Back in 2011, between shooting and editing The Avengers, Joss Whedon was supposed to take his wife, producer Kai Cole, on a dream Italian vacation to celebrate their 20th anniversary. Sensing an oncoming crisis of faith in filmmaking — perhaps one reason they’ve been able to achieve 20 years of marriage in an industry that seemingly grinds up and spits out unions just for kicks — she had another idea.
She suggested he finally shoot his dream project, a new black-and-white contemporary spin on Shakespeare’s Much Ado About Nothing using the original text with his friends/constant collaborators like Nathan Fillion, Alexis Denisof and Amy Acker and set in his Santa Monica house, during his 12 days off.
“Pretty much making Much Ado was my anniversary present from my wife. It wasn’t so much that she said she’d let me make the movie. She said she was going to make me make the movie,” Whedon explained exclusively to EW at Wednesday night’s Oscars Outdoors screening and Q&A in Hollywood. “We were supposed to go to Venice, [but] she said, ‘I think the best thing for you would be to do Much Ado. We’re ready. We have our micro-budget studio set up. You have a crew. You have a cast. The location is really cheap. And you have a palpable need to reconnect with why you love your job. And Venice isn’t sinking that fast.’ So, yeah, she performed an act of extraordinary sacrifice, and on the first day of shooting, she asked me, ‘Are you happy?’ I smiled so hard that my face broke.” READ FULL STORY