Archive: April 2009 (21-30 of 45)

Apr 14 2009 01:00 PM ET

'Transformers' star Shia LaBeouf opens up about his injuries

Categories: Movie Biz

Shialabeoufhand_lIt took moments for Shia LaBeouf’s Ford truck to flip over during a wee-hours-of-the-morning car accident last July in West Hollywood. But nearly nine months later, the damage to LaBeouf’s left hand, so badly crushed that one finger had no bone left in it, still hasn’t entirely healed. LaBeouf now says it probably never will. During an exclusive interview with EW about the hotly anticipated June 24 sequel Transformers: Revenge of the Fallen, the 22-year-old star reveals that he expects to get back only "about 80-something percent" of his left hand’s dexterity.

Though LaBeouf was not to blame for the accident, which according to published accounts occurred when another driver allegedly ran a red light, the actor refused a breathalyzer test at the scene and was cited with a misdemeanor DUI. In late September, the L.A. County D.A.’s office declined to prosecute LaBeouf, citing a lack of evidence, but in January, his driver’s license was suspended for one year. (That’s a virtually automatic consequence for anyone who refuses blood-alcohol-level testing after an accident.) A few hours after the crash, LaBeouf underwent a four-hour, early-morning surgical procedure on his left hand. A few weeks later — against the advice of at least one doctor, LaBeouf says — the actor returned to the Transformers set with a specially designed prosthetic bandage that had to be rewritten into the plot line. Additional surgery was postponed till after the film wrapped.

In his interview with EW (after the jump), LaBeouf talks about his recovery, another potentially calamitous accident that happened on the set, the advice he got from his former costar Harrison Ford, and how it felt to have the fate of the $200 million Transformers sequel hang on him.

addCredit(“Paul Drinkwater/AP Images”)

ENTERTAINMENT WEEKLY: What’s been going on with your hand since the first surgery?
SHIA LABEOUF: I’ve had screws and plates put in. They put a screw in
one of my knuckles. And they shaved a piece of bone off my hip and made
a [bone for my] finger out of it.

Was your hand out the window of the vehicle when it got injured?
Yeah.

How is the hand now?
I’m on my third surgery. That’s coming up in a week or two [from April
2]. My middle finger is still crooked as a f—ing noodle, so they’ve
gotta straighten it out and put a screw in it.

How long will it take to recover from this third surgery?
I imagine like two months and I’ll be back on my feet.

How much usage will you get back of your left hand?
Probably about 80-something percent. I’ll be able to make a fist again.
There’s a knuckle I’ll never be able to move again, but that’s probably
the only permanent damage, other than the scarring.

What do you remember of the initial surgical procedure?
The first voice I heard when I came out of surgery was Harrison’s.
Harrison [Ford] called me on the phone and said, "Hey, are you okay?" I
said, "Yeah, I’m good." He said, "Well, then you need to get back to
work." I said, "Are you serious?" He said, "That’s the way this cookie
crumbles." So I went back to work. The show doesn’t stop for anybody.

And of course Harrison, your costar in Indiana Jones and the Kingdom of
the Crystal Skull
, shot most of the second Indy movie with a seriously
screwed-up back. How soon did you go back to work?

I was only down for two weeks. The average bone healing time is six months.

Did you consider postponing your return to the set at all?
When I came back it was just out of the guilt that I had. I pride
myself on my professionalism, and this is the first issue I’ve ever had
where I wasn’t able to come to set, and it’s f—ing heartbreaking when
you gotta look at your crew. You know, what can you do? You just gotta
grab your balls and move forward. There’s nothing else to do. The thing
that cut deep to the core of me was knowing that there were 65 human
beings [in the crew] who are like family to me, waiting for me to come
back. They were sitting on their asses doing nothing because of my…you
know, my situation. It’s the most intense s— I’ve ever dealt with,
and am still dealing with. I mean, if people look at me like a drunk
a–hole, that’s okay. But I know my family looks at me like a whole
different person, and I know my crew respects me immensely. And at the
end of the day, I can’t do much more.

How debilitating has it been to have no use of your left hand all these months?

It’s hard to do anything. It’s hard to button your pants or brush your
teeth, let alone jump off a three-story building into a pad. This movie
was the most physical thing I’ve ever had to do, and I had to do it
with a broken hand. It’s the hardest thing I’ve ever had to do in my
life. Constantly having to take hits and fall and run through
explosions and get hit and beat up all day. Aside from my hand, I also
got 25 stitches making this movie, in various parts of my body — stuff
that had nothing to do with my hand.

