Archive: December 2009 (61-70 of 70)

Dec 4 2009 03:53 PM ET

Matt Damon on 'Bourne 4': 'I wouldn't do it without Paul Greengrass'

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Matt Damon is still optimistic that Bourne 4 will happen. But the actor, who’s starring in the upcoming Invictus for Clint Eastwood, made it very clear that he wouldn’t do the movie without director Paul Greengrass. (Greengrass, who directed both Bourne Supremacy and Bourne Ultimatum, dropped out of the fourth film which did not yet have a greenlight last week.) “I feel like someday it’s going to happen,” Damon said at the premiere of Invictus on Thursday night (that film bows Dec. 11). “We just don’t have a script right now and so there’s no reason to try to put a round peg into a square hole. People like the franchise, including us, but the only reason to do another one is if we can make it great.”

He adds, “Paul’s got to go to work, you know? He’s ready to do another job, and it wasn’t the right job now. I get it. I wouldn’t do it without him but I don’t feel like he’s done with it totally. I think he’d change his mind if a good script came along. If there was a great Bourne idea, he would love to do it. It’s a big part of his life, too. We’re still going to keep working together — and hopefully on another Bourne movie too.” (Greengrass and Damon also worked together on Green Zone, which is due out in March 2010).

Josh Zetumer, the young screenwriter who did a last minute polish on Quantum of Solace and is the writer behind the upcoming adaptation of Dune, is currently in the middle of writing a script for Bourne 4. It’s a parallel effort to the work George Nolfi did on the film but Nolfi exited the project to direct Damon in The Adjustment Bureau, which he will wrap in New York next week. — Reporting by Carrie Bell

Photo Credit: Jordan Strauss/WireImage.com

Dec 3 2009 10:54 PM ET

'Precious,' the National Board of Review, and the Royal Society for Putting Things on Top of Other Things

Monty Python fans will recognize the RSFPTOTOOT immediately — the esteemed members were, according to one of the Python lads’ greatest sketches, men who gathered annually for useless meetings until one day, one of their ilk declared the whole thing rather silly. And the group disbanded. I thought of the RSFPTOTOOT today when the National Board of Review — the American cinema world’s organizational equivalent — announced its choices for the year’s top 10 movies, and Precious was missing from the list. Now, I realize this omission is pretty theoretical stuff to the millions of moviegoers who have yet to see the movie. But trust me, this counts as an extremely silly snub.

Well, I was briefly starting to work up a head of steam about the matter — why is Movie X on the list but Movie Y isn’t, who are these Board Reviewers who READ FULL STORY »

Dec 3 2009 04:42 PM ET

Box-office preview: Sandra Bullock's 'The Blind Side' on track to win the weekend

It’s a rare box-office treat when a film that has been in release for two weeks is destined to hit the number one spot at the box office. But The Blind Side has been a surprise since it debuted opposite New Moon two weeks ago to a solid $34 million and then did the unthinkable, which is gain 18% of its audience its second frame. Now the Sandra Bullock-starrer has earned a robust $105 million and is destined for a number one slot this weekend. It helps that the weekend following Thanksgiving is traditionally a slow one in theaters. Hollywood usually turns it over to the malls and its shoppers. But that bodes well for the holdovers. New Moon is likely to tumble again significantly its third weekend in theaters, but with $236 million already in the bank, another steep drop is to be expected. There are four new releases vying for placement at the box office derby but the only one with a real chance for the Top 5 is Screen Gems’ PG-13 rated heist flick Armored. Neither the Robert De Niro-starrer Everybody’s Fine nor the Tobey Maguire-Natalie Portman-Jake Gyllenhaal three-hander Brothers is likely to crack the top five. It’s interesting that both of the Oscar bait pictures Fine and Brothers are being released wide this frame. Conventional wisdom would suggest they’d open small and expand. Read on for my predictions. READ FULL STORY »

Dec 3 2009 02:59 PM ET

'Up in the Air': Jason Reitman on his Best Picture frontrunner

Jason Reitman’s Up in the Air has taken something of a back seat in the Oscar-buzz department over the last month or so as Precious has been dominating the conversation. But now that the George Clooney comedic drama has won the National Board of Review prize for Best Picture and is finally hitting theaters in New York and Los Angeles tomorrow, its sure-to-be-fantastic reviews will soon elevate it to movie-to-beat status. Here’s Part 1 of my OscarWatch interview with the hyper-articulate writer-director, on working with Clooney and obsessing over frequent-flier miles.


