The Golden Globes gave plenty of people—including Quvenzhané Wallis, nominated for Annie—reason to celebrate. But some huge movie names had no such luck. Who got left out of the pack? READ FULL STORY
Tag: Awards Season (1-10 of 344)
Birdman led the Screen Actors Guild with four nominations, including a nod for Best Ensemble Cast. Michael Keaton, Edward Norton, and Emma Stone were each recognized in their respective categories. Also named for Best Ensemble, the SAG’s version of Best Picture, were: Boyhood, The Grand Budapest Hotel, The Imitation Game, and The Theory of Everything. Each of those nominated films—except Budapest Hotel—also had two acting nominations.
Mark Ruffalo and Benedict Cumberbatch both earned two nominations each, for their work in film and television. Jake Gyllenhaal nabbed a Best Actor nomination, giving him some credibility for what is perceived to be the fifth slot in one of the Oscar’s most competitive categories. And Jennifer Aniston officially slipped into the Best Actress race, with a nomination for her performance in Cake. READ FULL STORY
If 2014 is the year of the auteur, with filmmakers driving their independent visions onto the screen without the benefit of megabudgets—I’m not talking to you, Christopher Nolan—the battle for Best Director will come down to who executed that vision most successfully. And it’s sure to be a hell of a race.
The locks, in my opinion, go to four directors with distinct, incisive points of view: Richard Linklater for his 12-year effort Boyhood, one of the year’s best-reviewed movies, which excels in transcending what could have been little more than a gimmick (it also nabbed prizes for director, picture and supporting actress from the New York Film Critics Monday); Alejandro G. Iñarritú, the brooding Mexican who lightened up (finally) this year with Birdman, a dark comedy that feels like a bright jazz riff; David Fincher, who turned the pitch-black best-seller Gone Girl into a $160 million juggernaut that mixes stylized pulp with impeccable craft; and Ava DuVernay, the rising filmmaker who is stunning audiences with her grand-but-intimate portrait of Martin Luther King Jr. in Selma. Adding oomph to her odds, she would be the first African-American woman—and only the fifth woman ever—to land a directing nod. READ FULL STORY
Greer Grammer will be this year’s Miss Golden Globe, the awards announced Thursday. The 22-year-old actress plays ditzy Lissa on MTV’s Awkward; she also appears in the upcoming film Life Partners, opposite Leighton Meester, Adam Brody, and Gillian Jacobs. And, as Miss and Mr. Golden Globe of years past, she also happens to be the child of a celebrity: as you may have guessed, Grammer’s father is three-time Golden Globe winner Kelsey Grammer. (Her mother is makeup artist Barrie Buckner.)
Grammer joins a long line of past Golden Globe assistants including Sosie Bacon, daughter of Kevin Bacon and Kyra Sedgwick; Sam Fox, son of Michael J. Fox and Tracy Pollan; Rumer Willis, daughter of Demi Moore and Bruce Willis. Several celebrity children who have held the position have gone on to become big-name actors in their own right, including Laura Dern, daughter of Diane Ladd and Bruce Dern; Melanie Griffith, daughter of Tippi Hedren; and Freddie Prinze Jr., son of Freddie Prinze.
Grammer will appear alongside returning hosts Tina Fey and Amy Poehler at this year’s 72nd Annual Golden Globes, which air live on NBC at 8 p.m. ET on Jan. 11.
After time-delayed broadcasts in years past, the Film Independent Spirit Awards will be broadcast live for the first time in several years.
No stranger to awards with an Oscar, Emmy, and Golden Globes nomination (and win) under her belt, Queen Latifah is set to host the inaugural broadcast of the Hollywood Film Awards, CBS announced Friday.
“Queen Latifah is the real deal,” said Jack Sussman, CBS’ executive vice president of specials, music and live events, in a statement. “She is a triple threat—she can act, she can sing, she can dance—she is beloved by audiences across multiple genres and she entertains millions of people every day.”
For her part, Latifah said she is “honored to be part of a legendary award show,” which has been kicking off awards season for the past 17 years, honoring films that are sometimes not even finished yet. It will air live (with a West Coast delay) on CBS from the Hollywood Palladium on November 14 and includes a live red carpet and post-show with CBS This Morning anchors Charlie Rose, Norah O’Donnell and Gayle King.