In October, there was a report that you got hit with a prop just above one eye and needed stitches.
I basically stuck a f—ing sharp object through my eyelid.

Michael Bay, your director, says it was a large prop of some kind that
caught you, which he didn’t want to identify or describe because it’s a
plot spoiler. He also says he dropped to his knees as soon as he heard
someone on the set say, "There’s blood."

They stitched me up in a military hospital. The doctor looks at me and
he holds his thumb and forefinger about an inch apart from one another.
I said, "What is that?" He said, "Blindness." This is the most insane
s— I’ve ever been a part of.

READ FULL STORY »

Apr 13 2009 10:45 PM ET

'Wolverine' tracking data: Interest in the film remains high, despite Internet leak

Categories: Movie Biz

Execs at Twentieth Century Fox, who were facing the potentially lethal leak of a copy of X-Men Origins: Wolverine two weeks ago, may now have reason to relax — and actually be excited — for the film’s May 1 opening. A tracking report containing consumer research statistics shows a high "wanna see" rating for the film, which is said to be the No. 1 choice for young men and guys aged 31 and older. Those two demographics are key to boosting the first-weekend numbers for a male-targeted superhero franchise film like Wolverine. (Fox has no comment.)

This is quite a dramatic turnaround for a movie that was hit with a crisis scenario two weeks ago, when a full-length, unfinished copy of the movie was uploaded onto the Internet and subsequently downloaded by more than 100,000 viewers free of charge. That could have translated into a lot of lost ticket sales, and, indeed, some industry observers predicted the effects could be catastrophic for the big summer tentpole. But this research seems to contradict that line of thinking and support those who wondered aloud whether the leak might actually turn out to be a positive development for the X-Men spin-off by generating heaps of free publicity. One exec from a competing studio says that it’s too early to predict Wolverine‘s opening weekend numbers, but they’re sure to be huge. "Wolverine is in fabulous shape," says the source. "They could open today." 

Apr 12 2009 05:10 PM ET

Box Office Report: 'Hannah Montana: The Movie' wins the weekend

Categories: Box Office

Hannahmontana_l
Miley Cyrus’ Hannah Montana: The Movie jumped out to a big lead at the box office and never looked back on this competitive holiday weekend. The Disney Channel adaptation took first place with a hefty, better-than-anticipated $34 million gross, according to early estimates from Media by Numbers.

That total exceeds the $31.1 mil that Hannah Montana & Miley Cyrus: Best of Both Worlds Concert opened with a year ago (although this film played in many more theaters), and it amounts to one of the top April debuts ever. Among live-action G-rated fare, this premiere ranks second all time, behind the $42 mil that High School Musical 3: Senior Year banked on its first weekend about six months ago. And Hannah Montana: The Movie did it all on the strength of a solid A CinemaScore review from a crowd that, not surprisingly, was 91 percent female and 77 percent under age 25.

Coming in at No. 2 was Fast & Furious, which earned a solid $28.8 mil on an expected 59 percent drop. Vin Diesel’s car-franchise film has grossed $118 mil domestically — and about $200 mil globally — in 10 days. Monsters vs. Aliens (No. 3) was next with a strong third-weekend take of $22.6 mil.

Seth Rogen’s Observe and Report disappointed in fourth place, with just $11.1 mil. Despite critical huzzahs, the R-rated mall-cop comedy drew a bad C CinemaScore review from a crowd that was two-thirds male. Next stop for it: home video.

Knowing rounded out the top five with $6.7 mil. And the weekend’s other big new release, Dragonball: Evolution, was, as many predicted, a non-factor, bringing in $4.7 mil at No. 8 (and drawing a woeful C+ CinemaScore grade of its own).

Overall, the combined strength of the weekend’s top three films pushed the frame up nearly 50 percent over the same period a year ago, when the Prom Night remake ruled the returns. Thus, this is the third “up” weekend in a row — and second straight hugely up weekend — and, with a $137 mil overall domestic take, it’s also the biggest Easter weekend ever. Certainly, in Hollywood, that’ll be something to celebrate on this holiday. Have a good one!

