Archive: May 2009 (1-10 of 45)

May 31 2009 06:36 PM ET

'Up' opens to $68.2 million to lead weekend box office

Categories: Box Office

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Is there any topic Pixar can’t turn into a hit? The studio has now transformed its geriatric fantasy adventure Up into its third highest grossing opening ever, behind The Incredibles ($70 million) and Finding Nemo ($70.2 million). It’s surely been aided by the 1500 3-D screens that cost a premium ticket price. Night at the Museum: Battle of the Smithsonian grabbed the number two slot, holding incredibly well considering the competition was stiff for the family audience this weekend. The Ben Stiller-starrer dropped a mild 53% to $25.5 million for the frame. But despite the solid turnout from the family audiences this weekend, the box office couldn’t match last year at this time when Sex and the City opened to $56.8 million and Indiana Jones and the Kingdom of the Crystal Skull had a giant $44.5 million second weekend. (The top 12 movies were down just under 1% from last year.) 

Despite the dour year-over-year comparisons, individual films are still holding their own. In third place, the well-reviewed Sam Raimi-directed horror film Drag Me to Hell opened to $16.6 million, just beating Terminator Salvation’s three-day take of $16.1 million. The Christian Bale-starrer dropped 62% from its opening frame. The film’s 11-day cume stands at $90 million, far beneath what Terminator 3 had grossed in its first 11 days in theaters back in 2003. Fifth place belonged to the stalwart Star Trek which continues to earn despite already being in theaters for a month. The J.J. Abrams-directed movie has now crossed the $200 million mark — dropping only 44% this frame, it proves it’s still got more earning power left.

More from EW:
Up: Is it Pixar’s best?
Box Office Preview: How high will Up go?
Sam Raimi: My 12 Hell-ish films
Pixar Hall of Fame: 11 classics

May 30 2009 10:51 PM ET

'Up' easily rises to the top of Friday box office

Categories: Box Office

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It’s official: Pixar scores another hit. Up, the studio’s 10th animated feature, grossed an impressive $21.4 million on its first day in theaters. Buoyed by positive reviews — and pricier 3-D tickets — the result is Pixar’s second-highest opening day gross ever, exceeded only by the $23.2 million Wall-E earned last year. Night at the Museum: Battle of the Smithsonian took in an estimated $7.5 million for a second place Friday finish. The other new film of the weekend, Sam Raimi’s well-reviewed horror flick Drag Me to Hell, grossed an estimated $6.4 million, landing it in third pace. The film that seems likely to be in the most trouble is Terminator Salvation, which fell an estimated 66% compared to last Friday’s tally. The film’s total gross after nine days stands at an estimated $79.6 million, more than $10 million less than Terminator 3‘s gross after the same number of days in the theater. Star Trek rounded out the top five with an additional $3.6 million, crossing the $200 million mark in only 23 days. Check back here on Sunday for the complete weekend figures in EW’s Box Office Report.

More from EW:
Up: Is it Pixar’s best?
Box Office Preview: How high will Up go?
Sam Raimi: My 12 Hell-ish films
Pixar Hall of Fame: 11 classics

May 28 2009 10:40 PM ET

Exclusive: Chevy Chase to star in R-rated comedy 'Hot Tub Time Machine'

Categories: Movie Biz

Okay ’80s fans, get excited! Chevy Chase is back in the kind of movie that we (used to) love him in: an R-rated comedy. EW has learned exclusively that Chase has just been cast opposite John Cusack, Rob Corddry, and Craig Robinson (The Office) in United Artist’s Hot Tub Time Machine, an absurdist comedy in which three grown-up guys return to the hot tub they once partied in, discover it’s a time machine, and are transported back to their days of glory. Chase will play a crazy repairman, who at times seems completely off his rocker, but may be the only one who can return the friends to the present day. Steve Pink (Accepted) is directing the movie, currently in production, based on a screenplay by Josh Heald.

May 28 2009 08:14 PM ET

Capt. Richard Phillips' rescue from Somali pirates to become movie

Categories: Movie Biz

It was only a matter of time before Capt. Richard Phillips’ suspenseful capture by Somali pirates and subsequent dramatic rescue by Navy SEALs got a movie deal. Turns out Columbia Pictures is the buyer. The studio announced today that it has optioned the life story rights of Phillips, the captain of the Maersk Alabama ship, which was hijacked back in April. The studio will make the movie with producers Michael DeLuca, Kevin Spacey, Scott Rudin, and Dana Brunetti. The producers have also optioned the film rights to Phillips’ upcoming memoirs.

May 28 2009 07:45 PM ET

Box Office Preview: How high will 'Up' go?

