Archive: May 2010 (21-30 of 67)

May 20 2010 04:57 PM ET

Paramount Pictures sets July 8 for 'Grease: Sing-a-long'

Categories: Movie Biz

Get out your bobby socks and leather jackets! Paramount Pictures is re-releasing Grease, the iconic, and highest-grossing, musical of all time. The studio will be bringing John Travolta and Olivia Newton-John back to theaters with a newly restored print delivered to select cities on July 8. And in this sing-a-long version, should you forget the words to “Summer Lovin’” they will be on the screen for you to participate.

You can find the trailer here and, if you work hard enough, Paramount may release it in your home town, à la Paranormal Activity. You in?

May 20 2010 04:44 PM ET

'Shrek' kicks off the sure-to-be successful summer kid flick biz

Categories: Box Office

shrek-smilesImage Credit: DreamworksIt’s summertime (at least at the box office) and Shrek Forever After kicks off the season’s animated kid flicks. With the Shrek series having grossed over $1 billion domestically, the fourth, and likely final, installment in the popular series is destined to be one of the top-grossing films this summer season. How high it opens is another question. It will be buoyed by the 3-D component, but a little bloom may have worn off this rose considering it’s been three years since we’ve had the green ogre in our theaters. Not to mention that the last two weren’t nearly as beloved critically as the original.

R-rated comedy MacGruber has the inauspicious task of going up against Shrek. The film — financed by Relativity Media, produced by Rogue, and released by Universal Pictures (that’s a mouthful) — is unlikely to light any fires at the box office despite the popularity of the Saturday Night Live character on the sketch comedy show. Read on for my predictions.

1. Shrek Forever After: $105 million

The first Shrek bowed to $42 million in 2001, while Shrek 2 opened to $108 million in 2004 and Shrek 3 grossed $121 million in 2007. Even with spotty reviews, inflation alone will propel this fourth iteration into $100 million plus territory. How high it gets is really a matter of how hungry audiences are for the top-notch voice cast of Mike Myers, Eddie Murphy, Cameron Diaz, and Antonio Banderas that have made the series so successful.

2. Iron Man 2: $26 million

The PG-13 rated actioner has already grossed $218 million stateside. Not bad for a film that’s not nearly as good as the original. After dropping 60 percent last weekend, the movie is likely to fall another 50 percent this frame. Whether it will hit the original’s domestic take of $318 million all depends on how it handles the stiff competition about to come its way.

3. Robin Hood: $18 million

With its revised gross from last weekend standing at $36 million and a B- from exit pollster Cinemascore, it is likely Robin Hood is headed for at least a 50 percent fall. It’s still earning impressive dollars overseas, but Universal will be lucky if they can collect more than $125 million from audience members on this side of the pond.

4. MacGruber: $8 million

This spy spoof looks a lot more like A Night at the Roxbury than Wayne’s World. Saturday Night Live has always been hit or miss when its wacky characters transfer to the big screen. It’s unlikely that Will Forte’s take on the MacGyver franchise has enough to sustain itself through an entire film. The studio hasn’t screened the film in advance for critics (never a good sign), so Relativity Media and producer Lorne Michaels should be happy campers if they can eke pass the $10 million mark.

5. Letters to Juliet: $7 million

The film’s a crowd-pleaser, so while it only grossed $13.8 million opening weekend, if word-of-mouth spreads, there’s a chance it can hold in for a better than 50 percent drop its second weekend in theaters. And it better do so fast. This is its only chance to shine before Sex and the City 2 drowns out this sweet romance.

Check back this weekend for updates on the box office.

May 19 2010 06:59 PM ET

Cannes: A fake crowd-pleaser from Stephen Frears and a true one -- surprise -- from Abbas Kiarostami

tamara-drewe-movieEvery movie I’ve seen at Cannes this year — including Mike Leigh’s Another Year, which is almost universally admired — has been met, at best, with polite applause. That is, until I saw Tamara Drewe, Stephen Frears’ rotely cheeky, Anglo-plastic, eagerly innocuous adultery comedy. At the end of the screening in the Grand Théâtre Lumiére (I was seated in the huge, dramatically sloping balcony), the crowd around me erupted into applause, and then started to clap along with the cheesy-catchy rock song that played over the closing credits. I no longer felt like I was at Cannes; I felt like I was in the Catskills. Why the ovation? Tamara Drewe is this festival’s equivalent of a Sundance crowd-pleaser: a movie that makes a few quirky nods towards artistry, but is really, at heart, a mediocre television show, full of glib characters who don’t ring true. Plainly, the longing for this sort of movie is now an international phenomenon. READ FULL STORY »

May 19 2010 06:07 PM ET

Megan Fox's option not renewed for 'Transformers 3'

Categories: Film

megan-foxImage Credit: Eric Charbonneau/Wireimage.comSources close to the production of Transformers 3 confirm to EW that Megan Fox’s option for the film has not been renewed. Contrary to earlier reports, however, the decision is not a personal vendetta. The source tells EW that it was logical, considering the direction of the script, which sees leading man Shia LaBeouf developing a new love interest.

