Archive: March 2010 (71-78 of 78)

Mar 2 2010 07:47 PM ET

'Hurt Locker' producer barred from Oscars by the Academy

With all the attention drawn to Nicolas Chartier’s email to friends asking them to vote for his war movie The Hurt Locker over the “$500 million film,” it’s little wonder that the Academy of Motion Picture Arts & Sciences has denied the producer entry to the show. The Academy ruled late last night that Chartier’s email violated the Academy’s strict campaigning rules. As a result, he will not be allowed admittance to the show this Sunday.

The Academy took greatest issue with Chartier disparaging Avatar with his flippant “$500 million” comment. According to the press release, “Academy rules prohibit casting a negative or derogatory light on a competing film.” The executive committee stopped short of rescinding Chartier’s nomination. If The Hurt Locker wins Best Picture, the French producer will still receive his Oscar following the ceremonies.

Chartier apologized for his e-mail in a statement last week: “My naivete, ignorance of the rules and plain stupidity as a first-time nominee is not an excuse for this behavior, and I strongly regret it.” Nonetheless, should Hurt Locker win on Sunday night, only screenwriter Mark Boal, director Kathryn Bigelow, and producer Greg Shapiro will be onstage to collect their award.

Mar 2 2010 05:14 PM ET

Tim Burton and Timur Bekmambetov reunite to produce 'Abraham Lincoln: Vampire Hunter'

There is no more perfect a pairing than the visually stimulating duo Tim Burton and Timur Bekmambetov (Wanted) to take on the bizarre combination of Abraham Lincoln and vampires. The two filmmakers, who previously came together to produce the animated feature 9, will re-team to make the big-screen adaptation of Abraham Lincoln: Vampire Hunter, the newly released novel by Seth Grahame-Smith. Grahame-Smith, who also wrote Pride and Prejudice and Zombies, will adapt the screenplay. Jim Lemley will also produce.

Abraham Lincoln: Vampire Hunter turns history on its head, telling the story of the 16th president’s secret battle with the undead–a battle that began during Lincoln’s childhood as a way to avenge his mother’s murder. With a Lincoln story this cool on the development track, will Steven Spielberg finally lay to rest his long-gestating plans for a Lincoln biopic? Hmmm.

Mar 2 2010 03:32 PM ET

Justin Timberlake joins cast of Sony's 'Bad Teacher'

Justin Timberlake sure doesn’t have much time for music with his movie career taking off. Fresh off his role in David Fincher’s upcoming Facebook movie The Social Network, Timberlake has signed on opposite Cameron Diaz and Jason Segal in the comedy Bad Teacher from director Jake Kasdan (Walk Hard: The Dewey Cox Story). He will play a substitute teacher, the scion of a watch company fortune. Also joining the cast of the movie that centers on Segal’s character, an irreverent middle school teacher, are Molly Shannon and Eric Stonestreet (Modern Family’s Cameron.) The film written by Lee Eisenberg and Gene Stupnitsky begins production later this month.

Mar 2 2010 03:04 PM ET

Summit replaces editor on 'The Twilight Saga: Eclipse'

Summit Entertainment, the studio behind the uber-successful Twilight series, confirmed this morning that it has replaced Eclipse editor Art Jones with Nancy Richardson, the editor of Catherine Hardwicke’s original Twilight film. The studio is not placing blame on Jones, who previously worked with Eclipse director David Slade on his horror film 30 Days of Night as well as Slade’s Ellen Page-starrer Hard Candy. They do believe, however, that Slade’s material – which they call “very good” – needed a stronger edit. The studio has more confidence in Richardson, who they say understands the emotion of the characters and is an ace at balancing action with the other elements of the film.

Richardson recently completed Miley Cyrus’ upcoming romantic drama The Last Song. Eclipse is scheduled to debut on June 30.

Mar 2 2010 11:38 AM ET

'The Hurt Locker' backlash: What will it mean?

It’s times like these that make me hate the Oscar season. Every year without fail it seems there’s a wave of trash-talking against the perceived front-runner for Best Picture. Obviously, these days that’s The Hurt Locker. And the backlash has been coming fast and furious. Some of the negative press has certainly been earned: Locker producer Nicolas Chartier showed absolutely horrible judgment (and an total lack of class) when he emailed Hollywood industry types encouraging them to vote for his film instead of “a $500M film.” But other swipes at the movie seem more calculated. Rival studios—and don’t assume I’m talking about 20th Century Fox, which released Avatar, because I’m not—are reminding anyone who’ll listen about Locker‘s weak box office performance. Military spokespeople are decrying what they perceive as inaccuracies in the film…eight months after it was released. It all reeks of desperation on the part of the film’s competition, to take down the movie that nearly every guild has anointed as the best of 2009.

The same thing happened last year, you’ll recall. In the weeks leading up to Slumdog Millionaire‘s Oscar sweep, claims began surfacing that the filmmakers had exploited the production’s young actors. Slumdog detractors also cried foul when the film won the SAG Award for best cast over Milk and Doubt. In that instance, the backlash didn’t end up making a difference because Slumdog was so far out in front. But this year it’s a different story, with Avatar and The Hurt Locker so tightly stacked against each other for Best Picture. The Hurt Locker certainly has all the big precursors on its side, and the preferential balloting does seem like it’ll help that film more than Avatar. But I continue to hear about a wave of west coast support for Avatar to counter the New York voters’ love for Kathryn Bigelow’s film. And now, one of the savviest Oscar predictors around, Sasha Stone over at Awards Daily, is predicting Avatar for the big win this Sunday. She may be right.

