Archive: December 2010 (1-10 of 185)

Dec 31 2010 02:48 PM ET

'24' exclusive: Fox nixes movie script

24-KeiferFans of Jack Bauer who were hoping to get a big screen fix of their favorite anti-hero may be in for a long wait: EW has learned exclusively that 20th Century Fox has nixed a script from Billy Ray (State of Play) that would have continued the storyline of the rogue CTU agent from the long-running drama 24.

“As far as I know, it is in suspended animation,”  Howard Gordon, the longtime executive producer of 24 who is also expected to produce the big screen version, told EW exclusively. ”There is talk about re-approaching it. I understand (director/producer) Tony Scott is meeting with Kiefer to talk about ideas. People are still talking about it.”

When 24 ended its eight-year run on Fox in May, Sutherland told EW the series finale would tee up the movie.  “We wanted to create a definitive end for Jack Bauer,” the actor explained. “Since we do have the intention to make the feature film, it would lead into that and certainly set that up. Something we’ve dealt with in the series is how the crisis always has to come to us because we don’t have time to move anywhere in a real time world. In a two-hour (movie) representation of the 24 world, planes, trains, and automobiles all of a sudden become a factor because you are not required to go scene by scene in real time. That’s something I can say I am very excited about.”

Gordon is certainly keeping busy while Fox decides Jack Bauer’s next play: Besides having two dramas in development at Showtime and NBC, he’s busy promoting his thriller novel Gideon’s War. (And how’s this for staying loyal to the CTU family: Carlos Bernard, aka Tony Almeida, is reportedly narrating the audiobook version. For Gordon book signing details, click here). But Gordon remains optimistic that Jack’s days are not over.

“I was disapppointed [Fox] passed on the script but I’m certainly hopeful that the movie will get made at some point,” he said. “Anecdotally, I’ve heard from people who are really missing the show and I do think there is more life in Jack Bauer.”

Dec 30 2010 06:47 PM ET

Box office preview: 'True Grit' and 'Little Fockers' to lead New Year's weekend

Categories: Box Office, Movie Biz

true-gritImage Credit: Lorey SebastianAs we bid adieu to 2010, Hollywood is here to help you celebrate with, well, pretty much the same exact films from last week. As is customary for the weekend after Christmas, there are no new wide releases. Instead, audiences will have to settle with checking out those movies they’ve missed for one reason or another. Due to last weekend’s east-coast blizzard, and the fact that many folks may have avoided the multiplex on Friday and Saturday due to Christmas festivities, I’m guessing there will be a lot of catch-up action this weekend. Some movies may even see their earnings jump this frame, particularly films geared toward children, while True Grit and Little Fockers will battle it out for first-place bragging rights. I’m leaning toward a True Grit victory — it’s much more well-liked than Fockers — but it’s looking like it could be a photo finish. My predictions:

1. True Grit: $24.5 million

The Coen Brothers’ oater ode galloped off with an impressive $24.9 million last weekend — the directing duo’s largest opening ever. I expect the PG-13 Western will lasso about the same amount this weekend, too. For one thing, a lot of people dig the movie. It has already debuted on IMDb’s Top 250 Movies list, and CinemaScore moviegoers handed it a “B+” grade. Also, True Grit is drawing a predominantly older audience (70 percent is at least 25 years old), and that’s the type of crowd that doesn’t necessarily rush out to the theater the second a movie opens. Thus, many fans of the original 1969 film (or Westerns in general) will be getting around to seeing True Grit this weekend. And some folks, I suspect, will already be visiting the flick for the second time. For instance, my baby-boomer parents thought True Grit was the strongest film they’ve seen in ages, and, naturally, my parents’ opinion can be scientifically extrapolated to represent the tastes of the entire nation. Don’t let me down, Mom and Dad. READ FULL STORY »

Dec 30 2010 03:34 PM ET

Exclusive: 'Buried' screenwriter apparently skirts Oscar rules, sends campaign letter directly to Academy members

Categories: Oscar campaigns

buriedHas Buried screenwriter Chris Sparling just broken Academy campaigning rules? In one of the more brazen Oscar campaign tactics I’ve ever seen, Sparling has sent a letter to members of the Academy’s writers branch personally extolling the virtues of his script and asking them to vote for it for Best Original Screenplay. Under the heading FOR YOUR CONSIDERATION “BURIED” BEST ORIGINAL SCREENPLAY, Sparling writes:

Dear Screenwriter,

Here’s your writing prompt.