Dec 3 2009 02:16 PM ET

'Up in the Air' wins National Board of Review

The National Board of Review has named Up in the Air as its Best Picture of 2009. It’s a huge boost to its overall award chances, given that last year’s NBR honoree was eventual Oscar winner Slumdog Millionaire. Invictus and The Messenger also fared very well overall. The complete list of winners is below. Though Up in the Air was my prediction for NBR’s winner, I managed to forecast only six of the NBR’s Top 11 correctly. (Missing from that list, by the way? Precious and Nine.) Congratulations to commenters Ama, MrFord, BenG, and Ibad for predicting 8 each. And don’t forget to follow me on Twitter (@davekarger) to get instant Oscar-related updates.

Best Picture Up in the Air

Top 10 Films
An Education
(500) Days of Summer
The Hurt Locker
Inglourious Basterds
Invictus
The Messenger
A Serious Man
Star Trek
Up
Where the Wild Things Are

Best Director Clint Eastwood, Invictus

Best Actor George Clooney, Up in the Air, and Morgan Freeman, Invictus

Best Actress Carey Mulligan, An Education

Best Supporting Actor Woody Harrelson, The Messenger

Best Supporting Actress Anna Kendrick, Up in the Air

Best Original Screenplay Joel and Ethan Coen, A Serious Man

Best Adapted Screenplay Jason Reitman and Sheldon Turner, Up in the Air

Breakthrough Actor Jeremy Renner, The Hurt Locker

Breakthrough Actress Gabourey Sidibe, Precious

Best Foreign-Language Film A Prophet

Top Five Foreign-Language Films
The Maid
Revanche
Song of Sparrows
Three Monkeys
The White Ribbon

Best Documentary The Cove

Top Five Documentaries
Burma VJ
Crude
Food, Inc.
Good Hair
The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers

Best Animated Film Up

Best Ensemble Cast It’s Complicated

Best Directorial Debut Duncan Jones, Moon; Oren Moverman, The Messenger; Marc Webb, (500) Days of Summer

BVLGARI Award for Freedom of Expression Burma VJ, Invictus

Top 10 Independent Films
Amreeka
Goodbye Solo
Humpday
In the Loop
Julia
Me and Orson Welles
Moon
Sugar
Two Lovers

Check out my OscarWatch interview with Up in the Air’s Jason Reitman, after the jump.

READ FULL STORY »

Dec 2 2009 06:43 PM ET

The big year-end movies: Are they taking too long to come to a theater near you?

I have a question for all you avid year-end moviegoers: Do you feel frustrated and teased? Do you keep reading about movies that you’re dying to see…but can’t see? For weeks? Or maybe even months? Do you wonder why some of these films, even if they have very big stars in them, have to take so long before they come to a theater near you?

I’m starting to wonder myself. My big double-take moment occurred near the end of the Thanksgiving weekend, when I looked up the box-office report and discovered that The Princess and the Frog, the acclaimed and eagerly awaited new Disney cartoon, had opened in just two theaters. I’d assumed, wrongly, that it had already gone wide. Naturally, on those two screens, it generated a per-screen average of about a hundred million zillion dollars. But why the teensy-boutique, specialty-movie release for a Disney cartoon in the grand princess-populist tradition of Cinderella and The Little Mermaid? Is it really so exotic that the movie was hand-drawn? READ FULL STORY »

Dec 2 2009 12:17 PM ET

National Board of Review: Beat my predictions

For me, the awards season really jump-starts when the National Board of Review releases its list of honorees. Last year they were the first group to single out eventual winners Slumdog Millionaire and Penelope Cruz. Their lead-acting winners almost always go on to earn Oscar nods (I’m thinking it’ll be Colin Firth and Meryl Streep this time), but I’m most curious to see what their top 10 list looks like when their winners are announced tomorrow. Actually, it’s more like a top 11, since they name a Best Picture winner and then a separate top 10. My predictions are below; tell me yours in the comments and we’ll see who gets the most correct.

Best Picture
Up in the Air

Top 10
An Education
The Hurt Locker
Invictus
It’s Complicated
The Lovely Bones
The Messenger
Nine
A Serious Man
A Single Man
Precious

Dec 1 2009 08:16 PM ET

'Bourne' director confirms he won't do fourth film

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Paul Greengrass, who directed the second and third installments of the $945 million grossing franchise — The Bourne Supermacy and The Bourne Ultimatum — has confirmed that he will not be making the fourth film. Greengrass, who also directed the controversial 9/11 drama United 93, issued this statement:  “You won’t find a more devoted supporter of the Bourne franchise than me. I will always be grateful to have been the caretaker to Jason Bourne over the course of The Bourne Supremacy and The Bourne Ultimatum. I’m very proud of those films and feel they express everything I most passionately believe about the possibility of making quality movies in the mainstream. My decision to not return a third time as director is simply about feeling the call for a different challenge. There’s been no disagreement with Universal Pictures. The opportunity to work with the Bourne family again is a difficult thing to pass up, but we have discussed this together and they have been incredibly understanding and supportive. I’ve been lucky enough to have made four films for Universal, and our relationship continues. Jason Bourne existed before me and will continue, and I hope to remain involved in some capacity as the series moves on.”

