While the Oscar races for prizes like Best Picture will remain a mystery for the next few months, the Academy of Motion Picture Arts and Sciences has narrowed the field for another Oscar category: Best Documentary Short Subject.
Tag: Academy Awards (1-10 of 20)
Neil Patrick Harris is not just one of those multi-hyphenate performers who could conceivably win an Emmy, Grammy, Oscar, and Tony — he could also be the first to possibly score an EGOT through hosting.
The actor has signed on to emcee the upcoming Academy Awards, following his lively stints as host of two Emmy broadcasts and four Tonys, producers Neil Meron and Craig Zadan confirmed to EW.
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The Academy of Motion Picture Arts and Sciences announced on Thursday the final submissions for the Foreign Language Film category for the 87th annual Academy Awards. A record 83 countries have entered a film for consideration, including Kosovo, Malta, Mauritania, and Panama for the first time. Notable selections include Xavier Dolan’s Canadian drama Mommy, a favorite at this year’s Cannes, Sweden’s Force Majeure, and the Russian retelling of the Book of Job, Leviathan, winner of the Best Screenplay award at Cannes.
Nominations will be announced on Thursday, Jan. 15, ahead of the live telecast on ABC Sunday, Feb. 22, from Hollywood. Last year’s award was won by the Italian film The Great Beauty.
Read the complete list of submissions below:
Afghanistan, “A Few Cubic Meters of Love,” Jamshid Mahmoudi, director;
Argentina, “Wild Tales,” Damián Szifrón, director;
Australia, “Charlie’s Country,” Rolf de Heer, director;
Austria, “The Dark Valley,” Andreas Prochaska, director;
Azerbaijan, “Nabat,” Elchin Musaoglu, director;
Bangladesh, “Glow of the Firefly,” Khalid Mahmood Mithu, director;
Belgium, “Two Days, One Night,” Jean-Pierre Dardenne and Luc Dardenne, directors;
Bolivia, “Forgotten,” Carlos Bolado, director;
Bosnia and Herzegovina, “With Mom,” Faruk Lončarevič, director;
Brazil, “The Way He Looks,” Daniel Ribeiro, director;
Bulgaria, “Bulgarian Rhapsody,” Ivan Nitchev, director;
Canada, “Mommy,” Xavier Dolan, director;
Chile, “To Kill a Man,” Alejandro Fernández Almendras, director;
China, “The Nightingale,” Philippe Muyl, director;
Colombia, “Mateo,” María Gamboa, director;
Costa Rica, “Red Princesses,” Laura Astorga Carrera, director;
Croatia, “Cowboys,” Tomislav Mršić, director;
Cuba, “Conducta,” Ernesto Daranas Serrano, director;
Czech Republic, “Fair Play,” Andrea Sedláčková, director;
Denmark, “Sorrow and Joy,” Nils Malmros, director;
Dominican Republic, “Cristo Rey,” Leticia Tonos, director;
Ecuador, “Silence in Dreamland,” Tito Molina, director;
Egypt, “Factory Girl,” Mohamed Khan, director;
Estonia, “Tangerines,” Zaza Urushadze, director;
Ethiopia, “Difret,” Zeresenay Berhane Mehari, director;
Finland, “Concrete Night,” Pirjo Honkasalo, director;
France, “Saint Laurent,” Bertrand Bonello, director;
Georgia, “Corn Island,” George Ovashvili, director;
Germany, “Beloved Sisters,” Dominik Graf, director;
Greece, “Little England,” Pantelis Voulgaris, director;
Hong Kong, “The Golden Era,” Ann Hui, director;
Hungary, “White God,” Kornél Mundruczó, director;
Iceland, “Life in a Fishbowl,” Baldvin Zophoníasson, director;
India, “Liar’s Dice,” Geetu Mohandas, director;
Indonesia, “Soekarno,” Hanung Bramantyo, director;
Iran, “Today,” Reza Mirkarimi, director;
Iraq, “Mardan,” Batin Ghobadi, director;
Ireland, “The Gift,” Tom Collins, director;
Israel, “Gett, the Trial of Viviane Amsalem,” Ronit Elkabetz and Shlomi Elkabetz, directors;
Italy, “Human Capital,” Paolo Virzì, director;
Japan, “The Light Shines Only There,” Mipo O, director;
Kosovo, “Three Windows and a Hanging,” Isa Qosja, director;
Kyrgyzstan, “Kurmanjan Datka Queen of the Mountains,” Sadyk Sher-Niyaz, director;
Latvia, “Rocks in My Pockets,” Signe Baumane, director;
Lebanon, “Ghadi,” Amin Dora, director;
Lithuania, “The Gambler,” Ignas Jonynas, director;
Luxembourg, “Never Die Young,” Pol Cruchten, director;
Macedonia, “To the Hilt,” Stole Popov, director;
Malta, “Simshar,” Rebecca Cremona, director;
Mauritania, “Timbuktu,” Abderrahmane Sissako, director;
Mexico, “Cantinflas,” Sebastián del Amo, director;
Moldova, “The Unsaved,” Igor Cobileanski, director;
Montenegro, “The Kids from the Marx and Engels Street,” Nikola Vukčević, director;
Morocco, “The Red Moon,” Hassan Benjelloun, director;
Nepal, “Jhola,” Yadav Kumar Bhattarai, director;
Netherlands, “Accused,” Paula van der Oest, director;
New Zealand, “The Dead Lands,” Toa Fraser, director;
Norway, “1001 Grams,” Bent Hamer, director;
Pakistan, “Dukhtar,” Afia Nathaniel, director;
Palestine, “Eyes of a Thief,” Najwa Najjar, director;
Panama, “Invasion,” Abner Benaim, director;
Peru, “The Gospel of the Flesh,” Eduardo Mendoza, director;
Philippines, “Norte, the End of History,” Lav Diaz, director;
Poland, “Ida,” Paweł Pawlikowski, director;
Portugal, “What Now? Remind Me,” Joaquim Pinto, director;
Romania, “The Japanese Dog,” Tudor Cristian Jurgiu, director;
Russia, “Leviathan,” Andrey Zvyagintsev, director;