May 19 2010 04:53 PM ET

Cannes: Sony Classics picks up 'Another Year'

In the first big sales announcement from this year’s Cannes film festival, Sony Pictures Classics has picked up North American rights to the acclaimed British film Another Year. If there was one film most critics rallied behind at the festival, it was Mike Leigh’s latest pensive North London drama, featuring a stellar British cast including Jim Broadbent, Imelda Staunton, and, in the most-talked about performance, Leigh veteran Lesley Manville (pictured, center), who soon felt the love from the international journalists on the Croisette. “This woman from Italy—it was as if she’d just had a visitation,” Manville told me on Sunday. “She almost came into the room crawling. And she wouldn’t stop touching me.” SPC is currently planning a December release for the film. Check out my thoughts on its Oscar prospects and my colleague Owen Gleiberman’s early review.

May 19 2010 01:04 PM ET

Ashley Greene and Kellan Lutz sign on to 'Breaking Dawn'

ashley-greene-kellenImage Credit: Kevin Winter/Getty ImagesAshley Greene and Kellan Lutz, two of the Twilight co-stars that were in a heated battle with Summit Entertainment over the deal points for the fourth and fifth installment of Breaking Dawn, have signed their deals, sources say. It’s not clear which party buckled and both sides are sure to have their spin, but we can confirm that we’ll see Green back as Alice Cullen for the last two Twilight films. And hunky Lutz will also return as Emmett Cullen for the conclusion of the epic franchise. Bill Condon is directing and production is set to begin in the fall. Summit Entertainment would not confirm the deals. Peter Facinelli, Jackson Rathbone, Elizabeth Reaser, and Nikki Reed will also be back for Breaking Dawn.

May 18 2010 05:00 PM ET

Cannes: Jean-Luc Godard's 'Film Socialisme' has his avant dazzle, but it isn't pretty if you read between the lines

jean-luc-godardImage Credit: Stephanie Cardinale/People Avenue/CorbisYears ago at Cannes, I attended a screening of Jean-Luc Godard’s Histoire(s) du Cinéma and ended up walking out after 20 minutes — not because I didn’t like the film, but because it was being shown in French without English subtitles. Since most of what I saw consisted of narration, and I barely speak a word of French (in high school, I seemed to know less of the language each year I studied it), it seemed altogether pointless to stay. I assumed, at the time, and naively, that I’d mistakenly wandered into some special category of screening intended for the foreign press. Actually, the movie had only just been completed, and it was being shown without subtitles because Godard had approved it that way. He can be a stubbornly perverse purist and devoted anti-communicator (especially when it comes to Americans).

With Godard, though, nothing is simple. This year at Cannes, I saw Film Socialisme, his latest tract/poem/experiment/avant meditation, and this time, too, the French in the movie was spoken without a full translation. But at the bottom of the screen, throughout the film, there appear clusters of words, in English only, that aren’t so much subtitles as slogans and pensées, displayed in cutting counterpoint to the images. (This time, you were out of luck if you didn’t speak English.) Film Socialisme has obscure moments, but it’s (literally) easy to read. That may be because Godard, at 79, has something scaldingly urgent to say, even if it isn’t pretty. READ FULL STORY »

May 18 2010 11:31 AM ET

Cannes: 'Blue Valentine' slays the Riviera

Image credit: Davi Russo

I’ve just come out of a screening of Blue Valentine, starring Ryan Gosling and Michelle Williams, and I am now completely gutted. I had heard from colleagues who saw it at Sundance that it was intense, but nothing really could have prepared me for this utterly devastating, completely believable marriage drama. It’s been a while since I saw an on-screen couple as convincing as Gosling and Williams, and if there’s any justice, they’ll both earn their second Oscar nominations for their raw, arresting performances. (Gosling scored a Best Actor nod for Half Nelson, while Williams was recognized in the supporting actress race for Brokeback Mountain.) The film, which I hear has been re-edited since Sundance, will definitely get hit from some quarters as being “too depressing” (there’s no semi-uplifting Precious-style ending here) but I hope that critics, moviegoers, and Oscar voters will deem truth a more important criterion than sunniness. If the seemingly impassioned response from the crowd at today’s Cannes screening is any indication, the new cut was a success.

May 17 2010 08:18 PM ET

Octavia Spencer nabs key role in 'The Help'

Categories: Casting, Movie Biz

Octavia-Spencer_240.jpg Veteran character actress Octavia Spencer has signed on to play Minny Jackson in the film adaptation of Kathryn Stockett’s best-selling novel The Help. The actress, who can next be seen in Dinner for Schmucks starring Paul Rudd and Steve Carell, has known Stockett for close to a decade and actually served as the inspiration for the outspoken character. (Stockett was researching the book when she first met Spencer through their mutual friend Tate Taylor, who is the writer and director of the film.) Spencer will join Viola Davis, Bryce Dallas Howard and Emma Stone in the Dreamworks’ production which is set to begin filming this July in Mississippi.

May 17 2010 05:49 PM ET

Sundance's 'D-chebag' finds a home

Categories: Deals, Movie Biz

D–chebag, the film with the best title from this year’s Sundance Film Festival, will finally receive its theatrical release. Red Dragon Independent Film Company has partnered with industry vets Cassian Elwes and Mark Urman to debut the comedy theatrically this September. Our critic Owen Gleiberman was a fan of the movie from director Drake Doremus (Spooner), which chronicles two brothers’ reluctant reunion, which leads to a road trip. Andrew Dickler and Ben York Jones star as the brothers. (Read Owen’s review here.)

The real question: Will those distributors have to change the title and, if not, how hard will it be to get an ad with that title into local papers?

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