Tag: Box Office (91-100 of 890)

Dec 23 2012 02:20 PM ET

Box Office Report: 'The Hobbit' holds number one spot, 'Jack Reacher' and 'This is 40' disappoint

AN-UNEXPECTED-JOURNEY_510x317.jpg

It was a fairly slow weekend at the box office.

Despite a record-breaking opening, The Hobbit: An Unexpected Journey experienced a significant 57% drop off in its second week, bringing in an estimated $36.7 million, with an $8,952 per screen average. This brings The Hobbit’s ten-day gross to $149.9 million, tracking about 8% behind The Lord of the Rings: The Return of the King’s ten-day gross.

Paramount’s Jack Reacher (Cinema Score: A-) opened this past weekend in second place with a modest $15.6 million. Based on the popular Lee Child-created character, the Tom Cruise action flick has been somewhat of a box office wild card and will have to struggle to maintain momentum to make up the costs for the $60 million production. The weekend prior to the Christmas holiday isn’t usually the strongest at the box office, but last year Cruise’s Mission: Impossible – Ghost Protocol opened wide on December 21 at $29.6 million. As many have already mentioned, Jack Reacher fans are perhaps put off by the casting, since the character is supposed to be physically imposing at 6’5″.

Judd Apatow’s comedy This is 40 (Cinema Score: B-) also opened this weekend at $12 million to take third place. Though not abysmal, it doesn’t hold a candle to the $22.7 million, number one opening for Funny People, Apatow’s last directorial effort. But of course, Funny People starred Adam Sandler, which likely contributed to the strong opening. A sort of-sequel to Knocked Up (which opened at $30.7 million), This is 40 stars Paul Rudd, Leslie Mann, and Albert Brooks, and boasts an impressively large cast including John Lithgow, Jason Segel, Chris O’Dowd, Megan Fox, Michael Ian Black, and Lena Dunham. But the 134-minute run time and Paul Rudd’s relatively low box office draw may have contributed to the low first weekend earnings.

Things did not fare as well for other weekend openings, including the Barbara Streisand and Seth Rogen road trip comedy The Guilt Trip (Cinema Score: B-) and Monsters, Inc. 3D, both of which failed to break the top five, bringing in $5.4 million and $5 million, respectively.

READ FULL STORY »

Dec 22 2012 01:55 PM ET

Box office update: 'The Hobbit' plummets to $10.2M on Friday, but easily leads 'Jack Reacher' and 'This is 40'

gollum

Image Credit: Warner Bros.

Sure, The Hobbit: An Unexpected Journey set a December record last weekend when it opened with $84.5 million, but after eight days in theaters, it’s now clear that the Lord of the Rings prequel is running well behind the final LOTR film, The Return of the King, which earned $377.8 in 2003 — without 3D and IMAX surcharges.

The Hobbit dropped by a huge 73 percent from its first Friday to $10.2 million yesterday, which puts it on pace for a $33 million weekend. That would give The Hobbit a running total of about $147 million by Sunday, its tenth day of release. The Return of the King had earned $190.8 million after 10 days in theaters, and it was only about halfway to its final total, but The Hobbit is falling much faster, and it will need to hold up remarkably well over the holiday to have a shot at $300 million domestically. READ FULL STORY »

Dec 21 2012 04:30 PM ET

'Hangover'-esque 'Lost in Thailand' breaks box office records in China

lost-in-thailand_510x317.jpg

Big news for a little Chinese movie: Film Business Asia and the Bangkok Post report that Lost in Thailand, a low-budget road film, is a surprise hit. In a week and change, Thailand has already broken five box office records in China — including those for best December opening and highest single-day income for a domestic movie. After just eight days of release, the flick has earned about ¥450 million — or $72.2 million.

