Archive: September 2010 (41-47 of 47)

Sep 7 2010 04:10 PM ET

Liam Neeson will play the admiral in ‘Battleship’

liam-neesonImage Credit: Mike Marsland/WireImage.comLiam Neeson (Taken) will play Admiral Shane in Universal’s action-adventure movie Battleship, it was announced today. Neeson will star alongside Friday Night Lights’ Taylor Kitsch, who will play Hopper, a Naval officer assigned to the USS John Paul Jones who is Shane’s future son-in-law. The cast also includes Brooklyn Decker (Ugly Betty) as Shane’s daughter, Sam; Alexander Skarsgård (True Blood) as Hopper’s older brother, Commanding Officer Stone of the  USS Samson; and Rihanna as Lt. Raikes, Hopper’s crew mate and a weapons specialist.

Directed by Peter Berg (Hancock), Battleship is an action adventure about the planet battling a colossal force. It’ll bow in theaters May 18, 2012. Jon and Erich Hoeber (Whiteout) wrote the screenplay with  current revisions by Brian Koppelman and David Levien.

Sep 6 2010 01:33 PM ET

Box office report: 'The American' tops Labor Day weekend, 'Machete' claws to number two

the-americanImage Credit: Giles KeyteStar power still clearly counts for something. Despite a shocking “D-” CinemaScore indicating near-toxic word-of-mouth, The American rose to the top of the Labor Day weekend box office largely on star George Clooney’s handsome shoulders, making $16.4 million over the four-day holiday and $19.5 million since its Wednesday debut, according to early estimates. That’s a terrific sum for a moviegoing weekend known as one of the sleepiest of the year, even more so considering the film’s lean $20 million budget. Audiences, evenly split between men and women, were markedly outside the usual multiplex whippersnapper demographic, too: 55 percent were 50-years-old and older. But why were they apparently so turned off by the film? (Women gave it an F.) I’d look to a marketing campaign that had ticket buyers expecting a fleet spy thriller led by a dashing Clooney, à la the gritty Hollywood studio films of the 1970s. In reality, they walked into an austere character study focused on a dour Clooney, à la the esoteric European art films of the 1970s. (My mother, who liked the movie, put it this way: “The plot…well, there is no plot.”) Regardless of why audiences have soured on the film, the negative feedback doesn’t exactly bode well for its financial longevity.

After coming in third in the three-day box office estimates, the “mexploitation” thriller Machete clawed its way back to second place with an estimated $14 million over the four-day Labor Day holiday. That’s just over the opening gross of the film’s progenitor, the 2007 double-feature Grindhouse. Last weekend’s number one film, meanwhile, showed some staying power. READ FULL STORY »

Sep 5 2010 01:08 PM ET

'The American' takes the lead for Labor Day weekend box office

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the-americanImage Credit: Giles KeyteWith one more day to go, it appears The American will end up triumphant for the four-day Labor Day weekend. Early estimates have the George Clooney thriller pulling in just under $13 million for its Friday through Sunday gross, which translates to around $16.1 million total since its opening on Wednesday. By Monday, it should reach roughly $16 million for the four-day holiday, and $20 million total.

Last weekend’s top draw Takers, meanwhile, slipped into second place with an estimated $11.5 million, which will likely inch up close to $14 million for the holiday, putting the heist thriller near a $40 million total. Hot on its heels, though, is the weekend’s other solid debut, the exploitation revenge thriller Machete, which banked $11.3 million for the three-day weekend en route to a likely $14 million four-day total.

In fourth place, The Last Exorcism made roughly $7.5 million for the three-day holiday, and should close in on $9 million through Labor Day, which would put its total near $34 million. Going the Distance landed at a distant fifth place, opening to $6.8 million through Sunday; it won’t likely make more than $8.5 million for the four-day weekend.

Check back here tomorrow for the full Box Office Report, including my mea culpa for a truly awful attempt at predicting this weekend’s box office winners.

Sep 4 2010 01:47 PM ET

'Machete' and 'The American' neck and neck at Friday box office

macheteImage Credit: Rico TorresEarly estimates put Machete just a slice ahead of The American at the Friday box office — the former took in roughly $3.9 million for first place, while the latter banked about $3.8 million for second place — but it’s still too close to predict which film will win the Labor Day weekend. Both films appear to be on track for anywhere between $15 and $16 million for the four-day holiday, but The American received a deadly “D-” CinemaScore, and the bad word-of-mouth portends a steep drop off for the Europe-set thriller. (Machete, by contrast, got a “B” CinemaScore.)

The news doesn’t get much better for the other film debuting this weekend, the Drew Barrymore-Justin Long rom com Going the Distance: While it did enjoy a decent “B” CinemaScore grade, it grossed an anemic $2.2 million on Friday for fifth place, and will likely struggle just to make it past $9 million for the four-day holiday. Last weekend’s top two films, meanwhile, round out the top five for Friday: Takers took in about $3 million for third place, and a four-day total heading towards $14 million; and The Last Exorcism scared up around $2.3 million for fourth place, and a holiday cume north of $9 million.

