From Christoph Waltz’s surprise Best Supporting Actor win to Ben Affleck’s emotional, heartfelt remarks after Argo snagged Best Picture, last night’s Academy Awards were filled with memorable acceptance speeches — and notable pre-speech journeys to the stage. (How’s your knee, Jennifer Lawrence?)
Tag: Best Picture Oscar (11-20 of 151)
Just as viewers seemed divided over Seth MacFarlane’s hosting of this year’s Oscars, so Academy voters were split over the films themselves. Django Unchained, Les Miserables, Amour, Lincoln, and Silver Linings Playbook all scored major awards, with Jennifer Lawrence and Daniel Day-Lewis winning the top acting Oscars. But Life of Pi director Ang Lee took home the Best Director prize while Argo won Best Picture. You can check out the full list of winners below.
Want to brush up on a bit of Oscar history ahead of the big night this weekend? With four days to go until the Academy crowns its 85th best picture winner, you can review the 84 that came before it in the video below, a montage of all the Oscar best picture winners created by Vimeo user Nelson Carvajal. READ FULL STORY
The Oscar list of star-studded presenters continues to grow with the addition of nominees Jessica Chastain and Jennifer Lawrence — who are not fighting with each other, mind you — and Argo‘s Ben Affleck.
Affleck received an Oscar in 1997 for his work co-writing Good Will Hunting. Chastain was nominated last year for her supporting role in The Help, and Lawrence was nominated in 2010 for her leading role in Winter’s Bone. This year, Chastain and Lawrence are rivals in the Best Actress category, while Affleck’s film is the current frontrunner for Best Picture.
The Academy Awards will air on ABC on Feb. 24.
Even he didn’t expect himself to get a nomination. “For director, I honestly didn’t think there was any possibility that that was going to happen,” he told EW’s Karen Valby this morning. “And I thought they’d finished announcing the names so I wasn’t even nervous. … I just sort of tuned out and then I just heard my name out of the back of my head and I went into a black-out.”
If you’re three particular veteran directors … it didn’t feel quite so great.
The Beasts of the Southern Wild director wasn’t considered a favorite at all for a best director nomination … And where was Argo‘s Ben Affleck, Zero Dark Thirty‘s Kathryn Bigelow, and Les Miserables‘ Tom Hooper?
The directing category provided the most shocks, differing from the Directors Guild Awards contenders not just by one (which is typical) but by three. The other two surprises in addition to Zeitlin: Silver Linings Playbook‘s David O. Russell and Amour‘s Michael Haneke.
Here’s a breakdown of how some of the top categories shook out: READ FULL STORY
With Academy Awards voting underway, EW’s Prize Fighter is kicking off the “Consider This” series, asking folks with Oscar histories of their own to share their personal favorites of the year. Alfre Woodard, who had a supporting actress nomination in 1983 for Cross Creek and is best known for the movies Scrooged, Passion Fish and Primal Fear, wrote this essay about her love of Middle of Nowhere, an indie love story about a nurse struggling to maintain her relationship to a husband in prison, only to find herself falling for another man:
In Middle of Nowhere, we experience an exquisite, intimate tale of a woman in progress — as told through the vivid screenplay and deft direction of Ava DuVernay and the breakout performance of Emayatzy Corinealdi.
These are the kind of women artists rarely heard in modern day cinema. They are women of color telling a universal tale in a very specific way. And it is important that their work in Middle of Nowhere be seen by those of us who truly care about film. READ FULL STORY
Although there are dozens of songs in Les Miserables, only one of them has a shot at winning the Oscar this year — the lullaby-like new composition “Suddenly.”
In this behind-the-scenes video put together by Universal, composer Claude-Michel Schönberg and lyricist Alain Boublil discuss adding a song to their show, nearly three decades after its creation. READ FULL STORY
The National Board of Review chose Zero Dark Thirty as its best film, but it was the selection of a few out-of-the-box nominees that are most compelling — including a supporting actress nomination for character actress Ann Dowd’s work in the indie thriller Compliance.
Zero Dark Thirty, which also claimed the group’s best director prize for Kathryn Bigelow, can count this — along with the same wins at the New York Film Critics Circle on Monday — as a serious momentum-builder in the race for the Oscars. But ever since it began screening last week, the film has been heralded far and wide as a heavyweight award season player. Academy voters, it’s fair to say, are already aware.
For someone like Dowd, whose film is lesser known and doesn’t have the same marketing machine behind her, this is a critical victory, a massive “CONSIDER THIS” sign pointed directly at her. If they haven’t already, the Screen Actors Guild nominating committee, Golden Globe voters, and Academy members would be wise to check out her work in the film, in which she plays a well-meaning fast-food manager who is manipulated into thinking one of her employees (Don’t Trust the B‘s Dreama Walker) is guilty of a crime.
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