More Box Office News:
Box Office Preview: Hannah Montana takes on Fast & Furious
Fast & Furious shatters records with $72.5 mil weekend
Monsters vs. Aliens opens at No. 1 with $58.2 mil
Knowing cruises to weekend victory
Race to Witch Mountain casts a spell at No. 1
EW.com’s Box Office Chart

addCredit(“Kerry Hayes”)

Apr 11 2009 05:28 PM ET

'Hannah Montana' grosses a stellar $17.4 mil on Friday

Categories: Box Office

Miley Cyrus’ Hannah Montana: The Movie jumped out to an early lead at the weekend box office, banking a huge $17.4 mil on Friday. That’s the best opening-day gross for a (live-action) G-rated movie ever. The Disney Channel adaptation is on pace to bring in more than $30 mil this Easter weekend, which should put it ahead of reigning champ Fast & Furious. Vin Diesel’s car-franchise flick earned a strong $10.6 mil on Friday. The weekend’s other big new releases garnered first-day grosses that were in line with expectations: Seth Rogen’s Observe and Report laughed up $4.8 mil and Dragonball: Evolution conjured just $2.1 mil. Friday’s rankings are below, and please check back here on Sunday for a full weekend recap in the Box Office Report.

1. Hannah Montana: The Movie — $17.4 mil
2. Fast & Furious — $10.6 mil
3. Monsters vs. Aliens — $9.1 mil
4. Observe and Report — $4.8 mil
5. Knowing — $2.4 mil
6. The Haunting in Connecticut — $2.4 mil
7. I Love You, Man — $2.3 mil
8. Dragonball: Evolution — $2.1 mil
9. Adventureland — $1.2 mil
10. Duplicity — $1 mil

More Box Office News:
Box Office Preview: Hannah Montana takes on Fast & Furious
Fast & Furious shatters records with $72.5 mil weekend
Monsters vs. Aliens opens at No. 1 with $58.2 mil
Knowing cruises to weekend victory
Race to Witch Mountain casts a spell at No. 1
EW.com’s Box Office Chart

Apr 10 2009 07:25 PM ET

'Observe and Report': Seth Rogen and Anna Faris discuss 'The Scene'

Categories: Movie Biz

Seth Rogen’s sad and rageful and strange and strangely funny new movie, about a bipolar mall cop hungry for glory, is not your typical Seth Rogen vehicle. (Whatever that means…though it usually involves Judd Apatow and Rogen in a message T-shirt.) It’s kind of a delight to see a mainstream star cannonball into something as deeply weird as Jody Hill’s Observe and Report. But it’s not for everybody, that’s for sure. Paul Blart would probably storm out of the theater at the first sight of the mall flasher and his flaccid, bobbing penis.

Nobody is more surprised that a mainstream studio like Warner Brothers would release such dark fare than Rogen himself. “I can’t believe it,” says the 26-year-old actor. “I watch this movie and I can’t believe they let us do it. My favorite types of comedies are the ones that literally make me think of the infrastructure of the company that made them. It’s like when I first started watching South Park. How were they allowed to do this? What company is funding this?”

In a movie full of head-bashing, penis-flopping, and syringe-shooting, there’s one scene especially that doesn’t sit well for some. Brandi (played with divine obnoxiousness by Anna Faris) deigns to go on a date with Rogen. She gets schlitzed on shots and pills, and vomits a little on herself by night’s end. The scene then cuts to Rogen pounding away atop her limp body (a snippet can be seen in the NSFW red band trailer below).

More Observe and Report:
Observe and Report: Who is your top scene stealer?
Observe and Report: EW review

In the theater, where I first watched the movie, the tense audience gave a collective sigh of relief, followed by a wheeze of nervous laughter, when Faris’ character rouses and barks at him to keep at it already. “I think people are laughing because I’m not being full on date-raped,” says Faris. “I’m not sure it makes things much better,” she says, with an earnest grimace, “but we don’t need to go down that road.”

The sex scene was always in the script, but because it is a big studio movie, Faris says she “really thought they would weed stuff out. And they did some, but not a whole lot. And I’m proud of that, actually. But at the time when we were shooting that scene, it was like, ‘Really? We’re going to do this? Vomit down the side of my face? Really?’” Rogen says nobody at the studio ever asked them to alter or excise the scene. “There were some arguments with the studio,” he says. “That wasn’t one of them. Shockingly.” (Warner Brothers chose not to comment on the matter.)

I’m not sure how audiences will respond to the movie. (Entertainment Weekly critic Lisa Schwarzbaum writes that Observe and Report is “risky and riotous” and gives it an A-.) My fear, I suppose, is that because of that one scene, some folks will blast the movie without even bothering to see it. Where are these same outraged people every week when Law & Order: SVU parades yet another crooked tableau of some raped and mutilated woman’s body before the beginning credits?

Moviegoers, you’ve been warned. Observe and Report is in fact an odd and sort of creepy black comedy. Maybe I’m sick in the head, but I still recommend it.

