Archive: May 2010 (1-10 of 67)

May 31 2010 04:28 PM ET

Box office update: 'Persia' tops 'Sex' on weak Memorial Day weekend

Categories: Box Office

Shrek Forever After is still the winner of the weakest Memorial Day in years. But now a drop-off from Sex in the City 2 has propelled the PG-13-rated Prince of Persia into second place for the holiday frame. The Jake Gyllenhaal-starring actioner grossed $37.7 million for the four days while Sex earned $37.1 million for the four days. The R-rated romp starring Sarah Jessica Parker has been unable in its five day opening weekend to outgross the $57 million earned by the original Sex and the City movie, which bowed in 2008.

Shrek Forever After wins with $55 million for the weekend for a total of $145 million while Iron Man 2 and Robin Hood round out the top five with $20.6 million and $13.5 million respectively.

May 30 2010 01:37 PM ET

Box office update: 'Sex and the City 2' and 'Prince of Persia' can't stop 'Shrek'

Categories: Box Office

sex-city-2-shoppingImage Credit: Craig BlankenhornWith a significant drop for Sex and the City on Saturday and just mid-level earnings for Prince of Persia, Shrek Forever After is on track to win what looks like the slowest Memorial Day holiday weekend at the box office in a decade. It’s also the first time in five years a holdover release will capture the Memorial Day crown.

Perhaps those weak reviews on Sex really did do some damage to its box office performance. Despite the film’s B+ from Cinemascore, the sequel took in an estimated $10 million on Saturday, down from its estimated $13 million take on Friday. Its three-day gross stands at $32 million; its four-day total (it opened on Thursday) has reached only $46.3 million, far less than the $57 million grossed by the original two years ago.

Meanwhile, Prince of Persia took third place, but seemed to suffer from an overall lack of interest. The Jerry Bruckheimer epic adventure starring Jake Gyllenhaal and based on the popular video game just crossed the $30 million mark for its first three days of release. It received a B from Cinemascore and seems to be resonating best with boys under 18.

Shrek Forever After hit the top earning close to $17 million on Saturday, for a three-day total of $43.3 million. (Seven percent of its total came from IMAX screens.) The fourth chapter in the billion-dollar franchise seems to be making up ground after not breaking any records last weekend, climbing to $133 million in 10 days. The final chapter is still tracking more than $50 million behind Shrek the Third and it’s unlikely it will be able to catch up.

The three releases at the top are a far cry from last year’s Memorial Day frame, which boasted a three-day $54 million gross from the Night at the Museum sequel and $42 million from the opening frame of Terminator Salvation. The weekend is likely to be down more than 14% compared with the holiday weekend in 2009.

The rest of the top ten was dominated by well-playing holdovers that, with the exception of MacGruber, fell less than 50% for the weekend. Marvel Studio’s Iron Man 2 claimed fourth place with an estimated $16 million, a decline of only 39 percent for the frame. In its four weekends of release, the superhero actioner has earned $274 million, outpacing the original by over $15 million. Universal’s Robin Hood fell 45 percent, earning another $10.3 million in its third weekend in theaters, for a cume of $86.2 million. It’s not certain the expensive film from director Ridley Scott and actor Russell Crowe will even cross the $100 million mark.

Summit Entertainment’s Letters to Juliet is holding its own despite the box office challenge from the Sex and the City women. The Amanda Seyfried-starring romance dropped a scant 34 percent from last weekend, grossing $5.9 million for the three days, for a cume of $38.1 million. Seventh place went to Fox Searchlight’s Just Wright. The Queen Latifah-starrer earned another $2.2 million to put its three-week gross at $18.2 million. Twentieth Century Fox’s Date Night just keeps on trucking. The film is hanging in the top ten after two months of theatrical release, adding another $1.75 million to get a little closer to the $100 million mark ($93.4 million).

