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Tag: Best Song Oscar (1-10 of 15)

'Alone Yet Not Alone': Academy says revoked Original Song composer contacted a third of voters

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Three days after yanking the Original Song nomination from the religious period-drama Alone Yet Not Alone, the Academy of Motion Picture Arts and Sciences has issue a more detailed explanation about why the theme song was disqualified.

At issue was composer Bruce Broughton, a former governor of the group’s music branch, who acknowledged that he privately emailed members of that voting division and asked them to consider his song from the relatively obscure movie.

Meanwhile, Broughton is questioning whether what he did was any different than the past award-season consulting done by the current Academy president, who comes from a background in marketing and public relations.

Since every film is hyped and promoted in some way, the Academy is now explaining why his actions were deemed improper — saying he directly reached out to nearly one-third of the voters in his field, and used his position as a leader to gain an advantage that other contenders didn’t have.

“The Academy takes very seriously anything that undermines the integrity of the Oscars voting process,” Saturday’s statement read. “The Board regretfully concluded that Mr. Broughton’s actions did precisely that.”

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Oscars kill Original Song nomination for 'Alone Yet Not Alone' -- BREAKING

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It was a contender, yet not a contender.

In a shocking and extremely rare move, an Academy Award nominee for original song has had its nomination pulled amid accusations of electoral impropriety.

Alone Yet Not Alone, the theme song from a little-seen film with the same title, was the headscratcher of nominations morning two weeks ago. Few had heard of it before it secured a coveted place among the top five movie songs of the year.

Now it’s out of the race completely as the Academy of Motion Picture Arts and Sciences rules that its composer, a former governor of the music branch and current member of its executive committee, took advantage of his leadership position to improperly lobby fellow members of the branch.

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Seth MacFarlane joins elite list of Oscar hosts-slash-nominees

Congratulations, Seth MacFarlane — you’ve just become a historical footnote.

The Family Guy creator was nominated for an Oscar this morning, when Ted‘s “Everybody Needs a Best Friend” snagged a spot in the Best Song category. That makes MacFarlane the sixth person in Oscar history to both host and be nominated for a competitive award during the same ceremony. More importantly, MacFarlane is the only person who’s managed to achieve this feat while serving as the event’s solo host.

Host-slash-nominees — hominees? — are more common at Emmys or the Tonys than the Oscars, since those other ceremonies are more likely to be hosted by performers who work in the same medium as the awards being given. It’s interesting, then, that only two years have passed since a same-night Oscar nominee last took the stage as host — in 2011, Best Actor contender James Franco tested his emcee skills with co-host Anne Hathaway at the 83rd annual awards. (And we all know how that turned out.)

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Oscars 2012: Music branch chief Bruce Broughton on this week's controversial Best Song noms

One of the big stories of this week’s Oscar nominations was the announcement that, for the first time in history, only two songs have been given the nod in the Best Song category: Bret McKenzie’s “Man or Muppet” from The Muppets and the Rio number “Real in Rio,” which was co-written by legendary Brazilian musician Sérgio Mendes. Below, Bruce Broughton, who is chair of the Academy’s Music Branch Executive Committee, explains how just a brace of songs came to receive noms and why the situation might prompt a rule change.

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Sergio Mendes says a 'Rio' sequel 'looks like it's going to happen'

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Brazilian musician Sérgio Mendes has said that a sequel to last year’s animated, avian-centric hit Rio “looks like it’s going to happen.” Rio was released last April and grossed $143m at the U.S. box office. Yesterday, Mendes was nominated in the Best Song Oscar category for co-writing the Fox film’s song “Real in Rio.”

Mendes told the Associated Press that Rio director Carlos Saldanha may tie the sequel to the 2014 World Cup, which is being hosted by Brazil. “I think the plan is for the movie to come three or four months before the World Cup,” said Mendes. “Fox has been talking about [it] and it looks like it’s going to happen. We’re going to have a meeting I think next week and Carlos is coming to tell us the story, and it looks like it’s a go.”

A spokesperson for Fox confirmed the company was interested in turning Rio into a franchise but said no deals had been made at present.

Read more:
Oscars 2012: Why did only two tunes get nominated in the Best Song category?
‘Muppets’ songwriter Bret McKenzie talks about facing off against Sergio Mendes in the Best Song Oscar race: ‘I’m hoping we have a drum battle on the red carpet!’