Thailand was directed by Chinese comedian Xu Zheng, who also stars. The plot follows Xu’s character as he and a rival (Huang Bo) travel from Bangkok to Chiang Mai. While that premise may evoke any number of comedies, the film’s trailer invites comparison to one specific movie: The Hangover, the sequel to which — coincidence? — is set in Bangkok. See for yourself:

READ FULL STORY »

Dec 20 2012 10:14 PM ET

Box office preview: 'Jack Reacher' leads new releases, but can't compete with 'The Hobbit'

the-hobbit-baggins

Whether or not the world ends tomorrow, things are looking pretty dire for the four new wide releases entering theaters this weekend: Jack Reacher, This is 40, The Guilt Trip, and Monsters Inc. 3D. Of course, December movies need not earn gargantuan grosses on their debut weekends to eventually end up with respectable totals. In 2010, Yogi Bear opened with a weak $16.4 million, but thanks to easy accessibility over the holiday season, when kids are out of school and adults off of work, the film eventually topped out at $100.2 million.

Studios will be hoping for similar endurance from this week’s crop of newcomers — none of them are tracking particularly well, and all of them will likely be crushed by the second weekend of The Hobbit. Here’s how I think the box office might shake out over the Friday-to-Sunday period:

1. The Hobbit – $37 million

The Warner Bros. release has earned $106.5 million in its first six days (for reference, The Return of the King had earned $137.6 million in the same period of time), and it will likely drop by about 55 percent this weekend to $37 million, which would lift its total to about $150 million after ten days. READ FULL STORY »

Dec 16 2012 01:22 PM ET

Box office report: 'The Hobbit' breaks December record with $84.8 million weekend

Bilbo-Baggins

As expected, The Hobbit: An Unexpected Journey, crushed the competition at the box office in its debut weekend, setting a new December record in the process.

The Middle-earth-set film grossed $84.8 million over its first three days, handily surpassing I Am Legend‘s $77.2 million bow, which has held the record for best December debut since 2007. The Hobbit earned that $84.8 million from 4,045 theaters, giving it a powerful $20,958 per theater average. Included in that theater count were 326 IMAX locations, which accounted for $10.1 million of the weekend gross, as well as 461 locations that showed the film in the controversial 48 frames per second rate — those screenings, thankfully, had no surcharge. About 49 percent of The Hobbit‘s weekend take came from 3-D showings.

All told, The Hobbit‘s debut weekend was obviously strong, but it must be said that it finished at the low end of pre-release expectations, most of which had the film earning more than $100 million in its debut frame. The Hobbit, the first in a trilogy produced by New Line and MGM (with Warner Bros. distributing) for a reported $600 million, earned $37.5 million on Friday, yet it only managed an internal multiplier (that’s weekend gross divided by Friday gross) of 2.25 — a very low number that signifies front-loaded performance. Judging by The Hobbit‘s 25 percent plummet on Saturday, it appears that the Tolkien faithful rushed out for the film early in the weekend. READ FULL STORY »

Dec 15 2012 01:06 PM ET

Box office update: 'The Hobbit' walks away with $37.5 million on Friday

UNEXPECTED-JOURNEY

We already knew that The Hobbit earned a whopping $13.0 million during midnight showings, but over the course of its first full day in theaters the film took in an estimated $37.5 million, the highest gross ever for a December opening day.

The next best December bow was also of the Middle-earth variety – Lord of the Rings: Return of the King grossed $34.5 million on its opening day, a Wednesday, in 2003. Notably, The Hobbit sold fewer tickets on its opening day than Return of the King, but its gross was higher because of ticket price inflation and 3-D/IMAX surcharges. Still, huge is huge — and The Hobbit is headed for a mammoth debut. READ FULL STORY »

Dec 14 2012 01:35 PM ET

Box office update: 'The Hobbit' earns $13.0 million at midnight showings

THE-HOBBIT

Warner Bros. has just announced that The Hobbit earned an estimated $13.0 million from midnight showings at 3,100 locations last night, giving it a per-theater average of $4,193 from midnight shows alone. It’s a nice recovery from the doldrums of the past two frames. When combined, the last two wide releases to hit theaters, Playing for Keeps and Killing Them Softly, couldn’t earn $13.0 million over their entire opening weekends. Included in The Hobbit‘s midnight figure is $1.6 million that the film earned from 326 IMAX theaters.

READ FULL STORY »

Dec 13 2012 09:22 PM ET

Box office preview: 'The Hobbit' will make a very expected journey to No. 1

Bilbo-Baggins

After two dreadful weekends at the box office, Gandalf, Bilbo, and a whole motley crew of dwarves have come to the film industry’s rescue — and not even the dragon Smaug will be able to keep them from grabbing a whole lot of treasure.

