Archive: May 2010 (61-67 of 67)

May 4 2010 03:11 PM ET

'Alice in Wonderland' lands in top ten films of all time; bumps 'The Lord of the Rings: The Two Towers'

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Do you think Tim Burton ever imagined his adaptation of Alice in Wonderland would have become such a behemoth? Well, it’s certainly become one: The director’s seventh collaboration with Johnny Depp is officially the most successful film of Burton’s career — and the tenth highest-grossing film of all time. As of this morning, Disney’s Alice in Wonderland reached $928.9 million worldwide, surpassing The Lord of the Rings: The Two Towers, which, back in 2002, topped out at $925.3 million. Of course, that was a whole eight years ago and the second film in Peter Jackson’s trilogy didn’t have the benefit of 3-D to give it that extra jolt at the box office. Still, it’s quite a feat for Burton and Alice. One that Burton will have a hard time topping, no doubt.

May 4 2010 12:58 PM ET

'Captain America': Hugo Weaving to star as Red Skull

Watch out, Captain America. You officially have an arch-nemesis. Marvel has announced that they have cast Hugo Weaving as Johann Schmidt, a.k.a. the Red Skull, in their 2011 Captain America flick. The actor already has experience playing the big-screen baddie in action flicks — he voiced Megatron in Transformers and Transformers: Revenge of the Fallen and, of course, starred as Agent Smith in the Matrix films. Captain America: The First Avenger‘s story will focus on Steve Rogers’ transformation into the titular superhero after participating in an experimental program.

Weaving’s Skull will be an update on the Schmidt character that appeared in the comics. He was drafted into the service of the Third Reich and renamed the Red Skull. Production will begin this summer in London with Captain America set to bow on July 22, 2011.

May 3 2010 08:52 PM ET

'Kick-Ass' director in negotiations to helm 'X-Men: First Class'

As anticipated, Kick-Ass Director Matthew Vaughn is in negotiations to direct X-Men: First Class for Twentieth Century Fox. Vaughn had received an offer last week but creative control concerns stymied the progress of the deal. Over the weekend, however, those issues were resolved and talks resumed for Vaughn to helm the movie, which tells the story of Cyclops, Jean Grey, and the other X-Men in their younger years, played by younger actors (no word yet on whether Hugh Jackman would reprise his role as Wolverine since his character doesn’t age as the others do). The script comes from Jamie Moss based on Bryan Singer’s treatment.

The deal is surprising because Vaughn turned down directing X-Men: The Last Stand back in 2005 after he had negotiated a pact with the studio. Fox later hired Brett Ratner to helm the most successful of all X-Men films while Vaughn went on to direct the disappointing Stardust for Paramount and, just three weeks ago, released the fanboy favorite Kick-Ass.

Update: Fox sets June 3, 2011 as the film’s release date.

May 3 2010 06:54 PM ET

Steven Spielberg chooses next project: 'War Horse'

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Finally, Steven Spielberg has chosen his next project: War Horse, the World War I story about a friendship between a boy and a horse. It’s been two years since Indiana Jones and the Kingdom of the Crystal Skull bowed, and audiences worldwide have been waiting for Spielberg to choose his next movie. (Yes, he’s been working on the Tintin series with Peter Jackson but that film won’t bow until Christmas 2011.)

In the meantime, Spielberg has turned his sights to War Horse. The project is based on a novel by Michael Morpurgo that was published in Great Britain back in 1982. The adapted screenplay has been written by Lee Hall (Billy Elliot) and Richard Curtis (Love Actually). The film, produced by Kathleen Kennedy, Frank Marshall and Revel Guest will be produced by Dreamworks and released by Disney Studios on August 10, 2011.

May 3 2010 12:59 PM ET

With the success of 'Nightmare,' what can Hollywood do for a horror encore?

pinhead-shyamalanImage Credit: Everett Collection; Bob Charlotte/PR PhotoHollywood loves a sure thing. And apart from sequels to big-budget superhero comic-book movies, few things over the last couple of decades have been as sure at the box office as the endless rehashing of popular horror- movie franchises. The current boom of slasher reboots began in 2003, with the all-new version of The Texas Chainsaw Massacre. Since then, we’ve had new versions of Halloween, Friday the 13th, and now A Nightmare on Elm Street – but with the triumphant return of Freddy Krueger this past weekend (audiences may have been mixed on it, but $32 million in ticket sales is scary proof of what an iron-clad fan demo these movies have), America’s gallery of iconic movie psycho killers has officially been strip-mined. Freddy, Jason, Michael Myers, Leatherface — there’s no one left! Except that there’s always someone left. What can Hollywood now do for a horror encore? Here are a few ideas:

1. Make a much more fun Nightmare on Elm Street sequel. I stand by my not-so-hostile, B-minus grade for the new Nightmare. It may have been, as I wrote, “a corporately ordered rerun,” but it had atmosphere and a few jolts, and Jackie Earle Haley slipped into Freddy’s singed latex with creepy personality. But here’s my question: Why so serious? The way that Wes Craven directed the original Nightmare on Elm Street, in 1984, it had a lively, let’s-try-it-on B-movie demon-prankster spirit. The new one glumly goes through the motions of reproducing some of the original’s most famous scenes, but why didn’t the filmmakers take advantage of the opportunity to do something freshly shocking and audacious with Freddy? As the original series went on, it got funnier and more outlandish (often to its detriment, but sometimes not, especially in Dream Warriors), and that’s what this new series now needs to do. Unleash the trippy, over-the-top showbiz blood-freak craziness. And let Jackie Earle Haley loose!