Categories: Box Office

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This weekend, the choices are either to soar with the eagles or dance with the devil, as Hollywood debuts two diametrically opposite movies: Pixar’s brightly animated Up and Sam Raimi’s horror flick Drag Me to Hell. Both are generating great reviews and are coming into the marketplace at just the right time, as there are no other movies like them. Expect a big weekend at the box office. My predictions are below.

1.  Up: $65 million
Even with an old man (voiced by Ed Asner) as the lead, Pixar is sure to maintain its perfect track record, scoring a 10th hit feature in a row. While Disney is trying to temper expectations, the marketing on this movie — about a widower who tethers his house to a million balloons and soars off on an adventure with a surprise stowaway aboard — has children going bonkers in anticipation of its opening. (What kid wouldn’t wish to sail away on the power of helium?) Last summer’s WALL-E bowed to $63 million, but this time some 1,500 locations will be readied for 3-D glasses — and a premium ticket charge — which could breeze Up north of WALL-E’s opening.

2. Drag Me to Hell: $24 million
There hasn’t been a good ole horror movie in the marketplace since the R-rated Friday the 13th opened back in February to an impressive $40.6 million. While director Sam Raimi has a huge following, he certainly won’t be able to muster the strength of the evil Jason. However, with Alison Lohman in the starring role and those trailers looking extra scary, both horror fans and young women are going to be clamoring for tickets.

3. Night at the Museum: $23 million
I might be in the minority here (Lord knows, I overestimated last weekend on this film, predicting $80 million for the four-day, when it wound up with $70.1 mil) but I think Drag Me to Hell is going to best Night’s sophomore session. While the Ben Stiller starrer is truly well liked by the family audience, most interested people probably already saw it during the Memorial Day holiday. My guess is it will drop in the 55-60 percent range, garnering a third spot in the box office derby.

4. Terminator Salvation: $17 million
With its early Thursday opening and a total Memorial Day weekend take of $65.3 million, the McG-directed film has already garnered a good portion of its grosses. This weekend is likely to see a 60 percent drop in action.

5. Star Trek: $11 million
It’s a guarantee that this J.J. Abrams-directed revamp will cross the $200 million mark this weekend, making it the first film of the summer to do so. And with audiences still loving it, Star Trek is likely to gross more than Angels & Demons this frame, even though it opened one weekend before the Tom Hanks thriller bowed.

More Box Office News:
‘Night at the Museum’ opens with $70 mil
‘Angels & Demons’ summons a $48 million bow
‘Star Trek’ soars with $72.5 mil debut
‘Wolverine’ opens with an impressive $87 million
EW.com’s Box Office Chart

addCredit(“Disney/Pixar”)

May 28 2009 12:00 PM ET

'Footloose' exclusive: Chace Crawford and producers talk about the upcoming remake

Categories: Casting, Film, Movie Biz

Chacecrawford_l Chace Crawford is ready to follow the fancy footwork of Kevin Bacon when he begins shooting Paramount’s reboot of the 1984 dance classic Footloose next March. The 23-year-old Gossip Girl star landed the lead after Zac Efron dropped out. “I know Zac and we’re actually friends,” says Crawford. “He’s gotta make the best choice for his career at this point and I have to make the best for mine and luckily it worked out for both of us.” Still, Crawford wasn’t even born when the original premiered in theaters. So is this just an elaborate ruse to win at Six Degrees? Jokes Crawford, “I want my number to be up — my Bacon number.” Crawford won the part after a brutal audition, including dancing and singing, for producers Craig Zadan and Neil Meron (Hairspray) and director Kenny Ortega (High School Musical). “It was, like, five hours of the most rigorous tests ever,” says Crawford. “I walked out very confident.” He had a right to be, according to Zadan: “At the end of it, we all sort of looked at each other and said, ‘He’s the guy!’” Crawford may soon have his onscreen dance partner. A Paramount spokesperson confirmed to EW that Dancing With the Stars’ Julianne Hough will screen-test this week. Hough’s recent success as a country music star could give her an advantage. Says Meron, “It’s a much more singing-intensive movie for the female lead.”

The new Footloose, which recently got a rewrite from Erin Brockovich’s Susannah Grant, will pay homage to the first film — the setting will still be a dance-free town, and the original cast could pop up in cameos. Also expect to hear familiar tunes like the title track. “The classic hit songs from the movie will be sung,” says Zadan, who was also a producer on the 1984 version. “There will be new songs that will be written by new artists, and those will be soundtrack songs.” Explains Meron, “It’s not really a burst-into-song musical. Any songs that are sung are coming out of an organic place.” One thing that may not reappear is some of the more elaborate choreography. “I don’t know if the gymnastics [high bar] scene is going to make it,” says Crawford, who’s about to embark on an Ortega-plotted training regimen. “I’ve got some movement in me, but I’m not a dancer,” he admits. “I need to start stretching now.” (Additional reporting by Nicole Sperling)

May 26 2009 06:43 PM ET

'Terminator Salvation': The shocking, bummer of an ending you didn't see!

