Finally some story details ahead of time on a Woody Allen movie. The prolific auteur will direct Owen Wilson, Marion Cotillard, Rachel McAdams, Kathy Bates and the France’s first lady Carla Bruni-Sarkozy. Set to shoot this summer in Paris, Midnight in Paris is a romantic comedy centering on a family traveling to the city for business. There is also a young engaged couple that has their lives transformed throughout the journey. The film, according to the press release, “celebrates a young man’s great love for Paris, and simultaneously explores the illusion people have that a life different from their own is better.” Michael Sheen (The Queen), newcomer Nina Arianda, Tom Hiddleston (Thor), Corey Stoll (Salt), veteran TV actor Mimi Kennedy and Kurt Fuller (Mr. Woodcock) will also star.
Archive: April 2010 (21-30 of 64)
Sony pushes 'Green Hornet' to MLK weekend; goes 3-D
Hold onto your glasses — Seth Rogen is going 3-D. Not only did Rogen transform himself physically to take on the superhero Green Hornet, but his movie will now be transformed as well — into 3-D. Sony Pictures announced today that it will shift its holiday superhero movie from its Dec. 22 date to the Martin Luther King Day holiday weekend of Jan. 14, in order to have time to convert the film successfully into the extra dimension.
Sony vice-chairman Jeff Blake made it very clear that this is no last-minute conversion, à la Clash of the Titans. Rather, the movie, from director Michel Gondry (Eternal Sunshine of the Spotless Mind), just completed principal photography and has yet to be edited. Also, the special effects for the film haven’t even begun. Gondry, asserts Blake, is excited about the film’s 3-D prospects and shot the movie with a depth and scope that lends itself to 3-D.
The move to January gets Green Hornet out of the crowded winter 3-D corridor, when films such as Disney’s Tron and Warner Bros.’s Yogi Bear will battle for the limited 3-D screens. Fox’s Gulliver’s Travels will also open during the holiday season in 3-D.
As part of the date shifting, Sony is also moving Screen Gems’ Priest off its Jan. 14 date and into March.
Breck Eisner to direct 'Escape from New York' remake
Looks like New Line Cinema’s plans to remake John Carpenter’s cult classic Escape from New York is coming together. The studio, which recently received a rewrite from Allan Loeb (Wall Street 2: Money Never Sleeps) is in negotiations with Breck Eisner to helm the dystopian actioner. While the movie has yet to find its Snake Plissken, the studio has honed in on Eisner, who recently directed the R-rated remake to George Romero’s The Crazies.
Eisner, the son of former Disney head honcho Michael Eisner, directed the 2005 critical failure Sahara, starring Matthew McConaughey and Penelope Cruz. His second effort, the lower-budgeted horror flick The Crazies, which starred Timothy Olyphant and Radha Mitchell, earned a much friendlier critical reception, and has grossed close to $40 million since it debuted at the end of February.
Box office preview: Neither 'The Losers' nor 'The Back-Up Plan' are likely to generate much heat
Image Credit: Peter Iovino/CBS FilmsStudios really need to be more careful when they title their films. This weekend at the box office just screams the inevitable headline: “The Losers is a loser for Warner Bros.” To be fair, the title isn’t an original, but rather the name of the popular Vertigo comic book about a group of mercenaries who wage war on the CIA. Still, with Zoe Saldana, Jeffrey Dean Morgan, and Chris Evans as its marquee names, The Losers will have a challenge going up against the star wattage of Jennifer Lopez’s movie return in the romantic comedy The Back-Up Plan. Even then, neither film is likely to nab the top spot in theaters. Should it resonate with its core female audience, The Back-Up Plan has a better shot at number one. But more likely, that honor will go to How to Train Your Dragon, which in its fifth weekend in theaters should score better than either new release or, for that matter, last weekend’s winner Kick-Ass. READ FULL STORY »
Will Smith: On board for 'Men in Black 3'?
While reports that Will Smith has definitely signed on to star in Men in Black 3 are premature at best, sources tell EW.com that the A-list movie star is leaning towards making the third installment of the uber-popular franchise his next project. Sony Pictures could not confirm, and Smith’s reps have said he has not yet officially decided between MIB:III or Twentieth Century Fox’s movie The City That Sailed, a fantastical adventure that would reunite Smith with I Am Legend director Francis Lawrence.
However, sources close to the Men in Black franchise are hopeful that the movie will enter production this summer with Smith and Tommy Lee Jones back on board to battle aliens while Barry Sonnenfeld directs again. Also, the studio has not yet decided whether it will be in 3-D, but it’s obvious that they’d be leaning that way. The script is currently getting a production polish from David Koepp, the man behind such enormous blockbusters as Spider-Man, War of the Worlds and Angels and Demons. Meanwhile, City that Sailed is just waiting for an answer from Smith, since the script, from Andrew Niccol (The Truman Show), is complete. It seems that if Koepp, who has worked for Sony for a long time, fulfills his end of the bargain, we’ll see Smith back on the big screen as Agent J as early as next summer.
'Exit Through the Gift Shop': The best movie now playing captures the scandalous joy of art as play
Image Credit: AP ImagesExit Through the Gift Shop is a marvelous, one-of-a-kind contraption, a joyfully spinning top of a movie that keeps zigging and zagging and taking the audience right along with it. It’s easily the cream of this month’s crop of movies, though it’s so tricky and layered that before I saw it, everything I’d heard about it made it sound a little…complicated. Maybe even intimidating. Not to worry: For all its through-the-looking-glass playfulness, it is really, at heart, a vividly direct and witty and biting look at the world of contemporary street art.
