Category: Jennifer Aniston (1-9 of 9)

Jul 10 2011 01:58 PM ET

Box office report: 'Transformers: Dark of the Moon' wins weekend with $47 million; 'Horrible Bosses' starts strong, 'Zookeeper' decent

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Image Credit: Robert Zuckerman

Comedy and robots — that’s what sold this weekend at the American box office. A major action sequel topped the chart, with four comedies following close behind. Transformers: Dark of the Moon easily held on to first place, firing up an optimal $47 million. That number represents a 52 percent decline from last weekend, and gives Dark of the Moon a 12-day total of $261 million. The original Transformers had earned $212.3 million at the same point, while Transformers: Revenge of the Fallen had pulled in a stronger $293.4 million.

Word-of-mouth does appear to be helping Transformers: Dark of the Moon, though. READ FULL STORY »

Jul 9 2011 12:44 PM ET

Box office update: 'Transformers: Dark of the Moon' retains top spot with $14.9 million on Friday

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Image Credit: Robert Zuckerman

Transformers: Dark of the Moon held on to its prime position at the box office on Friday, blasting up another $14.9 million. That number represents a 55 percent drop from Moon‘s last Friday, which is actually in line with expectations, as effects-driven sequels tend to be very frontloaded at the box office. Transformers should earn a strong $46 million this weekend and lead all other releases by a comfortable margin. That’s not to say that the newcomers fizzled, though — they most certainly did not!  READ FULL STORY »

Jul 8 2011 01:59 PM ET

Jennifer Aniston on her 'Horrible Bosses' character: 'I never get that kind of fun stuff'

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Image Credit: Kevin Mazur/WireImage.com

There’s certainly much to enjoy in Horrible Bosses, directed by Seth Gordon (read Lisa Schwarzbaum’s review here), the funniest workplace revenge comedy to come along since 9 to 5. But perhaps the most unexpected pleasure is seeing Jennifer Aniston play a predatory, filthy-mouthed dentist who delights in sexually harassing her assistant (played by Charlie Day). “I had such a great time doing it. It was ridiculous fun,” Aniston tells EW. “I never get that kind of fun stuff. It was great! You do tend to get locked into parts that you play, you know what I mean?  People forget that there are other parts in there. That’s what I love about Seth Gordon — someone with imagination. You just have to have the balls to let people try [other kinds of roles].” READ FULL STORY »

Jul 7 2011 07:21 PM ET

Box office preview: 'Horrible Bosses' and 'Zookeeper' take on 'Transformers: Dark of the Moon'

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Image Credit: John P. Johnson

Since its debut last Wednesday, Transformers: Dark of the Moon has been utterly dominant at the box office, amassing a gigantic $204.4 million in its first eight days of release. This weekend, Horrible Bosses and Zookeeper will do their best to compete with Transformers, but the Michael Bay film is all but guaranteed another weekend atop the chart. That’s not to say that the newcomers won’t do well for themselves — they very well might — but in this battle between people, animals, and machines, I’ve got my money on the robots. Take a look at my box office predictions below.  READ FULL STORY »

Jun 2 2011 02:16 PM ET

New 'Horrible Bosses' trailer features Jennifer Aniston 'fooling around'

The second trailer for Horrible Bosses — a black comedy starring Jason Bateman, Jason Sudeikis, and Charlie Day as abused employees who decide to murder the awful people they work for (Kevin Spacey, a nearly unrecognizable Colin Farrell, and Jennifer Aniston, respectively) — has just hit the Internet.

While the new clip isn’t drastically different from the first preview, it does feature some funny new footage of Aniston’s oversexed dentist taking advantage of a knocked-out patient. No wonder Bateman told EW that the film “takes full advantage of the [expected] R rating, which is always good.” Horrible Bosses will be out in theaters July 8.

Check out the preview below, then let us know if you think this 9 to 5 meets The Hangover premise will have you rolling in the aisles. READ FULL STORY »

May 11 2011 05:52 PM ET

Jennifer Aniston gets randy in 'Horrible Bosses': Watch the trailer here!

Say goodbye to Rachel Green, folks. Once you’ve watched Jennifer Aniston as a hilariously randy dentist in the new trailer for the comedy Horrible Bosses (out July 8), you might never see the Friends star quite the same way again.