Categories: Movie Biz

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SPOILER ALERT: Do not read any further if you don’t want to know plot details of Terminator Salvation. Seriously! You’ve been warned!

Two weeks before Terminator Salvation hit theaters, the film’s director, McG, sat in his L.A. production office for an interview with EW. He was talking about the swirl of rumors and gossip surrounding the film — about how bloggers had posted all kinds of far-fetched speculation during production and how it drove him nuts.

And then, out of nowhere, McG smiles and says, “Here’s something I’ve never talked about before…”.

Now, before we go any further, there’s some backstory about the movie’s plot you’ll need to know if you haven’t already seen it. Terminator Salvation is set in the year 2018 — after the apocalyptic Judgment Day, which was prophesied in the earlier films. There are three main characters in the story: John Connor (Christian Bale), the son of Sarah Connor who will lead the resistance against the evil Skynet; Kyle Reese (Anton Yelchin), the young resistance fighter who will grow up and eventually travel back in time (as seen in the 1984 original when Reese was played by Michael Biehn) to impregnate Sarah Connor with the young savior, John Connor; and Marcus Wright, a mysterious dude who’s half human, half machine programmed by Skynet (the fact that he’s unaware of this makes for some of the most poignant scenes in the film).

Okay, now back to McG’s big, juicy secret. A secret, by the way, that Bale will back up as you read on.

addCredit(“Richard Foreman”)

“There was talk on the Internet about an alternate ending where
Connor dies and they take Connor’s likeness and put it on top of Marcus
Wright’s machine body. So that it’s actually a machine that’s leading
the resistance! And the Internet caught wind of that and people went,
‘That’s bulls—! We don’t want that!’”

McG grins. “Well, that’s not really what the ending was.”

Actually, the bloggers were on the right track. Except, McG adds, the original ending actually went even further.

“Connor dies, okay? He’s dead,” McG continues. “And Marcus offers his
physical body, so Connor’s exterior is put on top of his machine body.
It looks like Connor, but it’s really Marcus underneath. And all of the
characters we care about (Kyle Reese, Connor’s wife Kate, etc.) are
brought into the room to see him and they think it’s Connor. And Connor
gets up and then there’s a small flicker of red in his eyes and he
shoots Kate, he shoots Kyle, he shoots everybody in the room. Fade to
black. End of movie. Skynet wins. F— you!”

F— you, indeed.

We tell the director that this would be the darkest, bleakest summer blockbuster ending of all time. He agrees.

“It’s the most nihilistic thing of all time. And Christian went
f—ing crazy, of course. He was insistent that it be done that way! He
wanted the bad guys to win! Can you imagine the oxygen going out of the
theater?! What just happened! It would piss you off! But maybe two
years from now, you’d think it was ballsy. But in the end, it just felt
like too much of a bummer.”

He pauses, thinking about the alternate ending that wasn’t. “Maybe we blew it.”

McG says the studio had signed off on this original dark-as-night
ending. But something about it didn’t smell right to him in the end.
How could a movie with a reported budget of $200 million and a possible
future of sequels possibly end that way?

EW sits down with Bale the next day and tells the star how McG let the cat out of the bag. Bale laughs. “There’s not much McG can keep in, is there?”

Was he really, as McG says, gung-ho to shoot that everyone-dies ending?

“I’m not the director,” says Bale. “There came to be a different
option that almost everyone, except myself, felt was the better way to
go. I took a bit of convincing, but you know, at the end of the day,
you need a director to make that call.”

But doesn’t he think that his Salvation would have been a depressing bummer, not to mention suicide at the box office?

“Done the way I saw it? No. But am I disappointed with this one? No.”

READ FULL STORY »

May 25 2009 06:44 PM ET

Box Office Report: 'Night at the Museum' opens with $70 mil

Categories: Box Office

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Ben Stiller had no problem handling Christian Bale and an army of robots this Memorial Day weekend. Night at the Museum: Battle of the Smithsonian cruised to an easy first-place finish of $70 million over the four-day weekend, according to early estimates by Hollywood.com Box Office. The total marks Stiller’s biggest opening ever, as the PG-rated comedy clearly caught the attention of families looking for non-violent (and just a wee bit educational) entertainment. Smithsonian‘s tally also demolishes its predecessor, Night at the Museum, which opened its doors to a $42.2 million gross over a four-day Christmas weekend in 2006.

Settling for No. 2 was Terminator Salvation, which earned $53.8 million over the four-day weekend (plus $13.4 million from its debut on Thursday, bringing its five-day gross to $67.2 million). Warner Bros. will boast about Salvation representing the Terminator series’ best opening, beating Terminator 3: Rise of the Machine‘s three-day tally of $44 million in July 2003. But as impressive as Salvation‘s earnings may be, it could have trouble in the forthcoming weeks. The film’s numbers dropped from Friday to Saturday, a rarity that could signal disappointing word of mouth.