READ FULL STORY »

Apr 10 2009 01:31 AM ET

Box Office Preview: 'Hannah Montana' takes on 'Fast & Furious'

Categories: Box Office

Boxofficehannah_l
The annual box office Easter egg hunt is here, and this weekend’s combination of a holiday for many families, spring break for many kids, and several big movies for everyone should make the multiplex a particularly competitive place. Reigning champ Fast & Furious (pictured, top) has to be the favorite, but newcomer Hannah Montana: The Movie (pictured, bottom) could catch it at the finish line. Overall, grosses should be high, but which films will flourish and which could flop? Let’s find out.

1. Fast & Furious — $31 million
Vin Diesel’s car-smashing saga was a surprise sensation last weekend, opening to a stunning, record-breaking, jaw-dropping $71 mil. Even if it hits the brakes a bit, a drop in the neighborhood of 55 percent would still land F&F in the mid-$30 mil range, which should be enough to put it in the winner’s circle once again (and bring its gross to over $100 mil in 10 days).

2. Hannah Montana: The Movie — $28 million
Much has been written about how the Hannah Montana & Miley Cyrus: Best of Both Worlds Concert movie succeeded a year ago, when it opened to $31.1 mil in a relatively small number of 3-D theaters. Well, this flick — an actual Hannah Montana narrative feature — is a different beast, because it’s playing on many more screens (but ones where ticket prices are lower), and it doesn’t feature or come on the heels of a popular concert tour that many fans didn’t get to see. So I don’t think it’ll be as big, but, with lots of kids on vacation, it still should do really well — and could contend for a win. I mean, c’mon: What better way to celebrate Easter than with chocolate, games…and a Disney Channel adaptation?!

3. Monsters vs. Aliens — $20 million
With a healthy $110 mil-plus gross so far and no signs of serious slowing, the 3-D film is another movie that should benefit from this weekend’s spring break/holiday/antsy-kids-out-of-school perfect storm.

4. Observe and Report — $17 million
As of right now, Paul Blart: Mall Cop is the biggest movie of 2009, with a whopping $143.2 mil domestic tally. So this mall-cop film, featuring the popular Seth Rogen, should also be a blockbuster, right? Maybe. Certainly, there’s a lot of good will for the, uh, mall-cop genre right now, and Rogen is a rising star. But the film’s R rating and decidedly darker tone will likely dampen revenues, keeping its debut number around the $17.8 mil that the R-rated funny flick I Love You, Man opened with a few weeks ago.

5. Dragonball: Evolution — $6 million
The weekend’s last big release is based on a popular Japanese manga universe, and it opens here after already earning more than $20 mil overseas. Which is fortunate for Fox and all the folks behind it, because this niche release is going to struggle to survive in 2,181 theaters in such a crowded marketplace.

So what are your picks?

More Box Office News:
Fast & Furious shatters records with $72.5 mil weekend
Monsters vs. Aliens opens at No. 1 with $58.2 mil
Knowing cruises to weekend victory
Race to Witch Mountain casts a spell at No. 1
EW.com’s Box Office Chart

addCredit(“Fast & Furious: Jaime Trueblood; Hannah Montana: Kerry Hayes”)

Apr 8 2009 08:32 PM ET

'Sin City 2' and Weinstein Co.: What's going on?

Categories: Movie Biz

Marv_l
It’s been four years since Robert Rodriguez’s Sin City was in theaters, and fans waiting for a sequel grew even more discouraged yesterday, when a report surfaced on IESB.net alleging that the Weinstein Co. (TWC) had lost the rights to release the second installment. But Weinstein Co. lawyer Bert Fields denies the report, telling EW: “TWC’s rights to produce sequels to Sin City remain intact as they always have been. Any suggestion to the contrary is complete hogwash.”

Still, any concern at Weinstein is understandable, considering two other Frank Miller-inspired films (300 and The Spirit) have come and gone since Sin City (pictured) was released, stealing a bit of the sequel’s thunder. A source close to Rodriguez tells EW that the director’s next film will most likely not be Sin City 2 but the futuristic crime thriller Nerveracker, but confirms Fields’ response, saying of the report of the split with TWC: “It’s not true. That’s a rumor that’s been going around for a while. It’s really just a matter of timing, and he hopes to do it with them in the near future.”