You are to write a feature-length screenplay with only one on-screen character. This character is to remain in only one location for the entire duration of the film, and that one location must be a 2′ x 7′ wooden box. You cannot use flashbacks, cut-aways, or any other narrative device that would take the action outside that box.

And…

The film based on your screenplay must be met by incredibly high critical praise. Roger Ebert must give it 3 1/2 out of 4 stars and give it two thumbs up; Variety must remark that the film is “…an ingenious exercise in sustained tension that would have made Alfred Hitchcock proud;” Jeffrey Lyons must describe the film you wrote as “Mesmerizing;” and you must be awarded Best Original Screenplay of 2010 by the National Board of Review.

Sound impossible? It’s not. In fact, all this exactly describes the film BURIED.

He then writes a synopsis of the movie, before continuing:  READ FULL STORY »

Dec 29 2010 01:28 PM ET

2010's box office is second-highest ever -- but still a disappointment

Categories: Box Office

As any cinema cynic or cane-waving old crank knows deep in their world-weary heart, the worst year of all time for movies is whatever year it is right now. However, despite a cruel summer, a significantly sluggish final month, and complaints of declining quality, 2010’s actual box office numbers haven’t fared too badly. Total domestic revenue is down a tad from last year’s record-setting $10.6 billion, but it’s not down by much. In fact, the estimated $10.556 billion take is only the second time the annual figure has been higher than $10 billion.

But the numbers are only part of the story, and they constitute a disappointment when you consider that 2010 was poised from the start to bust 2009’s record wide open. READ FULL STORY »

Dec 29 2010 10:50 AM ET

Writers Guild Awards: 'Toy Story 3,' 'Blue Valentine,' and others ineligible

Nominations for the Writers Guild Awards won’t be announced until Jan. 4, but the nomination ballot is missing some noticeable titles. Variety reports Another Year, Biutiful, Blue Valentine, The Ghost Writer, The King’s Speech, Made in Dagenham, Scott Pilgrim vs. the World, Toy Story 3 and Winter’s Bone are among those deemed ineligible because they were not formally submitted for consideration and/or were not produced under WGA jurisdiction. As the trade notes, the WGA’s picks for original and adapted screenplay have each won an Oscar 11 of the last 16 years. Winners are announced Feb. 5.

Dec 29 2010 10:25 AM ET

Good movies: when a critic is off duty

kings-speechImage Credit: Laurie SparhamYou’d think that given my long years on the job, I’d have ready replies. But coming up with the right answers never gets any easier: When friends, or family, or neighbors with whom I’ve shared an apartment elevator for ages, or interested strangers I meet at holiday parties, or even my dentist of 25 years asks me, “What should I see at the movies these days?” I’m always momentarily stumped.  I mean, I know which movies I think are good — and which movies I think are not. And I can supply a (brilliant!) critical analysis to back my opinions. But that’s not what is being asked. Not really.

“What should I see?” my old college pal, or my sister-in-law, or my neighbor on the 10th floor asks me, and I have to remember: The college friend doesn’t like movies with any disturbing content, so there goes Black Swan. My sister-in-law has little interest in animation, so there goes The Illusionist. And I have no idea whether the 10th-floor neighbor will be as engrossed as I was in a movie about a guy who cuts his own arm off to save his life — even if that guy is James Franco and the movie is as good as 127 Hours. There are plenty of movies I think are great that I know friend A or B won’t like, and I don’t think it’s my place to convince them otherwise. And there are plenty of movies I think stink that I know friend X or Y will enjoy, and I don’t want to rain on their Little Fockers parade. (I take that back: I’ll steer loved ones and strangers alike away from those Fockers, secure in the knowledge that box office revenues suggest no one gives a Focker about critical opinion.)