Poor MacGruber. The Relativity Media-financed comedy from Saturday Night Live producer Lorne Michaels lost more than 63% of its value from its weak opening weekend, collecting just  $1.5 million for three days to land in ninth place. The film, starring Will Forte, has brought in just $7.5 million after two weekends of release. How to Train Your Dragon clings to the tenth spot in its tenth weekend with another $1 million. Overall, the Dreamworks Animated flick has generated over $212 million.

Have a great weekend and enjoy the rest of your holiday break!

May 29 2010 07:08 PM ET

Dennis Hopper was the most visionary of all Hollywood bad boys

dennis-hopperImage Credit: Everett CollectionIn a world of fake bad boys, he was the true article — a natural-born rule breaker, a Hollywood rebel who took midnight rides on the wild side with James Dean, a scraggly-haired hippie too hip (and too dark) to let the sunshine in. Dennis Hopper, who died Saturday at 74, was an actor and a filmmaker who tore through boundaries not just because he didn’t like them; most often, he didn’t even see them. I’ll never forget the one time I got to be in a room with him. It was August 1979, at the Saturday morning press conference after the very first American showing of Apocalypse Now. The screening had taken place the night before, at the Ziegfeld Theatre in Manhattan. I was a bratty college journalist who’d squeezed my way in and was still reeling from the movie: its hallucinatory power and majesty and violent strangeness. (The “Ride of the Valkyries” sequence was so indelible that it kept popping back into your mind’s eye, like your very own searing cinematic Vietnam flashback.)

At the press conference, they were mostly all there, the maverick artists who had toiled away on this movie for half a decade: Francis Ford Coppola, who took the opportunity to make his first feverish pronouncements on the brave new world of technology we were all about to enter (he called it “the communications revolution,” and though few knew what he was talking about, 30 years later, it’s clear that he was right); Robert Duvall and Martin Sheen, the latter of whom had priceless tales of working with the elephantine and eccentric Marlon Brando (who, naturally, hadn’t bothered to show up to talk to a bunch of journalists); and Hopper, who instantly took on the role of flaked-out druggie court jester of the press conference. The more stonerish and cosmic, and the less coherent, he was, the more that he ended up dominating the questions and answers, cracking up everyone in the room, though whether we were laughing with him or at him was, by the end, an open question. READ FULL STORY »

May 29 2010 12:55 PM ET

Box office update: 'Sex' and 'Persia' open strong, 'Shrek' likely to end up on top for holiday weekend

Categories: Box Office

sex-city-2-drinksImage Credit: Craig BlankenhornBoth Sex and the City 2 and Prince of Persia, the weekend’s two new releases, opened to solid numbers but it’s Shrek Forever After that’s likely to win the weekend. Carrie Bradshaw and Co. added an estimated $13 million to its coffers that already boasted $14 million from its Thursday shows. The R-rated comedic romp is now on track for a $50 million 4-day weekend, less than the $57 million earned by the original back in 2008.

Meanwhile, the Jerry Bruckheimer action epic Prince of Persia bowed Friday with approximately $10 million for a 4-day take that could translate into somewhere between $35-$40 million. Still, the movie that’s likely to dominate the weekend once all the numbers are in is Shrek Forever After. The PG-rated animated flick earned an estimated $11 million on Friday, a number that will likely grow to over $55 million for the four-day holiday frame. The rest of the top five will be rounded out by Iron Man 2 and Robin Hood. Robert Downey Jr. and crew took in another $4 million Friday, while Russell Crowe generated close to $3 million for his historic actioner.

Check back Sunday and Monday for more complete results.

May 28 2010 03:28 PM ET

Box office update: 'Sex and the City 2' earns $14.2 million on Thursday

Categories: Box Office

The girls from New York are off to a strong start, earning an estimated $14.2 million on Thursday. Whether or not the SATC crew, headed by Sarah Jessica Parker, can hold onto the lead as they head into the long Memorial Day weekend remains to be seen. That green ogre Shrek may wind up getting in their path. Stay tuned for the weekend results.

