling that was clear and decisive. Why did he change his mind? Because Fox and Warner Bros. asked him to. In the wake of Feess’ Dec. 16 edict, both studios pressed him to reconsider and issue a summary judgment, saying that settling this thing between them was all but impossible because they needed his guidance on interpreting an old contract between Fox and Watchmen producer Larry Gordon. That paper appears to indicate the following: Fox has always had the right to distribute a Watchmen movie; anytime Gordon put together a new version of a Watchmen movie (which is to say, develop a new script or snag a new director for the film), he had to offer Fox the chance to produce and distribute it; if Fox passed on the project, Gordon had the right to purchase Fox’s interest in Watchmen and take the project elsewhere.

More details on the ruling and what it means after the jump…

In his ruling, Feess concludes that Gordon never properly presented Fox with the option to produce and distribute the version of Watchmen developed by director Zack Snyder. He also makes it clear that neither Gordon nor Warner Bros. had bought out Fox’s interest before Warner Bros. went into production. Indeed, Feess’ ruling includes a rather sarcastic footnote blasting Gordon for his conduct in resolving this dispute. In section 3, Feess remarks that during Gordon’s deposition, the producer claimed he couldn’t properly recollect his contract with Fox. Feess seems so dismissive of Gordon’s allegedly faulty memory, he makes the following side ruling: Should Gordon suddenly remember some salient bit of information that could now help Warner Bros.’ cause, he should go back to conveniently forgetting about it. “[T]he court will not, during the remainder of this case, receive any evidence from Gordon that attempts to contradict any aspect of this Court’s ruling on the copyright issues under discussion.”

Feess’ plainspoken declaration that Fox has always been in the right on this matter should represent vindication for the studio. Since Fox filed its lawsuit earlier this year, Watchmen fans and entertainment bloggers (including myself) have questioned why Fox waited until Snyder wrapped production before laying claim to the movie. Our questioning, of course, rested on two assumptions: 1. There was no way Gordon and Warner Bros. could have been so dim as to shoot a movie they had no right to make; and 2. If Fox was so possessive of Watchmen, how come it didn’t try harder to stop Warner Bros. from wasting millions and millions of dollars on a movie it had no right to make? But as EW subsequently reported, Fox’s lawyers did contact Warner Bros. prior to Watchmen‘s production with the goal of resolving the matter and allowing Warner Bros. to roll film with a clear conscience — albeit one purchased, no doubt, at great expense.

Nonetheless, fanboy vitriol toward Fox for daring to meddle with a movie they have long wanted to see continues to this very day. Just check out aint-it-cool-news’ report on Fox’s victory; the site’s message boards are currently chockablock with choice, colorful words aimed at Fox and its top exec, Tom Rothman, who has become an unpopular figure because of Fox’s spotty track record with genre material under his leadership. Yes, many of them have been huge hits (X-Men; X-Men 3; I, Robot; Fantastic Four), but many of them haven’t (The League of Extraordinary Gentlemen, Daredevil, Elektra, The Day The Earth Stood Still), and with few exceptions (most notably, X-Men 2), none of them have made the hardcore sci-fi/comic book fans very happy due to the studio’s penchant for short running times, stingy budgets, and adaptation choices designed to make the material more mainstream-friendly. For them, Fox’s desire to lay claim to Watchmen gives them an excuse to vent. Some fans have even been calling for a boycott of Fox’s Wolverine next summer if the lawsuit should effectively delay Watchmen’s release indefinitely.

But does any of this really have anything to do with Watchmen? Absolutely not. With Feess’ decision, Fox’s lawsuit — and its victory — should be seen as an important move that really benefits all of Hollywood, as it affirms copyright laws that protect all studios. Fox deserves a break on Watchmen; according to Feess, their beef with Warner Bros. has always been legit.