Neil Patrick Harris is not just one of those multi-hyphenate performers who could conceivably win an Emmy, Grammy, Oscar, and Tony — he could also be the first to possibly score an EGOT through hosting.
The actor has signed on to emcee the upcoming Academy Awards, following his lively stints as host of two Emmy broadcasts and four Tonys, producers Neil Meron and Craig Zadan confirmed to EW.
READ FULL STORY
The Academy of Motion Picture Arts and Sciences announced on Thursday the final submissions for the Foreign Language Film category for the 87th annual Academy Awards. A record 83 countries have entered a film for consideration, including Kosovo, Malta, Mauritania, and Panama for the first time. Notable selections include Xavier Dolan’s Canadian drama Mommy, a favorite at this year’s Cannes, Sweden’s Force Majeure, and the Russian retelling of the Book of Job, Leviathan, winner of the Best Screenplay award at Cannes.
Nominations will be announced on Thursday, Jan. 15, ahead of the live telecast on ABC Sunday, Feb. 22, from Hollywood. Last year’s award was won by the Italian film The Great Beauty.
Read the complete list of submissions below:
Afghanistan, “A Few Cubic Meters of Love,” Jamshid Mahmoudi, director;
Argentina, “Wild Tales,” Damián Szifrón, director;
Australia, “Charlie’s Country,” Rolf de Heer, director;
Austria, “The Dark Valley,” Andreas Prochaska, director;
Azerbaijan, “Nabat,” Elchin Musaoglu, director;
Bangladesh, “Glow of the Firefly,” Khalid Mahmood Mithu, director;
Belgium, “Two Days, One Night,” Jean-Pierre Dardenne and Luc Dardenne, directors;
Bolivia, “Forgotten,” Carlos Bolado, director;
Bosnia and Herzegovina, “With Mom,” Faruk Lončarevič, director;
Brazil, “The Way He Looks,” Daniel Ribeiro, director;
Bulgaria, “Bulgarian Rhapsody,” Ivan Nitchev, director;
Canada, “Mommy,” Xavier Dolan, director;
Chile, “To Kill a Man,” Alejandro Fernández Almendras, director;
China, “The Nightingale,” Philippe Muyl, director;
Colombia, “Mateo,” María Gamboa, director;
Costa Rica, “Red Princesses,” Laura Astorga Carrera, director;
Croatia, “Cowboys,” Tomislav Mršić, director;
Cuba, “Conducta,” Ernesto Daranas Serrano, director;
Czech Republic, “Fair Play,” Andrea Sedláčková, director;
Denmark, “Sorrow and Joy,” Nils Malmros, director;
Dominican Republic, “Cristo Rey,” Leticia Tonos, director;
Ecuador, “Silence in Dreamland,” Tito Molina, director;
Egypt, “Factory Girl,” Mohamed Khan, director;
Estonia, “Tangerines,” Zaza Urushadze, director;
Ethiopia, “Difret,” Zeresenay Berhane Mehari, director;
Finland, “Concrete Night,” Pirjo Honkasalo, director;
France, “Saint Laurent,” Bertrand Bonello, director;
Georgia, “Corn Island,” George Ovashvili, director;
Germany, “Beloved Sisters,” Dominik Graf, director;
Greece, “Little England,” Pantelis Voulgaris, director;
Hong Kong, “The Golden Era,” Ann Hui, director;
Hungary, “White God,” Kornél Mundruczó, director;
Iceland, “Life in a Fishbowl,” Baldvin Zophoníasson, director;
India, “Liar’s Dice,” Geetu Mohandas, director;
Indonesia, “Soekarno,” Hanung Bramantyo, director;
Iran, “Today,” Reza Mirkarimi, director;
Iraq, “Mardan,” Batin Ghobadi, director;
Ireland, “The Gift,” Tom Collins, director;
Israel, “Gett, the Trial of Viviane Amsalem,” Ronit Elkabetz and Shlomi Elkabetz, directors;
Italy, “Human Capital,” Paolo Virzì, director;
Japan, “The Light Shines Only There,” Mipo O, director;
Kosovo, “Three Windows and a Hanging,” Isa Qosja, director;
Kyrgyzstan, “Kurmanjan Datka Queen of the Mountains,” Sadyk Sher-Niyaz, director;
Latvia, “Rocks in My Pockets,” Signe Baumane, director;
Lebanon, “Ghadi,” Amin Dora, director;
Lithuania, “The Gambler,” Ignas Jonynas, director;
