Tag: Annie Hall (1-2 of 2)

Jun 28 2012 09:00 AM ET

Emma Stone on her childhood fashion: 'I wanted to dress like the Spice Girls'

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Image Credit: Joel Ryan/Getty Images

Nowadays, Emma Stone is a red-carpet trendsetter who favors forward-thinking designs by the likes of Elie Saab, Lanvin, and Gucci. But the Amazing Spider-Man star has some hilarious fashion skeletons in her closet, too. In a chat with EW for our new “My Life in Movies” series, in which we talk to actors about the films that inspire them, Stone confesses she was once a dedicated wannabe of a certain ’90s girl group that wasn’t exactly known for having a refined style. “I wanted to dress like the Spice Girls [when I was a kid],” Stone says. “I got platform Skechers. I had bell-bottoms. A lot of peace signs. I cut bangs like Baby Spice because I had blond hair. I wanted to be Baby Spice. I wasn’t Baby because my voice sounded exactly like it does now, and I had that spunky energy going on — I wasn’t [does a baby voice] super demure and sweet. But I really wanted to be.”

Stone also credited Beetlejuice‘s ghoul-loving Lydia (Winona Ryder) as a fashion inspiration and named Diane Keaton’s Annie Hall look as the movie costume she’d most like to wear. “I went as her for Halloween a couple years ago,” Stone says. “I was just like, ‘I want to wear this every day.’”

For more on Emma Stone’s movie inspirations, pick up a copy of the current issue of EW.

Jul 17 2011 02:00 PM ET

'Midnight in Paris' becomes Woody Allen's all-time biggest hit. How the heck did that happen?

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Image Credit: Everett Collection; Roger Arpajou

It turns out that Owen Wilson, playing the last herringbone-jacketed screenwriter in Hollywood, wasn’t the only one who wanted to go back in time to meet the great expatriate writers and artists of the 1920s. This weekend, Midnight in Paris, Woody Allen’s time-machine-of-high-culchah trifle, crossed the line to become the filmmaker’s all-time biggest hit, surpassing the $40.1 million mark set 25 years ago by Hannah and Her Sisters. That movie made its money in two separate releases one year apart, so perhaps Allen’s real erstwhile biggest hit should be considered Manhattan. And, of course, if you factor in inflation, Midnight in Paris wouldn’t be number one by a long shot. That said, movie-land accountants don’t tend to do a lot of adjusting for inflation (they look at the raw numbers), and so the inescapable fact is that the top of Allen’s box-office track record will now look like this:

1. Midnight in Paris ($41.8 million, probably heading toward $50 million)

2. Hannah and Her Sisters ($40.1 million)

3. Manhattan ($39.9 million)

4. Annie Hall ($38.2 million)

Quick, can you say: “One of these things just doesn’t belong here?” READ FULL STORY »

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