How much will being right ultimately be worth to Fox? Perhaps a lot; perhaps nothing at all. Warner Bros. has been asking Feess to make one more crucial ruling in this case. The judge articulates the studio’s request like this: “[T]o summarily adjudicate the issue of a contractual cap on the amount of compensatory damages to which Fox is entitled.” Now, I am no lawyer, but here’s how I might rephrase Warner Bros.’ position: “Let’s pretend for a moment that Fox is right in this matter. Judge, could you help us decide a fair price for Fox’s rights? Because we can’t.” Perhaps all along, Warner Bros. has been gambling/banking that the judge will "adjudicate" a relatively affordable price for Fox’s rights, or at least put a price tag on it that’s much lower than the one Fox has been putting on it. As Feess has said that a longer version of his Christmas Eve ruling is forthcoming, perhaps the question of value will be determined at that time.

In the meantime, there are anxieties, questions, and theories: Will Warner Bros. appeal? If it does, Watchmen’s release could be held up by months. If Warner Bros. doesn’t appeal, what will Fox get in return? A cash payout per Gordon’s original contract? A cash payout plus penalties? A share of Watchmen’s total revenues? Might Warner Bros. settle the lawsuit by selling or ceding the film to Fox? If Fox got control of Watchmen, would they release Snyder’s film in its current 2 hour 30 minute form, or would they order him to (gulp) trim it or (double gulp) make changes?

To be continued…

More Watchmen from EW:
Flashback! Watchmen trial set for Jan. 20
Watchmen vs. Star Trek: Pick best trailer
Watchmen: Zack Snyder hosts a sneak peek
Watchmen worth the fuss: Kevin Smith
Flashback! Watchmen war: Fanboys furious with Fox
Watchmen: Exclusive First Look! 
Watchmen: A Chat with Director Zack Snyder (July 2008) 
Watchmen Creator Alan Moore: The EW Q&A (July 2008)
Watchmen: A Primer for Newcomers 

READ FULL STORY »

Dec 26 2008 03:00 PM ET

Critics award tally: 'Slumdog' reigns

Dev_l
Now that over 20 critics prizes and other pre-Oscar winners have been announced, from organizations well known (New York Film Critics Circle) and less so (the Alliance of Women Film Journalists), I thought I’d tally up all the award recipients so far to determine this year’s critical favorites. Some categories (Best Director, Best Supporting Actor) have clear favorites, while others (Best Actress, Best Supporting Actress) are much tighter races, critically speaking. By far the two biggest winners? Slumdog Millionaire and Heath Ledger. Here’s how things shake down.

Best Picture
Slumdog Millionaire (12)
The Dark Knight (3)
Milk (3)
Wall-E (3)
The Curious Case of Benjamin Button (2)
Frost/Nixon (1)
Happy-Go-Lucky (1)
Wendy and Lucy (1)

Best Director
Danny Boyle, Slumdog Millionaire (16)
Gus Van Sant, Milk (2)
Jonathan Demme, Rachel Getting Married (1)
Ron Howard, Frost/Nixon (1)
Mike Leigh, Happy-Go-Lucky (1)
David Fincher, The Curious Case of Benjamin Button (1)
Christopher Nolan, The Dark Knight (1)
Andrew Stanton, Wall-E (1)

Best Actor
Sean Penn, Milk (12)
Mickey Rourke, The Wrestler (11)
Frank Langella, Frost/Nixon (2)
Clint Eastwood, Gran Torino (1)
Ricky Gervais, Ghost Town (1)
Richard Jenkins, The Visitor (1)

Best Actress
Sally Hawkins, Happy-Go-Lucky (8)
Anne Hathaway, Rachel Getting Married (6)
Kate Winslet, Revolutionary Road (4)
Melissa Leo, Frozen River (3)
Meryl Streep, Doubt (2)
Angelina Jolie, Changeling (2)
Michelle Williams, Wendy and Lucy (1)

Best Supporting Actor
Heath Ledger, The Dark Knight (21)
Josh Brolin, Milk (2)
Michael Shannon, Revolutionary Road (1)

Best Supporting Actress
Marisa Tomei, The Wrestler (7)
Penélope Cruz, Vicky Cristina Barcelona (6)
Viola Davis, Doubt (5)
Rosemarie DeWitt, Rachel Getting Married (4)
Kate Winslet, The Reader (3)
Taraji P. Henson, The Curious Case of Benjamin Button (1)