If Hurt Locker loses, will it just be because of all the recent negative commentary? Probably not. The backlash didn’t really pick up steam until so late in the balloting process that many voters had already submitted their ballots. But it probably did cost The Hurt Locker some votes. What worries me is this: In many people’s minds, a Hurt Locker loss might prove that negative campaigning works. Meaning we’ll see more of the same predictable, petty awards-season trash-talking next year.

I’m headed out to Los Angeles tomorrow for the run-up to the awards. Follow me on Twitter (@davekarger) for updates while I’m there.

Image credit: Jonathan Olley

Mar 1 2010 09:20 PM ET

Oscars: Cablevision customers in New York area may miss ceremony this weekend

Tags: , , TV

Some 3 million Cablevision customers in the top TV market in the United States — Long Island, Westchester, Brooklyn, and parts of Connecticut and New Jersey — could miss this weekend’s Oscar telecast if the cable company doesn’t reach a re-transmission agreement with WABC-TV Channel 7. Starting today, the ABC-owned station began running on-air alerts that warn subscribers of an impending blackout that could start at 12:01 a.m. ET on Sunday unless a new deal is reached. Affected subscribers who don’t want to miss the awards show will have options, including receiving WABC-TV the old-fashioned way, free and over-the-air.

ABC released this statement today on behalf of Rebecca Campbell, WABC-TV’s President and General Manager: “With the help of our viewers, we’ve built ABC7 into the most watched station in the country, and have been trying for two years to get Cablevision to acknowledge the station’s value to their business. Despite our best efforts, it has now become clear that Cablevision has no intention of coming to a fair agreement. We can no longer sit back and allow Cablevision to use our shows for free while they continue to charge their customers for them. We’ve worked too hard and invested too many millions of dollars in programming and community outreach, to be taken advantage of any longer – especially since our viewers can watch their favorite ABC7 shows free, over-the-air, or by switching to one of Cablevision’s competitors.”

A similar standoff occurred late last year between Time Warner and Fox, but it was resolved in January.

UPDATE: Cablevision responded with this statement from Charles Schueler, an exec VP of communications and community relations: “It is shocking that in these difficult economic times, ABC Disney is threatening to remove WABC unless Cablevision and its customers pay $40 million in new fees for programming that it offers today for free, both over-the-air and online. It is not fair for ABC Disney to hold Cablevision customers hostage by forcing them to pay what amounts to a new TV tax. We urge ABC Disney not to pull the plug and instead work withus to reach a fair agreement.”

A similar standoff occurred late last year between Time Warner and Fox, but it was resolved in January.

Mar 1 2010 11:42 AM ET

'Avatar' sweeps Visual Effects Society Awards

Avatar was predictably the big winner at last night’s Visual Effects Society Awards, taking home six trophies out of the seven categories in which it was nominated (its only loss came to District 9, in the Outstanding Compositing category). Avatar‘s Neytiri was named Outstanding Animated Character in a Live Action Film, while “Neytiri Drinking” won the award for Best Single Visual Effect of the year. Up, meanwhile, swept all three animated-film prizes, while Sherlock Holmes was the winner for Best Supporting Visual Effects, the award given to films with a smaller amount of bells and whistles. If there’s one Oscar Avatar is most likely to win this Sunday night, it’s clearly for Best Visual Effects.

Mar 1 2010 11:17 AM ET

Lesson of the weekend: 'Cop Out,' 'The Crazies' prove that genre movies work (duh!)

cop-out-crazies2Image Credit: Cop Out: Abbott Genser; Crazies: Saeed AdyaniThese days, a lot of the movies that get singled out for awards are described in terms that make them sound — often unfairly — less than commercial. They are “serious,” “dark,” “adult,” “quirky,” “cerebral.” And, quite often, “small.” Actually, though, the most telling thing about them is that they’re unclassifiable. They may be about love or war or 3-D alien forest natives, but what they are not, as a rule, is genre movies. (If anything, they’re genre-busting movies.) I had a reader take me to task for calling Up in the Air a romantic comedy, and she was right, but what the heck do you call it? A happy-go-lucky-bachelor-meets-the-economic- crisis-and-finds-love-but-not-really comedy? And Inglourious Basterds, while indisputably a World War II movie, is really, in every frame, a Quentin Tarantino film (more than an auteur, he’s his own genre, his own form), which means that the movie is really two things at once, and therefore unique enough to transcend genre imperatives.

This weekend, however, the moviegoing audience was lured by three pictures that play, quite happily, by orthodox genre rules. Each of them filled a niche (in one case, a fairly outsize niche), and that translated into success. I suppose you could say that Shutter Island, in its way, has a touch of that form-straddling uniqueness I was talking about, yet quite honestly, without the opening credits, I don’t think I ever would have guessed that its director is Martin Scorsese. In its strong second weekend, the film has continued to play to audiences eager to see a mind-bendy mystery-thriller with sprinkles of horror-film dread. I certainly think that it’s the closest thing to a higher-popcorn genre exercise that Scorsese has ever directed (Cape Fear looks like Taxi Driver by comparison), and that perception could well end up pushing it past the $132 million made by The Departed to render it the top-grossing movie of his career. READ FULL STORY »

Advertisement

Find Movies and Showtimes

Powered by MovieTickets.com

Choose Your Movie

All movies

TV Recaps

Powered by WordPress.com VIP