Luxembourg, “Never Die Young,” Pol Cruchten, director;
Macedonia, “To the Hilt,” Stole Popov, director;
Malta, “Simshar,” Rebecca Cremona, director;
Mauritania, “Timbuktu,” Abderrahmane Sissako, director;
Mexico, “Cantinflas,” Sebastián del Amo, director;
Moldova, “The Unsaved,” Igor Cobileanski, director;
Montenegro, “The Kids from the Marx and Engels Street,” Nikola Vukčević, director;
Morocco, “The Red Moon,” Hassan Benjelloun, director;
Nepal, “Jhola,” Yadav Kumar Bhattarai, director;
Netherlands, “Accused,” Paula van der Oest, director;
New Zealand, “The Dead Lands,” Toa Fraser, director;
Norway, “1001 Grams,” Bent Hamer, director;
Pakistan, “Dukhtar,” Afia Nathaniel, director;
Palestine, “Eyes of a Thief,” Najwa Najjar, director;
Panama, “Invasion,” Abner Benaim, director;
Peru, “The Gospel of the Flesh,” Eduardo Mendoza, director;
Philippines, “Norte, the End of History,” Lav Diaz, director;
Poland, “Ida,” Paweł Pawlikowski, director;
Portugal, “What Now? Remind Me,” Joaquim Pinto, director;
Romania, “The Japanese Dog,” Tudor Cristian Jurgiu, director;
Russia, “Leviathan,” Andrey Zvyagintsev, director;
Serbia, “See You in Montevideo,” Dragan Bjelogrlić, director;
Singapore, “Sayang Disayang,” Sanif Olek, director;
Slovakia, “A Step into the Dark,” Miloslav Luther, director;
Slovenia, “Seduce Me,” Marko Šantić, director;
South Africa, “Elelwani,” Ntshavheni Wa Luruli, director;
South Korea, “Haemoo,” Shim Sung-bo, director;
Spain, “Living Is Easy with Eyes Closed,” David Trueba, director;
Sweden, “Force Majeure,” Ruben Östlund, director;
Switzerland, “The Circle,” Stefan Haupt, director;
Taiwan, “Ice Poison,” Midi Z, director;
Thailand, “The Teacher’s Diary,” Nithiwat Tharathorn, director;
Turkey, “Winter Sleep,” Nuri Bilge Ceylan, director;
Ukraine, “The Guide,” Oles Sanin, director;
United Kingdom, “Little Happiness,” Nihat Seven, director;
Uruguay, “Mr. Kaplan,” Álvaro Brechner, director;
Venezuela, “The Liberator,” Alberto Arvelo, director.
To those who know their whole history, it may seem surprising that there was never any bad blood between Steven Spielberg and the late Richard Attenborough — unless you want to count the prehistoric kind drawn from those amber-encased mosquitos in Jurassic Park, the one big project they made together.
The two filmmakers, separated in age by more than a generation, were rivals who became collaborators and eventually friends. When Attenborough died at age 90 on Sunday, he left behind a legacy as an actor, director, and philanthropist — but the story of his relationship with Spielberg is evidence of another defining trait: gentleman.
Their complicated camaraderie began after the pair crossed paths at the most critical point in each of their careers — 1982, when Attenborough finally completed his 20-year quest to make the biographical drama Gandhi, and Spielberg finished a deeply personal film that stands as one of the best movies ever made about families: E.T. the Extra-Terrestrial.
Those two films couldn’t have been more different, but were destined for eternal comparison after becoming competitors at the 55th Academy Awards.
Most directors do their best to prevent actors punching each other. But during last year’s U.K. shoot for the World War II tank movie Fury, filmmaker David Ayer had his five principals—Brad Pitt, Logan Lerman, Shia Labeouf, Jon Bernthal, and Michael Peña—start the day by engaging in fisticuffs.
“We put them through martial arts training and physical combat classes,” says Ayer, whose film is released Oct. 17. “It’s a great ice breaker for actors. There’s something very honest about being punched in the face.”
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