A lot of the kick of the movie is that the art itself is so much damn fun. There have been rumors, from the outset, that Exit Through the Gift Shop is a fake, a very crafty put-on documentary. I actually think that something quite the opposite is true; it’s more genuine than it knows. The movie is billed as “a Banksy film,” which implies that Banksy, the hit-and-run virtuoso of underground British street art (he’s one of the movie’s prime subjects), directed it, or at the very least that he’s pulling the strings. But such is the magic of Exit Through the Gift Shop that the movie’s ultimate what is art? joke comes almost directly at Banksy’s expense. And it’s not even clear that he’s fully aware of the joke’s ramifications. READ FULL STORY »
'Stretch Armstrong' secures writer and director
Stretch Armstrong — starring one Taylor Lautner — is becoming more of a reality as Universal Pictures attaches both a writer and a director to the property based on the beloved Hasbro toy from the ’70s and ’80s. Rob Letterman, the director behind last year’s animated hit Monsters vs. Aliens, will pair with Nicholas Stoller (Forgetting Sarah Marshall), who just finished directing Get Him to the Greek. The two recently worked together on Twentieth Century Fox’s upcoming winter pic Gulliver’s Travels, with Stoller writing the latest draft of the film that Letterman directed. (He shares credit on Gulliver’s with Joe Stillman.) In the case of Stretch, Stoller will do a rewrite of the original screenplay from Steve Oedekerk.
'Kick-Ass' is shocking, but it's not what you think
Image Credit: Dan SmithFor the record, I love Hit Girl in Kick-Ass. She’s a resourceful, quick-thinking daughter who loves and respects her Daddy, does her homework, and has an admirable sense of responsibility, self-determination, and family pride. Also, she’s got a way with language. No sane kid will confuse this cartoon character’s fantastic, murderous antics with appropriate real-life behavior. (Insane kids are beyond the help of role models in a comic-book movie.)
What outrages me, though, is what hasn’t warranted a shrug of disapproval, either from Concerned Parents or from Clucking Media. It’s this: When Dave Lizewski, the average teen with super-hero dreams, is seriously injured while first trying out his skills as Kick-Ass, he is self-conscious enough to request that the ambulance workers who rescue him dispose of his home-made costume. And as Dave begins to heal, his father’s biggest manly concern is that, since his son was allegedly discovered naked, the young man might be gay.
Back at school, the rumor spreads quickly: Dave is, oooh, gay! Tee-hee! Even his best friends tease him mercilessly. (In the screenwriter’s hypocritical nod to propriety, Dave’s classmates call him a “lame duck,” rather than anything more offensive.) Indeed, the pretty girl Dave pines for, a popular cutie who otherwise wouldn’t give him the time of day, adopts him as a close friend because he’s harmessly, tee-hee, gay! The two even share sleepover dates — which is funny because we know Dave is a horny heterosexual!
Well. What if the rumor spread that Dave was Muslim? Or Puerto Rican. Or left-handed. Or deaf. And he had to protest that he wasn’t. Is that funny, too? I wish I could express myself with the freedom of vocabulary granted to Hit Girl when I say that the nonchalance of this unexceptional sexism is appalling. No, worse than that, it’s evil. Because while sane kids aren’t likely to take up firearms inspired by a fictional little girl in a mask and a purple wig, they are absolutely likely to repeat the behavior of Dave’s classmates. Average movie-going teens, after all, think nothing of declaring “that’s so gay” to make another kid shrivel with discomfort.
Hey, Kick-Assers, what if Dave Lizewski is gay: So what? Hey, Hollywood, the sexist crap stops only when movies pitched as cool-for-the-kids don’t perpetrate this bigotry. Don’t make me go all Hit Girl on your buttocks.
Box office report: 'Kick-Ass' regains the lead for the weekend
Image Credit: Dan SmithWith only a $200,000 differential between the Kick-Ass and How to Train Your Dragon, the former wins the weekend with a $19.8 million take for the three days. Dreamworks Animation’s How to Train Your Dragon came in second with $19.6 million, representing only a 21 percent fall from its gross last weekend. The animated film’s new overall gross stands at $158.2 million. The two films jockeyed for first place all weekend long and only after the true results came in today could Kick-Ass call the win. A similar phenomenon hit theaters last weekend when Clash of the Titans wound up claiming the top spot over Date Night, which had been leading the charge through the majority of the weekend. We’ll see what happens next frame when the Jennifer Lopez-starring romantic comedy The Back-Up Plan opens opposite Warner Bros. actioner The Losers.
Summit acquires 'Men Are From Mars, Women are From Venus'
It’s been 18 years since psychologist John Gray wrote Men Are From Mars, Women Are From Venus, yet Summit Entertainment — the studio behind the Twilight franchise — and producers Gail Berman and Lloyd Braun believe there is still fresh material to mine from this multimillion dollar book series that discusses communication between the sexes. The studio announced today that they have acquired all television and film rights to the entire franchise. Since the ink is just drying now, there are no concrete plans yet on how the books will be adapted. Says Erik Feig, Summit’s president of production, “It is a pop culture mainstay and comically, sadly, romantically, all too often still true these many years after first being published.” The series has sold over 50 million books in 45 territories worldwide and Gray’s video/DVD lecture series has earned over $100 million.
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