The movie centers on three working guys (played by Jason Bateman, Jason Sudeikis, and Charlie Day) who decide to knock off their awful employers: A drug-addled brat (Colin Farrell), a white collar sadist (Kevin Spacey), and a sexual predator (Jennifer Aniston). The characters may be out for blood, but director Seth Gordon (Four Christmases) insists his movie is strictly going for laughs. “It’s a big comedy,” he tells EW. “Hopefully anybody who’s ever had a boss that they didn’t like will relate.” READ FULL STORY »

Aug 21 2010 01:09 PM ET

Jennifer Aniston, Michael Cera, and, you know, Katharine Hepburn: Is it bad when an actor is always the same?

jennifer-aniston-ceraImage Credit: Kerry HayesLately, I’ve been hearing a lot of bellyaching from readers about actors who, you say, essentially give the same performance in film after film. The prime offender — as, according to this criticism, she has been for years — is Jennifer Aniston, who is accused of never having grown past her performance as Rachel on Friends: same cheerleader- next-door sexy wholesomeness, same silky straight goddess-of- shampoo-commercial hair, same lonely-princess aura. But in the last year or so, a lot of folks have been singing a similar song about Michael Cera, with his flat turtle stare and high school girl’s voice and 21st century Woody Allen neurotic-nerd patter. I hear what you’re saying (let’s agree right now that there’s some truth to it), but what’s amusing, and at times infuriating, about all this she/he is always the same! high dudgeon is the absolute, outraged presumption that if an actor doesn’t vary his or her personality very much (or, in fact, at all) from movie to movie, then that’s automatically a bad thing.

I have two words to say in disagreement with that idea: Katharine Hepburn.

Okay, you know the next line, so let’s all say it together out loud: Jennifer Aniston is no Katharine Hepburn!

There, do you feel better? Well, Jennifer Aniston certainly is no Katharine Hepburn, and no one else is either. But you get my point, which is not about the relative merits of The Break-Up and The Philadelphia Story but about the principle at stake. READ FULL STORY »

Mar 29 2010 11:36 AM ET

Jennifer Aniston in 'The Bounty Hunter': Could she ever pull off a Sandra Bullock at the Oscars?

Jennifer-Aniston_240.jpg Image Credit: Janet Mayer/PR PhotosThe box-office headline today is all about 3-D competition at the multiplex this past weekend, as How To Train Your Dragon stomped in on ground previously held by Alice in Wonderland. But my eye is on the news, delivered with much less fanfare, that ticket sales for the romantic comedy The Bounty Hunter, starring Jennifer Aniston and Gerard Butler, dropped less precipitously than other movies of its ilk tend to do in second-week release. And since that ilk is rom-com crapola, and since I have yet to feel even one degree of romantic or comedic heat radiating off of the emotionally insulated Mr. Butler in any of his rom or com endeavors, I credit Ms. Aniston, the femme half of the duo, for bringing home the bacon.

Truth is, I’m fascinated with Aniston these days. (Tabloids serve up so much BS about her that I’ve got to restrain myself from calling her “Jen,” as if she’s my friend and we could feel even closer if I bought her favorite brand of handbag.) I’m impressed with Aniston’s ambition, her industriousness; I’m interested in her willingness to play the game, first by the rules of fame that were handed to her by the TV success of Friends and later by the rules of celebrity that were thrust on her by her marriage READ FULL STORY »

Mar 22 2010 12:28 PM ET

Tales from the box office: The unbearable profitability of bad chick flicks, and does the 'Oscar bump' still exist?

bounty-hunterImage Credit: Barry WetcherThis weekend, children ruled at the box office, as they so often do. Alice in Wonderland continued to prove that its boisterous, overstuffed, clattery fairy-tale landscape is a giant hit with audiences, and Diary of a Wimpy Kid, with a very impressive opening, made good on its feisty promise of a socially awkward, quick-brained nerd’s dreams of acceptance. Right now, though, I’d like to take note of a few of the other stories that the box office told this weekend. Stories that aren’t necessarily pretty, but that take the temperature of today’s moviegoers in revealing, and even fascinating, ways. So here goes:

If you build a bad romantic comedy, they will come (sort of). We’re obsessed in this culture with “winners” and “losers,” so the big news about The Bounty Hunter is that it was “beaten” by Diary of a Wimpy Kid (i.e., it happened to make four-fifths of a million dollars less). To me, however, the real news is that another cookie-cutter synthetic-screwball dud, with the charming Jennifer Aniston being abused by the charmless Gerard Butler, the two of them skulking through the rituals of romcom banter like grim soldiers being put through a drill, managed to withstand a fusilade of lousy reviews to do — big surprise — just fine in the marketplace. The point? That when moviegoers, like so many of you on this site, complain, “Why can’t the studios make a romantic comedy that isn’t a borderline insult?” the answer is: “Because the romantic comedies that are insults have no trouble finding an audience.” That said, I do buy the argument (or, at least, I would like to believe) that if The Bounty Hunter had actually been a good movie, it might have done even more business. Does anyone remember Jennifer Aniston’s very first romantic comedy, Picture Perfect (co-starring Jay Mohr), from 1997? It was terrific! I’ve been waiting for her to make a romantic comedy that good ever since, but if The Bounty Hunter holds on (which, of course, it may not), she’ll have that much less motivation to break out of the ghetto of ersatz chemistry and plastic squabbling. READ FULL STORY »

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