May 27 2010 07:57 PM ET

James McAvoy signs on to 'X-Men: First Class'

Categories: Casting, Movie Biz

Scottish actor James McAvoy (Wanted, Atonement) is pairing up with British director Matthew Vaughn (Layer Cake, Kick-Ass) for the next iteration in the X-Men franchise for Twentieth Century Fox. McAvoy has closed his deal to star as Charles Xavier in X-Men: First Class, the film that chronicles the younger years of Xavier and Erik Lensherr before they became archenemies Professor X (Patrick Stewart) and Magneto (Ian McKellan).

X-Men: First Class centers on the two young men when they first discovered their powers. At first the two are the closest of friends, working together to stop a huge global threat, but Xavier and Lensherr then become enemies, leading to an eternal war between Magneto’s Brotherhood and Professor X’s X-Men.

Fox is expected to announce the actor who will play Lensherr shortly. No word yet on whether Hugh Jackman will reprise his role as Wolverine. Bryan Singer, director of both the original X-Men and its sequel X2 will produce along with Lauren Shuler Donner and Simon Kinberg. Production is set to begin this summer in London. Fox has set June 3, 2011 for its release.

May 27 2010 07:28 PM ET

Godard and Truffaut: Their spiky, complex friendship is its own great story in 'Two in the Wave'

two-in-waveIn the late ’50s and early ’60s, Jean-Luc Godard and François Truffaut were the Lennon and McCartney of the French New Wave. Godard, the detached, acerbic one, was eggheaded and vinegary, a playfully acidic intellectual bomb-thrower who, as time wore on, acquired a streak of bitter accusatory leftism. (He became the postmodern Marxist Debbie Downer of cinephilia.) Truffaut, in dramatic contrast, was presentable and bittersweet and more or less harmonious, oriented by nature toward the establishment (though in the beginning, he tossed bombs at it, too), with a latent penchant for bourgeois sentimental craftsmanship that was enchanting at its best, but could also turn cloying.

That little description is, of course, incredibly simplistic, in the same way that Lennon/McCartney contrasts always are. (Paul, we all know well, could rock just as hard as John, and Lennon had a vast sentimental side too.) Nevertheless, it would probably be nitpicking to dispute the essential truth of it. Truffaut and Godard, from their social backgrounds (lower-class French vs. wealthy Swiss) to their looks and vibes and fashion choices (robust, cautiously tailored domestic lothario vs. bespectacled, balding, unshaven eagle-eyed lothario) to the reigning spirit of their films, always had a basic temperamental yin-and-yang that defined the French New Wave. In Two in the Wave, a tart new documentary that just opened in New York, their relationship, as both friends and artists, is as rangy and alive, as present-tense fascinating, as the meatiest celebrity gossip. (I wish I could say that the movie was coming to a theater near you, but coming to a Netflix queue isn’t such a bad option for it.) An elegant and revealing scrapbook of a movie, Two in the Wave shows you how these two spiky, driven figures changed the face of cinema not just by tearing up the old rules but by making up new ones more or less on the spot. It’s a heady dose of New Wave nostalgia that really does feel new. READ FULL STORY »

May 27 2010 07:18 PM ET

Box office preview: 'Sex and the City' princesses to overtake 'Prince of Persia'

Categories: Box Office

sex-city-2-drinksImage Credit: Craig BlankenhornWho knew Memorial Day weekend would be your chance to travel to the Middle East? Such is the case with the box office fare Hollywood has provided us this holiday weekend. The weekend’s outcome will be determined by which desert-set film you choose: Go the testosterone action-adventure route and Jake Gyllenhaal’s video game adaptation Prince of Persia wins your vote. Or if you’re in the mood for designer clothes set against an Arabian back drop, choose the Sex and the City girls, who are at it again, this time in Morocco, thinly veiled as Abu Dhabi. Either way, Hollywood is looking for a big weekend to bolster the soft summer start at the movies. Read on for my predictions for the four-day holiday frame.