2. Speaking of Wes Craven…. He’s making Scream 4, and that’s a terrific thing. Here’s one series that’s far from played out, though I did feel the twinges of creative fatigue in Scream 3. To revive this series in a memorable way, Craven now needs to do what the first Scream did: Surprise us. Play a whole new set of tricks on us. Scare us, and make us laugh, in boldly macabre and original ways. And turn the whole movie, like the first Scream, into a super-sly satirical commentary on the way that kids watch horror movies now. Which is a lot different from how they watched them when Scream came out, in 1996.

3. Let us not forget Pinhead. The Hellraiser movies, the first of which was released in 1987, never generated the mass following that the classic slasher series of the ’70s and ’80s did. But they do enjoy a rabid cult fan base, and they were, if anything, ahead of the curve. Pinhead, the series’ spiky-faced monster mascot (pictured above, left), is basically a proselytizer for the pleasures of pain — he’s sadosmasochism’s answer to Freddy Krueger. But the Hellraiser films came out on the cusp of the era when S&M was crossing over into something chicly mainstream. It’s time to relaunch this series, with Pinhead as the hip maestro of an erotic dungeon from hell. READ FULL STORY »

May 2 2010 01:07 PM ET

Box office: 'Nightmare' scares up $32 million; 'Furry Vengeance' can't cross $7 million

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nightmare-on-elm-street-2Image Credit: New Line CinemaIt was a good weekend for Freddy Krueger. The 1980s horror villain is back with a vengeance, with The Nightmare on Elm Street remake earning a solid $32 million, landing it in first place at the box office this weekend. Still, even with the success of Nightmare — which stars Jackie Earle Haley as the disfigured madman who kills teenagers in their dreams — this weekend’s box office still couldn’t trump last year’s total in early May, when X-Men Origins: Wolverine grossed a boffo $85 million. (Of course, Hollywood will likely make up for it next weekend, when Robert Downey Jr. dons the Iron Man suit once again; the film is already hitting across the season, where its opened in 53 territories this past weekend, taking in $100.2 million) And though Nightmare earned $32 million, the film fell steeply between Friday and Saturday night, and earned a C+ Cinemascore, which suggests that the film hasn’t been very well received by audiences.

Second place for the weekend belonged to How to Train Your Dragon, which, once again, held in remarkably well. The PG-rated 3-D flick grossed an estimated $10.8 million, down only 29 percent since last weekend. Its total gross now stands at $192.3 million. The Steve Carell, Tina Fey-starrer Date Night fell only 27 percent, collecting an additional $7.6 million. The PG-13 comedy has now grossed $73.6 million. Not bad for two television stars, huh?

Despite a weak opening, The Back-Up Plan held on fairly well its second weekend in theaters. Falling 41 percent, Jennifer Lopez’s romantic comedy grossed an additional $7.2 million to put the film’s two-week total at $22.9 million. Fifth place for the three-day period went to the other newcomer of the weekend, Furry Vengeance. The PG-rated family film earned only $6.5 million but scored a B+ with audiences. The Brendan Fraser-starrer is unlikely to do much business going forward, but considering its a co-production between Summit Entertainment and Participant Pictures, its unlikely the film’s disappointment will hurt either company much.

Sixth place went to The Losers. The film — which disappointed in its opening weekend — fell 36 percent its second weekend in theaters, grossing an additional $6 million. The Jeffrey Dean Morgan-Zoe Saldana action flick has collected just $18 million after ten days in release. Clash of the Titans took the seventh spot, earning an estimated $5.9 million, putting its total gross at $154 million. Kick-Ass earned another $4.4 million in its third weekend of release, landing an eighth place finish. The R-rated film continues to fall steeply — it dropped 52 percent, but has grossed a total of $42 million. Death at a Funeral — which took in $4 million — and Disney’s Oceans documentary, which raked in $2.6 million, rounded out the top ten. The R-rated Chris Rock comedy lost 50 percent of its value since last weekend, and, in three weeks of release, has grossed $34.7 million. Disney’s doc dropped 57 percent, earning a cume of $13.5 million.

In limited release, the latest Nicole Holofcener drama Please Give grossed an impressive $128,696 in five theaters for a strong per-screen average of $25,000. IFC’s disturbing horror flick Human Centipede only opened on one screen and earned $12,400 for the frame. Check back next weekend when we discover whether Iron Man 2 will break box office records.

May 1 2010 11:29 AM ET

Box office: Friday numbers put Freddy Krueger in top spot with a $15 million night

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nightmare-on-elm-streetImage Credit: New Line CinemaNow this is what a weekend box office is supposed to look like. After last weekend’s sluggish performance from newcomers The Losers and The Back-Up Plan, it’s nice to have a new release with some heft to it. Such is the case with Nightmare on Elm Street. The R-rated remake of the popular Freddy Krueger slasher movie from the 1980s is destined for the top spot with what could be a $35+ million weekend. Starring Jackie Earle Haley, Nightmare grossed a solid $15 million on Friday night. That bodes well for horror fans. With an opening this strong, New Line Cinema must be thinking sequel options already.

Furry Vengeance, starring Brendan Fraser, had much more trouble finding an audience Friday night. The other newcomer for the weekend grossed a paltry $1.7 million on Friday for a weekend take that could top out at a little over $6 million. The PG-rated family film is unlikely to make it into the top five for the frame and has done little to steer How to Train Your Dragon off its course. That film landed in second place on Friday. While far beneath the No. 1 grosser with only $2.5 million, the 3-D flick is still likely to add $11 million to its already full coffers.

The battle for third place through fifth place could be a bit of a horse race with Date Night, The Back-Up Plan, and The Losers all jockeying for position. The three movies each grossed somewhere in the $2 million range on Friday night, and how they perform today will be the real determinant. It’s likely that Date Night will beat the other two flicks and should end the frame with something close to $8 million. The Back-Up Plan could gross in the $7 million range, while The Losers will be around $6 million. Check back tomorrow for full results.

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