When you think back on the great Woody Allen films, they have so many different dimensions. They are dramatic (Crimes and Misdemeanors), they are hilarious (Bananas), they are touching (The Purple Rose of Cairo), they are dramatic and hilarious and touching (Manhattan), they are sublimely bittersweet romantic (Annie Hall), they are drop-dead clever (Zelig), they are darkly sexy and thrilling (Match Point), they are even cheerfully up front about their own lack of consequence (Broadway Danny Rose). But a word that virtually never springs to mind in connection with a Woody Allen film is ”topical.” On rare occasions, he has tried to be topical, and the results haven’t usually worked out too well (e.g., his toothless satire of the new gossip culture in Celebrity, or every time he makes a reference to rock & roll). That’s not to say that all of Allen’s movies are unconnected to their time. One of the things I cherish about Manhattan is the way that it pinpoints New York in its transitional end-of-the-’70s moment, when professors were becoming yuppies, love and art were finding a rival in real estate, and comedy was turning into an assembly-line commodity. Manhattan is great time-capsule material, but it’s not exactly ripped from the headlines. READ FULL STORY
Tag: Bernie Madoff (1-2 of 2)
Bernie Madoff and Dick Cheney are the most fascinating showbiz personalities on our screens right now
By now, you may feel you know everything you need to — and maybe more than you want to — about Bernie Madoff and his greedy, sociopathic, evilly brilliant Ponzi scheme of an investment business. But the riveting new documentary Chasing Madoff doesn’t just rehash the depressing details of how Madoff bilked thousands of innocents out of their savings. Instead, the director, Jeff Prosserman, looks at the underlying question that haunted the Madoff scandal. Namely, how did he fool everyone for so long? The answer turns out to be: He didn’t. READ FULL STORY
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