1. Shrek Forever After: $50 million

The final chapter in the $1 billion franchise didn’t perform as well as its predecessors, but that doesn’t mean Shrek Forever After won’t perform solidly its second weekend in theaters. With young kids aged out of PG-13 rated Prince of Persia, and Sex and the City likely to generate a good chunk of the box office on Thursday night, expect families to dominate the box office this weekend with their first choice Shrek.

2. Sex and the City 2: $45 million

The follow-up to the 2008 smash hit is getting pummeled by critics, but that shouldn’t stop Sex and the City 2 from having a fabulous opening weekend. As one woman said to me, “I didn’t even really like the series but it feels like I’m missing out on a cultural moment if I don’t go.” As sad a reflection on our culture as that may be, Carrie Bradshaw donning couture is now considered a moment for women. As such, women are going to get in there quickly with a Thursday that could go as high as $13 million. The number won’t count into their weekend take, meaning they won’t dominate the charts but the sequel will still wind up grossing close to $60 million over the five-day period.

3. Prince of Persia: $40 million

Earning comparisons to The Mummy franchise and National Treasure, Prince of Persia seems to have the big ol’ escapist fun that moviegoers love during the summer. I don’t think Gyllenhaal will be much of a draw himself, but the high-concept plot based on the popular video game should draw in a wide swath of the movie-going public. With women going to Sex, and families going to Shrek, Persia gets the boys.

4. Iron Man 2: $17 million

The Robert Downey Jr. sequel has grossed over $250 million after three weekends in release. This weekend, expect its drop-off to stabilize with more available moviegoers around. And another $17 million won’t hurt the film’s quest for $300 million at all.

5. Robin Hood: $12 million

Yes, it’s a hit internationally, but this expensive Ridley Scott, Russell Crowe pairing still won’t have crossed the $100 million mark in its third weekend of release. Expect a 30 percent drop-off from the $18 million three-day number last weekend for this frame’s four-day number. Good thing he’s such a hero overseas.

Check back this weekend for a full report. Happy holidays.

May 27 2010 02:51 PM ET

'Scream 4' exclusive: Emma Roberts to join cast

Categories: Casting, Movie Biz

emma-robertsWith filming set to begin at the end of June, Weinstein’s Dimension Films is furiously putting its Scream 4 cast together. Young upstart Emma Roberts is set to join the ensemble team of Courteney Cox, David Arquette, and Neve Campbell. And while the script from Kevin Williamson is being kept under wraps, sources tell EW.com that Roberts is expected to play Jill, one of the film’s primary heroines. Scream 4 returns to Woodsboro, the home of Sidney Prescott (Campbell). And Roberts will play a role similar to Campbell’s star-turning one in the original.

“I’m so excited to be part of this ground-breaking franchise,” says Roberts, who’s best known for playing Nancy Drew and last year’s Hotel for Dogs. “It’s the perfect opportunity for me to do something completely different than I’ve ever done before.” Director/producer Wes Craven adds, “Emma’s talent, beauty, and range will add immensely to the sophistication, intensity, and fun of the Scream franchise as it returns to the screen once more.”

The three Scream movies have generated close to $300 million domestically. This latest iteration will shoot in and around Ann Arbor, Michigan beginning June 28.

May 27 2010 02:19 PM ET

'Sex and the City 2' grabs $3 million in midnight shows

Categories: Box Office, Movie Biz

Midnight shows are not just for fanboys. Female audiences came out in droves last night for the first showings of highly-anticipated sequel to Sex and the City. The opening take was up 20 percent from 2008′s midnight debut of $2.5 million. That bodes well for a strong showing this weekend against Disney’s Prince of Persia. Should the momentum continue, Sex and the City 2 should surpass the original, which also bowed on Memorial Day weekend to $57 million.

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