Darren Aronofsky’s diluvian epic Noah attracted something between a trickle and a flood of moviegoers on Friday, earning the film $15.2 million in its first day of release. While Noah is an adaptation of the original disaster story, in which God plays Roland Emmerich and destroys pretty much everything in sight, the number puts Noah‘s draw closer to that of historical epics like star Russell Crowe’s Robin Hood than any of Emmerich’s big-budget catastrophe porn. It’s unclear whether the film managed to get Christian audiences (who made last week’s God’s Not Dead a sleeper hit) marching two-by-two into the cinemaplex or if news that Aronofsky was playing fast and loose with Old Testament mythology had kept them at bay.
Meanwhile, Divergent made $8.1 million on its second Friday, dropping a modest 64 percent. The hopeful YA franchise may not diverge too much in tone from its allegorical dystopian forebear The Hunger Games, but the numbers do: At this point, Divergent has made $76.9 million, whereas the first film adapted from Suzanne Collins’ trilogy had already taken in $208.6 million over nearly the exact same calendar days. Of course, $76.9 million in a week and a day is no small potatoes. It’s just not freakishly large genetically modified potatoes, either.