The story, which originally broke earlier this week on the blog The Playlist, cited script challenges and Greengrass’s schedule as mitigating factors. (Greengrass has been busy making Green Zone, a big-budget Iraq-based thriller, with Bourne star Matt Damon.) Variety’s Michael Fleming reports today that Damon is not yet attached to make the fourth Bourne film, either, and posits that Tony Gilroy, who wrote all three previous Bourne films and recently directed Michael Clayton and Duplicity, could now possibly step in to write and direct. It’s also possible that Georg Nolfi –who co-wrote Ultimatum with Gilroy and is now making his directing debut, Adjustment Bureau (based on a Philip K. Dick short story) with Damon in the lead — might also consider stepping in as director. Nolfi has already written a version of the script for the fourth Bourne, but when he left to do Adjustment, the studio brought in writer Joshua Zetumer to script a different version. It remains to be seen which script, and which director (if any), will persuade Damon to sign his name on the dotted line.

Dec 1 2009 05:11 PM ET

Sandra Bullock in 'The Blind Side,' getting serious

A few months ago, as All About Steve came and went having revealed more about Steve than audiences could bear, I wrote in this blog about the disservice Sandra Bullock was doing herself, clinging to outmoded girly roles when her talent (and the sunny goodwill she has earned with audiences) could support more serious and more mature characters.

Am I a genius or what? Okay, maybe not. But the great response our Sandy (we can call her that, can’t we, because she’s a star who feels very much one of the people) is getting for her more serious, more mature work in The Blind Side pleases me almost as much as it must be pleasing her.  I’m struck by the number of critics, entertainment reporters, and awards number-crunchers who go out of their way to say that Bullock’s performance as a rich, white, exemplary Christian woman who takes in a lost, homeless black teen and nurtures him to success is the best of her career to date.

I don’t even necessarily think it is — she was separately but equally terrific in READ FULL STORY »

Dec 1 2009 11:27 AM ET

Spirit Award nominations announced

The nominees for the Spirit Awards were just announced, with Precious, The Last Station, and The Messenger performing particularly well. A couple notes: Overlooked candidates include A Serious Man‘s Michael Stuhlbarg, A Single Man‘s Julianne Moore, and That Evening Sun‘s Hal Holbrook. An Education‘s Carey Mulligan wasn’t eligible (her film is not from the U.S.), and The Hurt Locker received two nominations last year. Here are the nominees:

Best Feature
(500) Days of Summer
Amreeka
Precious
Sin Nombre
The Last Station

Best Director
Ethan Coen, Joel Coen, A Serious Man
Lee Daniels, Precious
Cary Joji Fukunaga, Sin Nombre
James Gray, Two Lovers
Michael Hoffman, The Last Station

Best Screenplay
Alessandro Camon, Oren Moverman, The Messenger
Michael Hoffman, The Last Station
Lee Toland Krieger, The Vicious Kind
Greg Mottola, Adventureland
Scott Neustadter, Michael H. Weber, (500) Days of Summer

Best First Feature
A Single Man
Crazy Heart
Easier With Practice
Paranormal Activity
The Messenger

Best First Screenplay
Sophie Barthes, Cold Souls
Scott Cooper, Crazy Heart
Cherien Dabis, Amreeka
Geoffrey Fletcher, Precious
Tom Ford, David Scearce, A Single Man

Best Female Lead
Maria Bello, Downloading Nancy
Nisreen Faour, Amreeka
Helen Mirren, The Last Station
Gwyneth Paltrow, Two Lovers
Gabourey Sidibe, Precious

Best Male Lead
Jeff Bridges, Crazy Heart
Colin Firth, A Single Man
Joseph Gordon-Levitt, (500) Days of Summer
Souleymane Sy Savane, Goodbye Solo
Adam Scott, The Vicious Kind

Best Supporting Female
Dina Korzun, Cold Souls
Mo’Nique, Precious
Samantha Morton, The Messenger
Natalie Press, Fifty Dead Men Walking
Mia Wasikowska, That Evening Sun

Best Supporting Male
Jemaine Clement, Gentlemen Broncos
Woody Harrelson, The Messenger
Christian McKay, Me and Orson Welles
Raymond McKinnon, That Evening Sun
Christopher Plummer, The Last Station

Best Cinematography
Roger Deakins, A Serious Man
Adriano Goldman, Sin Nombre
Anne Misawa, Treeless Mountain
Andrij Parekh, Cold Souls
Peter Zeitlinger, Bad Lieutenant: Port of Call New Orleans

Best Documentary
Anvil! The Story of Anvil!
Food, Inc.
More Than a Game
October Country
Which Way Home

Best Foreign Film
A Prophet
An Education
Everlasting Moments
Mother
The Maid

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