Serbia, “See You in Montevideo,” Dragan Bjelogrlić, director;
Singapore, “Sayang Disayang,” Sanif Olek, director;
Slovakia, “A Step into the Dark,” Miloslav Luther, director;
Slovenia, “Seduce Me,” Marko Šantić, director;
South Africa, “Elelwani,” Ntshavheni Wa Luruli, director;
South Korea, “Haemoo,” Shim Sung-bo, director;
Spain, “Living Is Easy with Eyes Closed,” David Trueba, director;
Sweden, “Force Majeure,” Ruben Östlund, director;
Switzerland, “The Circle,” Stefan Haupt, director;
Taiwan, “Ice Poison,” Midi Z, director;
Thailand, “The Teacher’s Diary,” Nithiwat Tharathorn, director;
Turkey, “Winter Sleep,” Nuri Bilge Ceylan, director;
Ukraine, “The Guide,” Oles Sanin, director;
United Kingdom, “Little Happiness,” Nihat Seven, director;
Uruguay, “Mr. Kaplan,” Álvaro Brechner, director;
Venezuela, “The Liberator,” Alberto Arvelo, director.
In an effort to touch base with movie lovers outside of award season, the Academy of Motion Picture Arts & Sciences has launched a new video series talking about all things moving-picture.
The digital documentary series “Academy Originals” kicks off today with three programs about cult fandom (featuring Patton Oswalt and a favorite neo-noir of his), an exploration of how the blind experience movies, and how filmmaker Tina Gordon Chism (Drumline, Peeples) nourishes new ideas.
New videos will premiere every Monday.
NOT MUCH TO SEE
Upcoming Academy Originals will feature Lucasfilm president and Star Wars: Episode VII producer Kathleen Kennedy, Crash filmmaker Paul Haggis, stop-motion animator Phil Tippett, School of Rock screenwriter Mike White and Selma filmmaker Ava DuVernay.
Many of the videos will seek participation from the Academy’s more than 6,000 members, and dive into its archive collection. “Our membership represents the most creative minds and talented storytellers in the world – professionals with incredible expertise to share,” said Josh Spector, who oversees the videos as the Academy’s managing director of digital media and marketing.
It’s an Oscar hat trick for Craig Zadan and Neil Meron!
The powerful producing duo will produce the Oscars for the third time next year, the Academy announced Monday. This year’s show hosted by Ellen DeGeneres attracted the biggest ratings for any entertainment telecast in the last 10 years and generated the most-talked about (and retweeted) selfie ever.
“We couldn’t be more thrilled to have Craig and Neil back to produce the Oscars again in 2015,” said Academy president Cheryl Boone Isaacs. “Their showmanship has elevated the show to new heights and we are excited to keep the momentum going with this creative partnership.” READ FULL STORY
Alice Herz Sommers, the woman featured in the 2014 Oscar-nominated documentary short The Lady in Number 6: Music Saved My Life, passed away Sunday at the age of 110.
Sommers was the world’s oldest living Holocaust survivor. The Lady in Number 6 told the story of her life, focusing on the uplifting effect piano playing had on both her spirit and those around her.
“Telling Alice’s story was a life-changing experience for everyone who worked on the film,” director Malcolm Clark and producer Nick Reed said in a statement to EW. “Even as her energy slowly diminished, her bright spirit never faltered. Her life force was so strong we could never imagine her not being around. We are so proud to been so fortunate to capture Alice’s lessons for all the generations to come. We can all learn so much from this most amazing woman.”
Watch a trailer for The Lady in Number 6 below.
Oscars luncheon, On the Scene: Leonardo DiCaprio, Sandra Bullock, and Amy Adams' best quotes of the day
On March 2, the film industry’s highest honors will be handed out, and the line between winners and losers will be clearly drawn. But on Monday, in the Beverly Hilton Hotel’s Ballroom, everyone was still a winner as more than 150 Oscar nominees assembled for the annual Academy Awards Nominees Luncheon in Beverly Hills.
“It’s very exciting [to be here]. I feel like I am a part of a community,” said Best Supporting Actress nominee June Squibb (Nebraska), who was the first familiar face to grace the press room with her smiling and grateful presence. “Those of us lucky enough to be nominated are gathering to celebrate together.”
She was one of several of the more familiar nominated faces to drop by the press-conference style proceedings, which were so simple, courteous, and peaceful that Gravity gal Sandra Bullock quipped, “This is so civil. I’m uncomfortable.”
Read on for other memorable moments and quotes from the event:
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Ellen DeGeneres’ latest Oscars promo pokes fun at those winners who take just a little too long thanking the Academy in their acceptance speeches.
In the short promo clip below, Ellen attempts to thank the Academy for asking her to host the Oscars for the second time but abruptly gets played off by the background music before she can finish up her speech. Watch Ellen’s new promo below:
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