The Hobbit: An Unexpected Journey, the first entry in a trilogy produced by Warner Bros. (and technically MGM as well) for a reported $600 million, arrives in theaters nine years after the original Lord of the Rings franchise concluded. Those three Lord of the Rings films opened over this same weekend in Dec. 2001, 2002 and 2003, grossing $47.2 million, $62.0 million, and $72.6 million in their respective debut weekends, and all three eventually earned over $300 million domestically. Because the series was so well-received from the very beginning, each subsequent release performed better than its predecessor, and the final entry, The Return of the King, topped out with $377 million domestically and $1.1 billion worldwide — not to mention an Academy Award for Best Picture.

After nearly a decade of waiting — during which the LOTR series was devoured voraciously on DVD — The Hobbit, based on J.R.R. Tolkien’s prequel to the LOTR series, is now poised to maintain the franchise’s box office vitality, at least on opening weekend. The Hobbit will almost certainly continue the trend of rising opening weekend grosses. The question is now how high it can climb. READ FULL STORY »

Dec 11 2012 05:36 PM ET

Why the James Bond franchise was made for the modern box office

skyfall

Image Credit: Francois Duhamel

Over the past weekend, Skyfall returned to the top of the box office and became the biggest hit in Sony Pictures’ history in the process. After five weekends, the Sam Mendes-directed action film had earned a franchise-high $261.8 million domestically. (For reference, the previous high-point was 2008′s Quantum of Solace, which grossed $168.4 million.)

It’s not often that a franchise this deep into its existence — 2012 marks the 50th anniversary of the British spy’s first appearance on the silver screen — peaks at the box office. And in all reality, it’s only half accurate to call Skyfall the “peak.” Its record-setting gross does not account for inflation. (The series’ all-time high point was actually 1965′s Thunderball, which, according to BoxOfficeMojo, grossed a staggering $593.9 million when adjusted for inflation.)

Still, even accounting for inflation, Skyfall is already the fourth-highest-grossing Bond film ever, and its excellent performance both domestically and around the world reveals that the franchise is experiencing a major upswing. With a running worldwide total of $918 million — by far the highest total ever for a Bond film (Quantum of Solace and Casino Royale both topped out at $594 million) — and an opening in China still slated for early 2013, prognosticators expect Skyfall to become the first-ever billion-dollar Bond film. James Bond may be getting older, but Skyfall makes it clear that he’s still a major force to be reckoned with at the box office.

Most franchises don’t enjoy such longevity. It’s much more common for film series to start with gargantuan grosses and then face diminishing returns with every subsequent release. And yet, the James Bond series suddenly seems to be hitting its stride right now. Why is that? Because since its inception in the 1960s, the Bond franchise has been primed for success in today’s modern market. It seems to have been almost preternaturally constructed to succeed in 2012. The box office just had to catch up with Bond’s ahead-of-the-curve sensibilities. Here’s what I mean: READ FULL STORY »

Dec 9 2012 02:04 PM ET

Box office report: 'Skyfall' returns to No. 1, becomes highest grossing film in Sony history; Gerard Butler's 'Playing for Keeps' flops

Skyfall

Image Credit: Francois Duhamel

In the box-office lull before the arrival The Hobbit next weekend, Skyfall returned to the number-one spot at the box office, becoming the first film since How to Train Your Dragon to lead the chart in its fifth week. It also became the highest grossing Sony release of all time. Not too shabby, Mr. Bond.

Skyfall topped the domestic rankings with an estimated $11.0 million (down a slim 34 percent from last weekend), which brings its North American total to a stunning $261.1 million. It’s difficult to adequately express how incredible — and somewhat inexplicable — Skyfall‘s run has been. The former franchise high-point for the Bond series was Quantum of Solace, which grossed $168.4 million in 2008. Skyfall has obviously crushed that total, and it still has ample life left in its run. READ FULL STORY »

Advertisement

Find Movies and Showtimes

Choose Your Movie

All movies

TV Recaps

Powered by WordPress.com VIP
Which show had the better finale this season?