Oscars 2012: Why did only two tunes get nominated in the Best Song category?

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There’s one thing that’s even less easy than being green: being nominated for a Best Original Song Oscar. For the first time in the history of the Academy Awards, only two tunes made the cut this year: “Man or Muppet” from The Muppets and the Rio track “Real in Rio.” “I thought it was going to be more songs,” says legendary Brazilian musician Sérgio Mendes, who co-wrote the Rio tune. “On the other hand, I’m glad it’s just two!” The two-tune showdown certainly increases his odds against Flight of the Conchords member Bret McKenzie, who penned “Man or Muppet.”

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'Muppets' songwriter Bret McKenzie talks about facing off against Sergio Mendes in the Best Song Oscar race: 'I'm hoping we have a drum battle on the red carpet!'

Because of the 487 hour (approx.) time difference between Los Angeles and New Zealand, Bret McKenzie was asleep when it was announced his Muppets movie tune “Man or Muppet” had been nominated for an Oscar. “My phone was ringing hot,” says the Kiwi and Flight of the Conchords member about discovering the news. “Then I checked my email. I had a lot of emails.”

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'The Swell Season' trailer looks like a real-life sequel to 'Once'

Once upon a time, two musicians made a movie, fell in love, won an Oscar, and then…who knows? You will if you catch the upcoming documentary The Swell Season, directed by Nick August-Perna and Chris Dapkins. The film follows Once stars Glen Hansard (pictured) and Marketa Irglova’s meteoric rise after “Falling Slowly” won the 2008 Oscar for Best Original Song. Watch your old friends frolic in the ocean and debate the merits of fame in the trailer: READ FULL STORY

Oscar nominations are in: 'The King's Speech' rules with 12 nods

oscar-awardImage Credit: Neilson Barnard/Getty ImagesThe Academy of Motion Pictures Arts & Sciences unveiled its nominations for the 83rd annual Academy Awards. The King’s Speech led the way with 12 nominations, and the Coen brothers’ western, True Grit, scored 10. Check out the list below, follow-up with Dave Karger‘s take, then head over to PopWatch to let us know who you think got snubbed.

BEST PICTURE
127 Hours
Black Swan
The Fighter
Inception
The Kids Are All Right
The King’s Speech
The Social Network
Toy Story 3
True Grit
Winter’s Bone READ FULL STORY

Alan Menken discusses 'Tangled' and the past, present, and future of the animated musical

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Alan Menken has won more Oscars — eight! — than anybody else alive. And no wonder. When you think of the smash hits that revived Walt Disney Animation, starting with The Little Mermaid in 1989 and continuing with Beauty and the Beast and Aladdin, it’s impossible to separate the movies from the music. “Under the Sea,” “Part of Your World,” “Be Our Guest,” “Friend Like Me,” “A Whole New World” — they’re the stuff high school glee clubs are made of. Menken, with lyricists Howard Ashman and Tim Rice, gave us all of these ear confections, winning over audiences and the Academy in the process. But history can take unexpected turns, and the art form Menken once dominated, that of hand-drawn Broadway-style animated musicals, has all but vanished. Now, he’s prepped his next revolution: the first CG-animated film that’s also a full, break-into-song musical, Walt Disney Animation’s Tangled, opening today. EW talked to Menken about his unrivaled career, his work on Tangled, and why Disney has chosen not to market it as a musical.

ENTERTAINMENT WEEKLY: In some ways, Tangled is a landmark film. It’s the first complete musical for a CG-animated film.
ALAN MENKEN: It’s the first to even attempt it. I knew that going in, but I always felt Pixar would attempt a “break into song” musical. The closest they came was with “When She Loved Me” in Toy Story 2, but that was still just montage material.

Was it more challenging to compose music for a CG-animated film as opposed to a hand-drawn film?
To compose, no. Do people respond to CGI, though, in the same way they respond to hand-drawn? In the case of Tangled, I think the name Disney on it makes all the difference. It gives permission to the fact that it is a musical. Having a tradition is a great thing to work within, and maybe today [it] is the only way to really land musically dramatic work. People have to already be comfortable with the form. READ FULL STORY

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