We’re finally in the homestretch of the Oscar season, and I’m happy to say we have a handful of real races on our hands this year. Best Actor continues to befuddle me, while Best Actress and Best Adapted Screenplay could both offer surprises on Feb. 26 . At this point I’m thinking Hugo screenwriter John Logan could capitalize on all the support for the film — not to mention the fact that he’s a sole credited writer, which always helps. At this week’s Oscar nominees luncheon, I was taken aback by the tremendous amount of goodwill directed at Extremely Loud & Incredibly Close supporting-actor nominee Max von Sydow. (Perhaps because Christopher Plummer wasn’t there, von Sydow received an inordinate amount of octogenarian love.) Do I suddenly think von Sydow could beat Plummer? No, but he definitely moves up a few rungs in my rankings this week. On today’s episode of my Oscar.com series Nominated With Dave Karger, we take a closer look at Extremely Loud.
1. The Artist (last week: 1) READ FULL STORY