The result: When faced with a request for my off-duty opinion (which is to say, a market recommendation), I shift pleasantly and agreeably to the role of consumer advocate. If you like ______ (Jeff Bridges? ’80s videogame nostalgia? Katherine Heigl?), you’ll like _______. READ FULL STORY »

Dec 28 2010 04:19 PM ET

'The Other Woman' trailer: Watch Natalie Portman transform into the Grey Swan

Now that Natalie Portman is the equivalent of a gold-medal-winning all-around gymnast (“The Nastia Liukin of pop culture!” –Entertainment Weekly), we get to see the trailer for a movie she filmed two years ago, The Other Woman. It’ll be available On Demand on Jan. 1 and in a few theaters Feb. 4. It is not a Black Swan clone about ice skating, but it is kind of a Stepmom clone about a child-wary woman who just can’t cope. Except in The Other Woman, Lisa Kudrow plays the real mom, a baby’s death stands in for Susan Sarandon’s cancer, and Natalie Portman doesn’t have Julia Roberts’ infuriating bangs to go along with her natural waves. Check it out: READ FULL STORY »

Dec 28 2010 04:03 PM ET

Natalie Portman: Does pregnancy help her Oscar chances?

natalie-portmanImage Credit: Alberto E. Rodriguez/Getty ImagesYes, I know, it’s kind of a ridiculous question. But as we all well know, winning an Oscar isn’t just about delivering a worthy performance. It’s about how a performer is perceived within the industry. So on the heels of Black Swan star Natalie Portman’s announcement that she’s expecting her first child, I was curious: How have pregnant nominees fared over the years?

Rachel Weisz was noticeably pregnant when she won her Best Supporting Actress Oscar for The Constant Gardener. Catherine Zeta-Jones was too when she won the same category for Chicago. Same with Eva Marie Saint for On the Waterfront. And Meryl Streep had the future Mamie Gummer in her belly when she won Best Actress for Sophie’s Choice, though no one knew at the time. It’s been well documented that younger women have better luck with the Academy than their more mature counterparts. Could being pregnant only help an actress’ case?

Not always. Cate Blanchett was eight months along in 2008, when she lost in both the lead and supporting categories. Marcia Gay Harden also lost while pregnant, the year she was up for Mystic River. Same with Glenn Close for Fatal Attraction. Most interestingly, The Kids Are All Right‘s Annette Bening, who is Portman’s biggest competition this year, was almost nine months pregnant when she lost the Best Actress prize 11 years ago for American Beauty. With Black Swan now past the $30 million mark at the box office, Portman certainly has the momentum right now. Bening’s fans must surely hope Portman joins the list of Oscar’s pregnant also-rans come February.

Dec 28 2010 03:39 PM ET

Sears and Kmart now offer a movie-streaming service

Categories: Tech

Sears and Kmart have launched Alphaline Entertainment, a movie download service that, like similar services from Best Buy, Amazon, and Wal-mart, offers streaming movies the same day new titles are released in stores. Alphaline is powered by Sonic’s Roxionow backend. Registration is free; rentals are $3.99; purchased titles are $19.95.

You can also still go to a Sears store to pick up a treadmill or washing machine. But you would have to leave the house. [Engadget]

Dec 28 2010 02:19 PM ET

Studio exec on grim holiday-movie season: 'If I were a projectionist, I'd want to shoot myself'

Seen any good movies lately? Well, maybe, if you happen to live near a theater playing one of a handful critically acclaimed smaller releases now playing, like The King’s Speech, The Fighter, Black Swan, Rabbit Hole, or 127 Hours. But if you’ve gone to your local multiplex to take in one of the major studios’ splashy, big-budget year-end movies, you may have come away feeling pretty bah-humbug about the experience. It’s hard to remember any holiday season in which Hollywood has decked the halls with this much high-gloss dreck. And for a slew of would-be blockbusters, from The Tourist to Gulliver’s Travels to Little Fockers to How Do You Know to Yogi Bear and on down the list, scathing reviews have been reflected in subpar box office receipts. As a result, Hollywood’s total box office haul has fallen below last year’s for seven straight weeks.

One group of people getting the message loud and clear? Studio executives. One high-ranking studio exec tells EW, “I think what we’re seeing at the box office is more a testament to the quality of the overall slate of releases than anything else,” adding with a grim laugh, “I mean, if I were a projectionist, I’d want to shoot myself.” Another exec sums up the last couple of months in a single word: “Painful.”

With 2010 just about in the books, and a 2011 slate that includes Girl With the Dragon Tattoo, Captain America, J.J. Abrams’ Super 8, Green Lantern and new installments of Pirates of the Caribbean, Pixar’s Cars, Harry Potter, The Hangover, and Transformers, let’s hope thoughts of a prosperous (and painless) new year keep projectionists from doing anything too rash.

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