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Tag: Admission (1-5 of 5)

Box office report: 'The Croods' scores rock solid $44.7M, 'Olympus Has Fallen' strong in second

This weekend, The Croods proved that cave people have more pop culture appeal than just Geico commercials.

The $135 million film, which features vocal performances by Nicolas Cage, Emma Stone, and Ryan Reynolds, bashed up a strong $44.7 million in its first three days — the second best debut of 2013 behind Oz‘s $79.1 million bow. The colorful family film was produced by DreamWorks Animation, whose last film, Rise of the Guardians, severely underperformed and forced the company to take an $87 million write-down. Thus, The Croods‘ success (for reference, Rise opened with just $23.7 million on its way to a $103.2 million domestic finish) is vindicating for the Jeffrey-Katzenberg-owned studio.

For distributor Fox, who inked a five-year distribution deal with DreamWorks Animation last year, The Croods is poised to become a massive success. The film opened in the same range as 2012’s Ice Age: Continental Drift ($46.7 million) and higher than the studio’s 2011 release, Rio, which began its flight with $39.2 million.

With an “A” CinemaScore and Easter/Spring Break ahead for many young school-goers — plus the fact that there are literally no family or animated films hitting theaters until Epic on May 24 — The Croods could evolve into a box office mammoth. A $200 million domestic finish wouldn’t surprise me one bit. Internationally, The Croods proved equally appealing, bowing with $63.3 million for a sizzling $108 million global total after its first three days. READ FULL STORY

Box office update: 'Croods' cruises to No. 1 on Friday with $11.6 million; 'Admission' rejected

Fox’s $135 million family film The Croods climbed out of its cave and straight to No. 1 at the box office on Friday, taking in $11.6 million in its first 24 hours. The colorful comedy, which was produced by DreamWorks Animation (whose last film, Rise of the Guardians, forced the company to take an $87 million write-down), will benefit from strong Saturday showings and Sunday matinees with parents and children, and it should finish the weekend with a rock-solid $42 million.

In second, FilmDistrict’s White House thriller Olympus Has Fallen broke out with a strong $10 million and is headed for a $28 million weekend — a better start than February’s A Good Day to Die Hard, which took in $24.8 million in its first weekend. The action film, which stars Gerard Butler, Aaron Eckhart, and Morgan Freeman, cost Millennium Films $70 million to produce. READ FULL STORY

'Admission' star Nat Wolff applied early-decision for stardom


Paul Rudd and Tina Fey supply most of the romantic-comedy in Admission, director Paul Weitz’s new movie about a by-the-book Princeton University admissions officer (Fey) who is thrown for a loop when a charming old classmate (Rudd) suggests one of his most talented college-bound students just might be the child she put up for adoption years ago. But younger audiences who grew up watching The Naked Brothers Band will be delighted to recognize that Rudd’s academic prodigy, Jeremiah, is none other than a taller, less shaggy Nat Wolff, the older sibling from Nickelodeon’s hit musical-comedy TV series that ran from 2007 to 2009. Now 18 — and bound for college himself — Wolff is jumping back into movies in a big way. Admission is just one of five films he’ll star in this year, highlighted by upcoming roles opposite Selena Gomez, Lily Collins, James Franco, and Girls‘ Zosia Mamet.

What about the Naked Brothers, you ask? Nat and Alex, now 15, are still making music together (though they are no longer Naked and just go by Nat & Alex Wolff). “Since December, I’ve just been playing shows with Alex,” says the native New Yorker. “We’re a duo, and we’re working on the next record. It’s difficult to balance [music and movies], but we’re always writing songs.”

Click below for an extensive interview with Wolff. READ FULL STORY

Box office preview: 'The Croods' will oust 'Oz' from top spot

Oz has reigned atop the box office for two weeks, but Fox’s family flick The Croods is ready to club the Disney tentpole out of the pole position this weekend.

