Writer-director Peter Docter ’s upcoming film is set in a place where few men have dared venture: the mind of a pre-pubescent girl. Pixar’s Inside Out—out June 19—was inspired by the Up director’s young daughter Elie, whose entry into adolescence transformed her from a mischievous girl into a “quiet” pre-teen. “[As parents] we were like, ‘Wow, that’s so unlike her, what’s going on her brain?’” recalls Docter, who made his directorial debut with Monsters Inc. “And that’s what lead to the heart of the story—the question of what goes on inside our own minds.” READ FULL STORY
Tag: Bill Hader (1-10 of 14)
Sony Pictures Entertainment announced the upcoming Angry Birds film’s cast today, and it includes more than a dozen well-known comic actors and actresses.
Kristen Wiig and Bill Hader play a pair of estranged siblings who are reconnected at a particularly dark moment for both in the Sundance drama The Skeleton Twins. And, when a depressed Milo (Hader) leaves Los Angeles to live with a similarly depressed Maggie (Wiig) and her earnest, goofy husband (Luke Wilson), it’s not exactly a seamless homecoming, with fights, lies, and past traumas weighing on the once-inseparable twins throughout.
But writer-director Craig Johnson didn’t cast two of today’s most likable comedians to just destroy them with melodrama. There are moments of pure joy, too, including a standout sequence, teased in the trailer, where Milo and Maggie break into a cheesy ’80s classic to ease a particularly tense moment. As Owen Gleiberman wrote after the film’s Sundance premiere, “This is a tenderly sincere, and smart, and beguiling, and penetrating movie about the way that ordinary messed-up people can wind up stumbling through their lives.”
EW spoke to Johnson about directing Hader and Wiig and how that whole Starship sequence came together.
Kristen Wiig’s post-Bridesmaids movie career has been a little bumpy: She didn’t have much to do, for instance, in The Secret Life of Walter Mitty or Anchorman 2. But the first trailer for The Skeleton Twins hints that her next film may finally find her in a starring role again.
Wiig appears in the movie alongside Bill Hader. From Sundance, Jeff Labrecque described The Skeleton Twins as “a full-on drama” where Wiig and Hader “play Maggie and Milo, twins who used to be close but now live on different sides of the country. Neither is particular happy with their lives, and when they both narrowly avoid death on the same day, they end up reuniting and confronting the issues that have kept them apart.”
The movie also stars Luke Wilson as Wiig’s husband and is produced by Mark Duplass, who starred in director Craig Johnson’s 2009 debut feature True Adolescents.
The Skeleton Twins will be in theaters on September 19th, 2014.
Casting Net: Shia LaBeouf to 'Rock the Kasbah' with Bill Murray; Plus, Bill Hader in talks for 'Trainwreck', more
• Shia LaBeouf is not retiring, it seems. The Nymphomaniac star, thrust into the spotlight recently by an ever-escalating plagiarism controversy, has signed on to Barry Levinson’s Rock the Kasbah alongside a host of high-profile names including Bill Murray, Bruce Willis, Zooey Deschanel, Danny McBride, and Kate Hudson. The film follows a past-his-prime rock manager who takes his sole client on a USO tour in Afghanistan. While in Kabul, the manager discovers a young talent and enters her into the Afghan Star contest — Afghanistan’s version of American Idol. [The Wrap]
If Airplane! and You’ve Got Mail went on a blind date, got liquored up, and had a baby…that baby would look like David Wain’s rom-com spoof They Came Together. Making its world premiere on Friday night at Sundance and adding some star power to the tail end of the festival, the silly send-up of formulaic Meg Ryan-Tom Hanks meet-cute movies and their ilk reunites the gang from Wet Hot American Summer — with some new faces sprinkled in.
Wain’s Wet Hot American Summer had its debut at Sundance 13 years ago. And it’s good to see that Wain hasn’t grown up much since then. They Came Together feels like a movie made by a guy who still thinks like a 13 year old and that rapid-fire Zucker-Abrahams-Zucker sight gags and “Don’t call me Shirley”-style puns are the height of comedy gold. Plus, it doesn’t hurt that some of his old pals have become really famous since his cult summer-camp flick came out in 2001.
The film kicks off in typical genre style with Paul Rudd’s Joel and Amy Poehler’s Molly on a double date with Bill Hader and Ellie Kemper, recounting how they met. Rudd explains how if it were a corny movie he’d be the not overtly Jewish, handsome leading man. Molly adds that she’d be the adorable klutz leading woman. From there, it’s an 82-minute rat-a-tat riff-fest on every cliche you’ve ever seen Nora Ephron and company commit to celluloid.
Molly owns a small-business candy shop with a quirky, punny name (Upper Sweet Side); Joel works for a ruthless candy conglomerate that wants to put her out of business. Molly’s a single mom; Joel’s just been jilted by his icy girlfriend. But when they meet, it’s love-hate at first sight. How could it not be? They’re both dressed like Benjamin Franklin for a Halloween party…and they both like “fiction books”!