Both Star Trek (No. 3 with $29.4 million) and Angels and Demons (No. 4 with $27.7 million) registered solid results, dropping only 47 percent and 53 percent, respectively, from last weekend. Trek, in particular, is holding up extremely well — the sci-fi reboot is closing in on $200 million and should take over Monsters vs. Aliens this week to become 2009′s top moneymaker.

Dance Flick rounded out the top five with $13.1 million, which is a respectable outcome for the modestly budgeted spoof movie from the Wayans family.

On the indie scene, Steven Soderbergh’s The Girlfriend Experience, starring the adult-film actress Sasha Grey, scored an okay $200,000 from 30 theaters. Easy Virtue, the 1920s-era romantic comedy featuring Jessica Biel, roared to $146,000 from just 10 theaters for a healthy average of $14,600 per theater. Also, the con film The Brothers Bloom expanded to 52 theaters, stealing $528,000 and averaging just more than $10,000 per theater.

Overall, the box office was up 2% compared to last year’s Memorial Day weekend, when Indiana Jones and the Kingdom of the Crystal Skull, despite nuking the fridge, managed to whip up a staggering $126.9 million.

More Box Office News:
Box Office Preview: ‘Terminator Salvation’ and ‘Night at the Museum 2′ square off
Angels & Demons summons a $48 million bow
Star Trek soars with $72.5 mil debut
Wolverine opens with an impressive $87 million
EW.com’s Box Office Chart

May 24 2009 06:27 PM ET

'Night at the Museum 2' expands its box-office lead with an additional $20 mil on Saturday

Categories: Box Office

Night at the Museum: Battle of the Smithsonian widened its first place lead by grossing $20 million on Saturday, according to box-office estimates. This brings its three-day weekend estimate to $53.5 million. By comparison, the original Night at the Museum opened to a three-day weekend tally of $30.4 million in December 2006, and then showed incredible stamina during the following months. As for Terminator Salvation, the future may be looking bleak. Salvation grossed $14.8 million on Saturday — a small drop from its estimated Friday harvest of $15 million. Nearly all of the movies in the Top 10 saw Friday-to-Saturday boosts of at least 20%, so the fact that Salvation‘s numbers are actually dropping is cause for concern. Salvation is on track for a three-day weekend total of $43 million. The last Terminator movie, Terminator 3: Rise of the Machines, opened to $44 million during Independence Day weekend in 2003. Saturday’s figures are below, and check back here on Monday for a full four-day holiday weekend recap.

1. Night at the Museum: Battle of the Smithsonian – $20 mil
2. Terminator Salvation — $14.8 mil
3. Star Trek — $8.4 mil
4. Angels and Demons — $8.1 mil
5. Dance Flick — $3.9 mil

More Box Office News:
Box Office Preview: ‘Terminator Salvation’ and ‘Night at the Museum 2′ square off
Angels & Demons summons a $48 million bow
Star Trek soars with $72.5 mil debut
Wolverine opens with an impressive $87 million
EW.com’s Box Office Chart

May 23 2009 06:26 PM ET

'Night at the Museum' attracts $15.3 mil at the box office on Friday

Categories: Box Office

In the battle between enchanted museums and explosive machines, museums attracted a larger crowd on Friday according to box-office estimates. The family comedy Night at the Museum: Battle of the Smithsonian claimed the No. 1 spot Friday, grossing $15.3 mil. Smithsonian‘s opening-day total was star Ben Stiller’s best live-action debut ever, and the movie surpassed the opening-day result of its predecessor, Night at the Museum, which opened to $12.1 million in December 2006. Closely behind Smithsonian was Terminator Salvation with $14.8 million. When combined with its $13.4 million take on Thursday, Terminator‘s two-day total stands at $28.2 million. The weekend’s other notable debut, the dancing-movie spoof Dance Flick, flipped into fifth place with just less than $4 million. Friday’s rankings are below, and be sure to check back here on both Sunday and Monday for additional updates and a full holiday weekend recap.

1. Night at the Museum: Battle of the Smithsonian — $15.3 mil
2. Terminator Salvation — $14.8 mil
3. Angels and Demons — $6.1 mil
4. Star Trek — $5.8 mil
5. Dance Flick — $3.9 mil

More Box Office News:
Box Office Preview: ‘Terminator Salvation’ and ‘Night at the Museum 2′ square off
Angels & Demons summons a $48 million bow
Star Trek soars with $72.5 mil debut
Wolverine opens with an impressive $87 million
EW.com’s Box Office Chart

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