Best Original Screenplay
Dustin Lance Black, Milk (4)
Jenny Lumet, Rachel Getting Married (4)
Tom McCarthy, The Visitor (2)
Andrew Stanton & Jim Reardon, Wall-E (2)
Charlie Kaufman, Synecdoche, New York (1)
Mike Leigh, Happy-Go-Lucky (1)
Martin McDonagh, In Bruges (1)
Nick Schenk, Gran Torino (1)
Robert D. Siegel, The Wrestler (1)

Best Adapted Screenplay
Simon Beaufoy, Slumdog Millionaire (10)
Peter Morgan, Frost/Nixon (5)
Christopher Nolan & Jonathan Nolan, The Dark Knight (1)
Eric Roth, The Curious Case of Benjamin Button (1)

Dec 25 2008 03:00 PM ET

Oscar Roundup: Dec. 25

Tagged:

Benjaminrevolutionary_l
After weeks of hype and anticipation, Oscar front-runner The Curious Case of Benjamin Button finally reaches theaters today. But it’s not the only awards bait of the day: Revolutionary Road and Last Chance Harvey face the music as well. Here are the Oscar chances for each movie.

THE CURIOUS CASE OF BENJAMIN BUTTON

Best Bets

Best Picture
It’s on track to score the most nominations of any film this year.

Best Director, David Fincher
Mr. Creepy finally turned sentimental, and the Academy will reward him for it.

Best Actor, Brad Pitt
Even with all the technology, he pulls off an emotionally engrossing performance.

Best Supporting Actress, Taraji P. Henson
Thanks to Henson’s big-hearted performance, it’s impossible not to fall in love with Button’s adoptive mom, Queenie.

Best Adapted Screenplay, Eric Roth
Roth won a screenplay Oscar for Forrest Gump, and Button touches many of the same bases.

Also: Best Cinematography, Best Editing, Best Art Direction, Best Makeup, Best Original Score, and Best Visual Effects

Possibles

Best Sound Mixing and Best Sound Editing
Button could just find a spot in there among the big, loud blockbusters.

Long shot

Best Actress, Cate Blanchett
She landed a Broadcast Film Critics nomination but was left out of the Golden Globe and SAG races. The acting focus may end up on Pitt and Henson.

REVOLUTIONARY ROAD

Best Bet

Best Actress, Kate Winslet
Even if the film falters overall, Winslet’s performance as an unhappy suburbanite should give her one of two nominations this year.

Possibles

Best Picture
Many early voting bodies ignored it, but it’s still one of the top prestige films of the year.

Best Director, Sam Mendes
He hasn’t been nominated since winning this award for 1999′s American Beauty. And this is his best work since then.

Best Actor, Leonardo DiCaprio
He shows real maturity in his tough scenes with Winslet. Voters will have to get over the film’s dark storyline.

Best Supporting Actor, Michael Shannon
Shannon’s ace scene stealing seemed to make him a shoo-in early in the awards season. Being overlooked by the Globes and SAG awards brought him down a few notches.

Best Adapted Screenplay, Justin Haythe
Rookie screenwriter Haythe created a vivid adaptation, but it’s hard to compete with novelist Richard Yates’ supremely detailed characters.

LAST CHANCE HARVEY

Long shots

Best Actor, Dustin Hoffman, and Best Actress, Emma Thompson
Both earned Globe nods for their terrific tragi-comic turns. But the Academy may find the romance too lightweight.

addCredit(“Benjamin Button: Merrick Morton, Revolutionary Road: François Duhamel”)

Dec 25 2008 07:43 AM ET

Box Office Preview: 'Bedtime Stories' eyes a happy ending

Tagged:

Bedtime_stories_adam_l
Okay, who got gift certificates for the local multiplex from Santa? Your friendly neighborhood Hollywood movie moguls are certainly banking on some Christmas cheer: The four-day holiday weekend brings five, count ‘em, five new wide releases to end 2008 — some Oscar bait (The Curious Case of Benjamin Button), some Razzie bait (Bedtime Stories), a dog wagging a relationship tale (Marley & Me), fresh meat for the Comic-Con crowd (The Spirit), and one for people who might like the History Channel more if the people on it were prettier (Valkyrie). What, you say those don’t scratch your holiday movie itch? Last week’s leaders — Jim Carrey’s Yes Man and Will Smith’s Seven Pounds — are still out there, and other Oscar contenders are inching into more cities. Doubt makes the widest jump, to 1,200+ screens, while Frost/Nixon, Gran Torino, The Reader, and Slumdog Millionaire expand, though probably not enough to trouble the Likely (But We’ll Just See on Sunday, Won’t We?) Four-Day Top Five:

1. Bedtime Stories: $33 million
Not hearing anyone pushing Adam
Sandler "for your consideration" at Oscar time, are ya? Well, with
apologies to Dave Karger, let’s wager the kids zeroing in on their
parents’ wallets for a day at the movies couldn’t care less about "prestige." The
goofiness that has critics shaking their heads — Owen Gleiberman called Bedtime Stories "a dispirited, galumphing mess" on the way to giving it a D — may be exactly what its audience is after; call it Best Dispiriting, Galumphing Mess to Win Weekend Box Office Gold.

2. Marley & Me: $28 million
Jennifer Aniston has certainly done her
part to get this movie noticed, with news-making interviews and pictorials (EW,
Vogue, a GQ cover you may have seen). It all adds up: Our favorite Friend; a dog; an easygoing Owen Wilson; promos that play up the
canine slapstick ("the worst dog in the world!" — aww, but look at those
eyes…). What you get is a movie that hits the sweet spot for couples who
want to see a movie, peg Bedtime Stories as too dumb
and crowded with noisy, restless kids, and can’t quite bring themselves to
spend hours watching Benjamin Button inch backwards toward the grave or Tom Cruise
fail to kill Hitler.

3. The Curious Case of Benjamin Button: $21 million
Curiosity is running high, what with all the Oscar talk, and the
promise of seeing Brad Pitt as an elderly baby with a funny voice. (Fun
fact: Did you know he was once married to Marley & Me‘s Jennifer Aniston? Pretty sure
I read that somewhere…) Still, it’s a long movie about mortality — is
that what a large audience will want to escape to on their days off? If
word of mouth from those who check it out is positive, it’s
reasonable to think this could have a good run in the weeks to
come — some love from the Golden Globes in a couple of weeks wouldn’t
hurt — but for now, the hunch is this weekend’s going to Sandler and the
dogs.

4. Valkyrie: $17 million
Speaking of things people might not want to
think about on the holidays, how about Nazis? Or Tom Cruise as a
battle-scarred German officer? From a distance, it seemed like another
potential Wha? moment in the star’s off-the-rails run. And yet…now that it’s here, this doesn’t feel like box office
poison. It’s the only new feature at the multiplex that offers a hint
of action, and the reviews have not been half bad (Lisa
Schwarzbaum gave it a B). Let’s see if Cruise can cash in on the good will he won by rolling the dice on Tropic Thunder.

5. Yes Man: $12 million
The Jim Carrey comedy won a wintry weekend that left a lot of the country housebound. Odds are it
fills a niche for people looking for a comedy, any comedy; enough to keep it in
the upper reaches of the box office chart? Think positive…

ALSO OPENING WIDE:

The Spirit: $7 million
Comic-book fans have been waiting eagerly for the
Frank Miller-directed adaptation of the Will Eisner classic. But with
all the higher profile movies debuting on more screens, just who else is likely to gravitate to it? Comics fans will be there, but will big audiences look at what fans consider
"stylish" and process it as "weird-looking"? With Brad Pitt, Tom Cruise, Adam Sandler,
and Jennifer Aniston in the theaters next door, it may take more than
Samuel L. Jackson as the Octopus to spread this movie’s tentacles beyond its core.

More from EW:
10 Best Films of 2008: Lisa Schwarzbaum’s Picks
10 Best Films of 2008: Owen Gleiberman’s Picks 
10 Best Movies on DVD of 2008: Ken Tucker’s Picks

READ FULL STORY »

Dec 24 2008 02:00 PM ET

OscarWatch TV: 'Doubt' cast reunion, part 3

Tagged:

One thing I was thinking about a lot about while watching Doubt: Did Meryl Streep and Amy Adams need a hairdresser on the film since their heads were always covered by their characters’ habits? Turns out hair was an issue on the set, in more ways than one. See how in the final installment of my OscarWatch interview with the cast.