Check back here on Monday morning for the complete Labor Day holiday box office report.

Sep 4 2010 12:58 PM ET

'Machete,' 'The American,' and 'Going the Distance': Did you agree with me? And which one did you like best?

machete_danny-trejoImage Credit: Joaquin AvellanBased on Friday’s returns, Machete, with $3.9 million, has cut off the competition so far, but the full weekend box-office report isn’t in yet. (There could well be a horse race for first place.) When the 1-2-3-4 slots are as closely lumped together as it appears they might be, it can be a challenge to look at the numbers and say what they really mean — assuming, that is, that they mean anything at all. (Sorry, but I’m not here to parse the metaphysics of pop-culture consumerism.) My gut analysis is this: Going the Distance (my favorite of the three films), which took in a scant $2.2 million on Friday, had a softer opening than it should have, and The American (my least favorite), which made $3.8 million, did stronger than I expected — a sure testament to George Clooney’s star power, but also, perhaps, to a genuine audience desire to seek out a quiet-cool, dramatically oblique ’70s-Euro-style thriller. What I want to know is this: How did you feel about these three films? Do you think I was too kind to Going the Distance? Or too hard on The American? (I wanted to like it; I just found it unconvincing on its own terms.)

And I’m especially curious about what people thought of Machete. In a strange way, Robert Rodriguez’s gory-witty badass-illegal-immigrant revenge thriller is two movies bundled in one. If you loved the now-classic, super-sly trailer for it in Grindhouse (“He just f—ed with the wrong Mexican!”), then you may well have gone in seeking out a rush of smart/dumb pulp-movie action that dances on the knife blade of parody. In a sense, though, the whole inside joke of Machete becoming a feature-length, wide-release movie is that a trailer conceived as knowing trash could now be expanded, a touch subversively, into a meat-and-potatoes lunkhead action movie for the same crowd that flocked to The Expendables — in other words, for a lot of people who might never dream of watching a movie like Grindhouse. I hope that we can at least agree on one thing: Danny Trejo (pictured above), as the brooding, monosyllabic slasher-stud Machete, rocks, rules, and does everything else that is awesome.

So who liked which movie? And why? And who disgrees with me about Going the Distance? Did it open soft because it didn’t fill the romantic-comedy bill, or because Drew Barrymore and Justin Long, charming as I think they are, still don’t pack the star power of a George Clooney?

Sep 2 2010 05:48 PM ET

Box office preview: 'Machete' and 'Going the Distance' go head-to-head over Labor Day weekend

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macheteImage Credit: Rico TorresSummer may not technically end until Sept. 22, but as far as Hollywood is concerned, Labor Day weekend marks the official end of the summer movie season — and usually, it goes out with a whimper. Only two movies that have opened over the Labor Day holiday (2007’s Halloween remake, and 2005’s Transporter 2) have grossed over $20 million for the four-day weekend; most films are lucky to make half that. Coupled with Hurricane Earl bearing down on the East Coast, this weekend’s major debuts — Going the Distance, Machete, and The American (which opened Wednesday) — have their work cut out for them. Your regular box office prognosticator Nicole Sperling is on vacation, so here’s how I see the weekend shaping up over the next four days.

1. Machete: $15 million

The 2007 exploitation double feature Grindhouse, which featured a faux-trailer for a rousing revenge thriller called Machete, grossed only $11.6 million over its three-day debut. Normally, that wouldn’t be a promising precedent for director Robert Rodriguez’s feature-length version of Machete, especially since star Danny Trejo (pictured) usually plays supporting roles in, well, low-budget exploitation thrillers. But if Machete, which will open in 2,669 locations, can edge past Grindhouse’s three-day gross — and early tracking seems to suggest it will — then I think it could push to a healthy $15 million through Labor Day. Expect competition from The Expendables and Takers, however, to keep the gross from going much higher. READ FULL STORY »

Sep 1 2010 02:53 PM ET

J.J. Abrams to pitch new drama about Alcatraz Island

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jj-abramsImage Credit: Armando Gallo/Retna LtdEW has confirmed that uber-producer J.J. Abrams, together with Lost executive producer Elizabeth Sarnoff, are gearing up to pitch a new show called Alcatraz, a drama about the infamous prison in the San Francisco Bay. The news was first reported on Deadline.com.

Abrams will produce the project through his Bad Robots shingle based at Warner Bros. TV. Sarnoff, who joined Lost in its second season, wrote the spec script. The duo is expected to make the rounds to the broadcast networks.

Bad Robot already has two series on the air: Fringe on Fox and the upcoming drama Undercovers on NBC.

For more on Abrams:

EW’s Jeff Jensen chats with JJ Abrams and Joss Whedon at Comic-Con

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