Apr 5 2009 05:53 PM ET

Box Office Report: 'Fast & Furious' shatters records with $72.5 mil weekend

Categories: Box Office

Fastfuriouspaulwalker_l
In the first truly shocking box office result of the year, Fast & Furious sped away from expectations to gross a humongous $72.5 mil, according to early estimates from Media by Numbers. That result is effectively double what most industry observers had predicted for the debut of the fourth feature in Vin Diesel’s car franchise, and it left in the dust a number of notable records:

* Best April opening ever, beating Anger Management‘s $42.2 mil
* Best Universal Pictures opening ever (three-day), beating The Lost World: Jurassic Park‘s $72.1 mil
* Best F&F franchise opening ever, beating 2 Fast 2 Furious‘ $50.5 mil
* Best opening yet in 2009, easily beating the bows of the more-buzzed-about Monsters vs. Aliens ($59.3 mil) and Watchmen ($55.2 mil)
* Best opening ever for stars Diesel, Paul Walker, Michelle Rodriguez, and Jordana Brewster, as well as for director Justin Lin

Oh, and let’s not forget that it was the best opening ever for a car-themed movie! (Beating Cars‘ $60.1 mil.) This outcome is impressive, indeed, something that has caught Hollywood by surprise and has the potential to really change things up — like when summer-esque blockbusters are released (rarely does one open so early in the year) and like, you know, what everyone thinks of Vin Diesel. The film did it all on the strength of a solid A- CinemaScore review from an audience that was 57 percent male and 59 percent over age 25. Like the jaw-dropping early-year debuts of The Passion of the Christ and 300 before it, this is a history-making premiere that you may well be hearing about for a long time to come.

So, yeah, I almost forgot to mention: Fast & Furious was the No. 1 movie at the box office this weekend. Coming in strong at No. 2 was Monsters vs. Aliens, which dropped a respectable 44 percent to earn $33.5 mil. In 10 days, the 3-D extravaganza has banked $105.7 mil.

The Haunting in Connecticut (No. 3 with $9.6 mil), Knowing (No. 4 with $8.1 mil), and I Love You, Man (No. 5 with $7.9 mil) rounded out the top five. And the weekend’s other big new release, Adventureland, struggled with $6 mil at No. 6.

Overall, the box office was up a monstrous 68 percent from the same frame a year ago, when holdover 21 outplayed a number of weak new movies, none of which had Vin Diesel…whom you’re going to start hearing a lot about, once again.

More Box Office News:
Box Office Preview: Fast & Furious revs up for a weekend win
Monsters vs. Aliens opens at No. 1 with $58.2 mil
Knowing cruises to weekend victory
Race to Witch Mountain casts a spell at No. 1
Watchmen wins the weekend with $55.7 mil
EW.com’s Box Office Chart

addCredit(“Jaimie Trueblood”)

Apr 4 2009 04:41 PM ET

'Fast & Furious' grosses huge $30.1 mil on Friday, on pace to shatter box office records

Categories: Box Office

Fast & Furious started off the weekend in shocking fashion, earning an astonishing $30.1 million at the box office on Friday. That sum is more than twice what most industry observers expected and it sets Vin Diesel’s franchise flick on a pace to annihilate the record for the best April opening ever, Anger Management‘s $42.2 mil, among other achievements. By comparison, the highly anticipated Watchmen banked a smaller $25.1 mil on its first day. (Yes, the sound you hear right now is jaws dropping all around Hollywood.) The weekend’s other big new movie, Adventureland, had a hard time getting its motor running, grossing just $2.2 mil on the first day of the frame. Friday’s rankings are below, and please check back here tomorrow for a full weekend recap in the Box Office Report.

1. Fast & Furious — $30.1 mil
2. Monsters vs. Aliens — $8.9 mil
3. The Haunting in Connecticut — $3.7 mil
4. I Love You, Man — $2.7 mil
5. Knowing — $2.7 mil
6. Adventureland — $2.2 mil

More Box Office News:

Box Office Preview: Fast & Furious revs up for a weekend win
Monsters vs. Aliens opens at No. 1 with $58.2 mil
Knowing cruises to weekend victory
Race to Witch Mountain casts a spell at No. 1
Watchmen wins the weekend with $55.7 mil
EW.com’s Box Office Chart

Apr 4 2009 12:40 AM ET

'Nightmare on Elm Street' reboot: Jackie Earle Haley to play Freddy Krueger

Categories: Movie Biz

Watchmen star Jackie Earle Haley has signed on to play Freddy Krueger in New Line’s forthcoming Nightmare on Elm Street reboot, EW has learned. The actor, who received an Oscar nomination for his role as a sex offender in 2006′s Little Children, will take on the part famously originated by Robert Englund when cameras roll on the franchise’s ninth film, titled A Nightmare on Elm Street, on May 5 in Chicago.

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