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'Arbitrage' Blu-ray: Richard Gere 'did something special' says director Nicholas Jarecki -- EXCLUSIVE VIDEO

It really can’t be true, can it? Richard Gere has never been nominated for an Oscar? Really? Let’s check again. For Chicago, surely. Nope. Officer and a Gentleman? Nope. Unfaithful, The Hoax, Primal Fear? Eh-eh. Damn… Dude’s due.

With Arbitrage, Gere might finally land that elusive nomination. In the Sundance hit from first-time writer/director Nicholas Jarecki, Gere plays a Bernie Madoff type who needs to unload his financial company before Wall Street figures out he’s short $412 million. It’s a subtle, daring performance, but also one that reminds you how consistently remarkable the 63-year-old has been for more than 35 years, since catching Diane Keaton’s eye in Looking for Mr. Goodbar.

With Arbitrage out on DVD, Blu-ray, and digital download today, the 33-year-old Jarecki checked in to discuss the New York he knows and loves, how he connected with his Madoff-like anti-hero, and why it’s time for Gere to finally hear his name called by Oscar.

ENTERTAINMENT WEEKLY: Watching Arbitrage gave me the same feeling that I have when I read a Richard Price novel.
NICHOLAS JARECKI: That’s a hell of a compliment. You know, I almost never listen to books on tape, but I think while I was writing it, I may have driven to Sundance with Lush Life playing. Bobby Cannavale read it. READ FULL STORY

'Bachelorette' and the video-on-demand revolution: How digital distribution is changing indie cinema

When Bachelorette arrived at the Sundance Film Festival last January, the film’s producers were quite clear-eyed about its prospects. The dark comedy — about three hard-partying high school friends (Kirsten Dunst, Isla Fisher, and Lizzy Caplan) and their evening of escalating debauchery before the wedding of another friend (Rebel Wilson) — was based on a years-old play by writer-director Leslye Headland. But just as the feature film adaptation was set to go before cameras last summer, Bridesmaids, which shares some pointed similarities, became a massive, zeitgeist-seizing sensation.

“When Bridesmaids hit, I knew, ‘Oh, now [Bachelorette] is going to look like a knock off,'” says producer Adam McKay, who with fellow producers Will Ferrell and Jessica Elbaum helped champion the film through their production company, Gary Sanchez Productions. So McKay turned his sights beyond U.S. theaters, to the European release (“I thought they’d enjoy the darkness of the movie”), home video, and cable. One thought that did not cross his mind? Video on demand. “No, no,” he says. “I wasn’t thinking VOD at all.”

Even after Bachelorette was snapped up by RADiUS, The Weinstein Company’s brand new label focused on alternative distribution, McKay remained skeptical at the plan to release the film on VOD a full month before its theatrical debut Sept. 7. “It just didn’t seem like that big of a deal to me,” he says with a chuckle. So you can imagine McKay’s surprise when, within 48 hours of its digital premiere, Bachelorette hit number one on the iTunes video-on-demand chart — the first time, it seems, that a film has hit that milestone before hitting movie theaters.


Richard Gere fends off Tim Roth in financial thriller 'Arbitrage' -- EXCLUSIVE CLIP


In Arbitrage, Richard Gere plays Wall Street tycoon Robert Miller, who finds himself in over his head both financially, thanks to some high-risk balance sheet shenanigans, and criminally, thanks to a hairy car accident involving his mistress (Laetitia Casta, a one-time Victoria’s Secret model). It’s the latter transgression that attracts the attention of a wily NYPD detective played by Tim Roth, who drops by Miller’s office to ask about why he’d invested in the woman’s art gallery. You can watch the two men face off, Law & Order-style, in the exclusive clip from the film below:  READ FULL STORY

'Arbitrage' trailer: Richard Gere's Madoff thriller

Richard Gere earned rave reviews at Sundance for his performance in Arbitrage, a thriller about a successful hedge funder whose world starts falling to pieces. Some of the problems facing Gere’s character are ripped from the headlines: People scream things like “Half of the fund’s assets are missing!” and “He does not get to walk just because he’s on CNBC!” But the problems facing Gere go a little deeper than economic chicanery. Put it this way: There are 100 percent more car flips in Arbitrage than there were in Margin Call. Watch the trailer: READ FULL STORY

Sundance: EW's Owen Gleiberman assesses the festival's first half -- VIDEO

The 2012 Sundance Film Festival is entering its sleepy second half, when the crush of celebrities and traffic and gifting suites and party buses have all evaporated into the crisp Utah air, and nothing is left but the movies themselves. If the final films playing at the festival are as good as EW’s Owen Gleiberman found the first half’s films to be, then this year’s Sundance will definitely be remembered as one of the best in recent memory. Check out our far-ranging conversation about the Sundance highlights (and a few lowlights) below, including Richard Gere in Arbitrage, the Kennedy-family doc Ethel, and Josh Radnor’s Liberal ArtsREAD FULL STORY

Sundance: Richard Gere rules in the tasty 'Arbitrage.' Plus, a possible festival award winner (though for the wrong reasons)

Every year at Sundance since the 2008 economic meltdown, there has been a movie that’s looked at the new America through the lens of finance; each of these films has been juicy and enlightening in equal measure. Back in 2009, just a few months after the crisis hit, Steven Soderbergh showed up with his slyly arresting, shot-on-the-fly The Girlfriend Experience. 2010 gave us the wrenching executive-downsize drama of The Company Men, and last year it was Margin Call, that enthralling look at greed and guilt on Wall Street. This year, the big-money spectacle is Nicholas Jarecki’s Arbitrage, a tasty financial thriller starring Richard Gere as an investment titan who is standing at the precipice. READ FULL STORY

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