Two other new releases, the White House thriller Olympus Has Fallen and the Tina Fey/Paul Rudd comedy Admission, should also make notable debuts, as will Harmony Korine’s “Disney Channel starlets gone bad” film Spring Breakers, which is expanding from three theaters to over 1,000 locations.

Here’s how the box office may shake out:

1. The Croods – $40 million
The caveman comedy will be the first film distributed under the new five-year DreamWorks Animation/Fox deal. From 2006 to 2012, DreamWorks Animation had its films distributed by Paramount. Both companies took a big hit last year with Rise of the Guardians, which forced DreamWorks Animation to take an $87 million writedown. The Croods should fare much better. It’s more colorful, more comedic, and facing less competition for families than Rise was in November. Fox has marketed the film, which cost about $135 million, aggressively, and the distributor has a proven formula for success — they launched Rio to $39.2 million in spring 2011. Out in a massive 4,046 theaters, The Croods could earn $40 million over its first three days.

2. Oz The Great and Powerful – $22 million
The $215 million production, which has already earned $153 million domestically, would fall more sharply against The Croods if it played exclusively to families. Thankfully, Oz is hitting with more than just parents and kids. As it stands, the film may drop by nearly 50 percent to $22 million, giving it a $178 million total.

3. Olympus Has Fallen – $21 million
FilmDistrict will distribute Millennium Entertainment’s $70 million White House thriller, which stars Gerard Butler, Morgan Freeman, and Aaron Eckhart in 3,098 theaters. Olympus is entering a market that has been especially unkind to male-driven action in recent months, but its buzz seems to have built nonetheless. Seeing the White House in danger is a popular novelty — a second White House action movie, White House Down, will hit theaters this summer — and Olympus‘ strong advertising images will bring in men over the age of 18, with whom the R-rated film has been tracking well. Plus, Morgan Freeman!  All told, expect about $21 million over the weekend.

4. Admission – $9 million
Everyone likes Tina Fey. And everyone likes Paul Rudd. But people like them because they make them laugh — something that ads for Admission, Focus Features’ $13 million college admission comedy, have failed to do. Fey’s fans like her because she’s sharp, not sweet, so they may skip this one. And the weak performances of How Do You Know, Wanderlust, and Our Idiot Brother suggest that Rudd is a bigger draw in male-targeting comedies than female-friendly relationship tales. Focus is releasing Admission in 2,160 theaters, where it may only make about $9 million.

5. The Call – $8.5 million
The Halle Berry thriller dialed up a successful debut weekend, but with mediocre buzz and loads of new competition, there’s no reason it should hold especially well. The Call may dip 50 percent to $8.5 million, which would give it nearly $31 million total. Not half bad considering the TriStar-released film cost only $15 million to produce.

Harmony Korine’s Spring Breakers has a shot at breaking into the Top 5, if it isn’t too weird for mainstream America. The film earned $263,000 from three theaters last weekend, encouraging distributor A24 to push it into 1,104 locations this time around. Spring Breakers has garnered massive publicity from the casting of Selena Gomez and Vanessa Hudgens, two Disney starlets eager to shed their good-girl images. Still, that doesn’t always translate into box office numbers, and Breakers is an off-center film that may struggle to connect with audiences. Curiosity may help pull in about $6 million for the weekend.

Check back to EW all weekend to see how all these films end up doing!

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'Admission' trailer: Tina Fey and Paul Rudd are more than acceptable -- VIDEO

Oh look, Hollywood put two people you like in the same movie! Admission stars Tina Fey as a Princeton admissions officer whose life is changed when an old classmate (Paul Rudd) contacts her — and tells her that one of his high school students (Nat Wolff) may be the son she gave up for adoption when she was in college. Way to give away the whole plot, trailer.

On paper, the story sounds sort of heavy — but the movie itself looks like pretty light fare, complete with a cow birthing and a trigger-happy Lily Tomlin as Portia’s mother. Liz Lemon’s settling soulmate Michael Sheen and Wallace “Inconceivable!” Shawn also play supporting roles. READ FULL STORY

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