Some of Wain and cowriter Michael Showalter’s gags are real groaners. But most mildly land near the target, and a few hit the bullseye. It doesn’t hurt when you have folks like Rudd and Poehler selling them. Plus, when you’re throwing this much spaghetti at the wall, some of it’s gotta stick, right?
With a cast that includes Ed Helms, Cobie Smulders, Chris Meloni, Max Greenfield, and Michael Ian Black, They Came Together is never quite as laugh-out-loud funny as you want it to be. But if you’re a fan of Wain’s knowing brand of sophomoric slapstick silliness, his “When Joel Met Molly” satire will send you into “I’ll have what she’s having” fits of ecstasy.
At this year’s Sundance Film Festival, Saturday Night Live alum Bill Hader is one-half of the Skeleton Twins. The other half is a familiar face: His fellow SNL vet Kristen Wiig.
Hader and director/writer Craig Johnson talk about the sibling drama, and how Hader would be (almost) perfect as Daniel Craig’s next foe, in the interview with EW’s Anthony Breznican below:
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Going in to the first Sundance showing of The Skeleton Twins, in which Kristen Wiig and Bill Hader play a troubled sister and brother coping with the legacy of their screwed-up family, I knew nothing about the film except that it was being billed as the movie that reunited the two former SNL teammates but wasn’t a comedy. Glancing at that photo above, I thought to myself: Hmmmmm, I hope it’s not one of those glum dysfunctional-family indie specials in which gifted comedians blank themselves out for the sake of art. I needn’t have worried. The Skeletons Twins is very much a drama, but it has lots of laughs, too — the kind of good, soul-ticking laughs that emerge, organically, from dramatic situations. Its tone is comparable to that of The Kids Are All Right or Alexander Payne’s films. The Golden Globes would have no problem nominating The Skeleton Twins in the Best Comedy or Musical category. Yet as directed and co-written by Craig Johnson, this is a tenderly sincere, and smart, and beguiling, and penetrating movie about the way that ordinary messed-up people can wind up stumbling through their lives. And let me say right up front: The two actors are fantastic together, every bit as powerful as Laura Linney and Mark Ruffalo were as the woundedly bound siblings of You Can Count on Me. But then, we already know from Bridesmaids what a knockout of a leading lady Kristen Wiig can be. It’s Bill Hader who’s the revelation. I think he could become a major screen actor. READ FULL STORY
Kristen Wiig and Bill Hader spent seven years together on Saturday Night Live, so when you hear they’re starring in a movie together — playing twins no less — you might expect it to be an outrageous comedy. When you then hear it’s also a Sundance movie, you might conclude that it’s something quirky-funny like Adventureland, the 2009 festival hit in which they played the married couple that runs a rinky-dink amusement park. But The Skeleton Twins is something entirely different — a full-on drama. They play Maggie and Milo, twins who used to be close but now live on different sides of the country. Neither is particular happy with their lives, and when they both narrowly avoid death on the same day, they end up reuniting and confronting the issues that have kept them apart. “Yeah, I would say it’s the Nebraska route,” says Hader, referring to the toned-down performance by his former SNL colleague, Will Forte, in Alexander Payne’s recent movie. “It’s more dramatic than funny. The movie I can compare it to is You Can Count On Me.”
Hader filmed the movie during his final season of Saturday Night Live, a hectic time in his life that had him plumbing some pretty hard-core emotional depths on Skeleton Twins and then racing back to Studio 8H to do a sketch with a guest like Jamie Foxx or perform on Weekend Update as Stefon. “I always liked it when you’d see someone [from SNL] do something different,” he says. “I’m not comparing myself at all to Bill Murray, but I remember seeing Bill Murray in Mad Dog and Glory. I was like, ‘Wow, he was really scary in this.’ That’s so cool that he did that. Beating up Robert DeNiro? It was crazy. I thought that was so awesome.”
Before the 35-year-old actor heads back to the Sundance Film Festival — a special place for him and his wife, Maggie Carey, since they got engaged in Park City — Hader discussed working with Wiig on The Skeleton Twins and the scene that sent him to the emergency room. READ FULL STORY
Long before she directed the summer comedy The To Do List, Maggie Carey was a Division I soccer player at the University of Montana. That was back in the 1990s, when for the first time in her life, she had a female coach.
“It was really refreshing to see a woman in a leadership role and that kind of clicked with me – maybe there was something missing that I wasn’t aware of. And I think seven of the girls [I played with] went on to coach,” Carey says.
Now, as a film director, Carey finds herself at the helm in a profession also historically dominated by men. But like the sea change she witnessed playing soccer earlier in her life, Carey sees things opening up for women who want to get behind the camera.
“The next generation of [soccer] players,” she says, “they’re not going to even think twice about having a female coach. With access and filmmaking, girls who are in high school now aren’t going to think twice about [becoming directors] because they’re going to see women in those positions. It won’t be a barrier because they won’t know there was a barrier.”
Maggie Carey is one of a small group of up and coming female filmmakers in Hollywood who are starting to gain recognition for their work. But it is still a very small group.
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