Tag: Box Office (51-60 of 876)

Feb 7 2013 07:44 PM ET

Box office preview: 'Identity Thief' will steal No. 1 spot from 'Side Effects'

Identity-Thief

Image Credit: Bob Mahoney

It’s no surprise that the 2013 box office has been cold in the first few weeks of the new year. That tends to be the case in January, when R-rated horror flicks and long-on-the-shelf action stinkers take up multiplex screens. But this weekend, the film industry is set to get even chillier due to a massive snowstorm that’s expected to bring much of the Northeast to a standstill.

Thus, this weekend’s two new releases, Identity Thief and Side Effects (which, almost unbelievably, are already the 10th and 11th R-rated wide releases of the year), are expected to perform moderately over their first three days in theaters. Here’s how the box office might shake out:

1. Identity Thief – $21 million

Jason Bateman and Melissa McCarthy teamed up for Universal’s $35 million comedy, which will easily top the chart over the Friday-to-Sunday period. Bateman has scored comedic hits with ensemble films like Horrible Bosses ($117.5 million) and Couples Retreat ($109.2 million), but he’s proven unreliable as a main selling point in films like 2011′s The Change Up, which opened with $13.5 million on the way to a $37.5 million total. McCarthy isn’t a tested box office lead, but she became the breakout star of Bridesmaids, and audiences may be curious to see her first leading role on the silver screen. READ FULL STORY »

Feb 3 2013 01:56 PM ET

Box office report: 'Warm Bodies' alive and well with $20 million; Sly Stallone's 'Bullet' misfires

WARM-BODIES

Image Credit: Jan Thijs

Young women drove Summit’s zombie-themed romantic comedy Warm Bodies to the top spot at the box office over Super Bowl weekend, while Sylvester Stallone’s Bullet to the Head got tackled, leaving the action icon with the worst debut of his career.

Warm Bodies, which was financed for about $35 million, earned an estimated $20 million from 3,009 theaters in its first three days. No, that’s not a Twilight-sized number, but no one was expecting Warm Bodies to be the same sort of blockbuster. Sure, they’re both about romances between a teenage girl and an undead boy, but the Isaac Marion novel upon which it is based is certainly popular, but it never experienced the utter ubiquity that the Twilight books did.

Warm Bodies opened with a bit less than the 2009 comedy Zombieland, which debuted with $24.7 million, but its star was in line with the debuts of both Chronicle and The Woman In Black, which opened on Super Bowl weekend last year to $22 million and $20.9 million, respectively. Much like the latter film, Warm Bodies played primarily to young ladies. According to exit polling, the film’s audience was 60% female and 65% under 25.

Warm Bodies earned a solid “B+” CinemaScore grade from crowds, and thanks to relatively strong reviews, its legs may not rot away as quickly as other teen-targeting titles, and a finish in the $50-60 million range seems likely. For star Nicholas Hoult, who has a slew of high profile releases — including Jack the Giant Slayer, Mad Max: Fury Road, and X-Men: Days of Future Past — on the horizon, Warm Bodies is a nice start to his run as a leading man.

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Feb 2 2013 01:25 PM ET

Box office update: 'Warm Bodies' warms up the chart with $8.7 million on Friday

WARM-BODIES

Image Credit: Jonathan Wenk

Its main star may be a dead guy, but Summit’s new release Warm Bodies exhibited nothing but life in its first day at the box office.

The zombie-themed romantic comedy (zom-rom-com?) easily topped the chart on Friday with $8.7 million. Last year, the teen superpower adventure Chronicle earned $8.6 million the Friday before Super Bowl Sunday and finished the frame with $22 million. Since Warm Bodies, which is based on the popular novel by Isaac Marion, already has a built-in following, it’s likely that it will be more frontloaded and finish the weekend with about $20 million. Still, that’s a tremendous start for a high-concept comedy that cost about $35 million.

The weekend’s other new wide release, Sylvester Stallone’s R-rated action flick Bullet to the Head, got off to an even worse start than Arnold Schrwazenegger’s The Last Stand did two weeks ago. Bullet to the Head, which cost a reported $55 million, only bulleted a fifth place start with an anemic $1.7 million from 2,404 theaters. The film is headed to a truly terrible $4.5 million weekend.

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Jan 31 2013 07:40 PM ET

Box office preview: 'Warm Bodies' to tackle 'Bullet to the Head' over Super Bowl weekend

warm-bodies

Image Credit: Jonathan Wenk

It’s Super Bowl weekend, and that means the box office is about to get sacked.

Since much of the American moviegoing public will will be glued to the tube on Sunday to watch the Baltimore Ravens take on the San Francisco 49ers, box office receipts are expected to plummet, though some brave souls will venture out to see this week’s new wide releases: the zombie romance Warm Bodies and Sylvester Stallone’s shoot-em-up Bullet to the Head.

Here’s how the slow frame may play out:
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Jan 27 2013 02:12 PM ET

Box office report: 'Hansel and Gretel' wins with $19M; 'Movie 43' flops with $5M, 'D' CinemaScore

WITCH-HUNTERS

Image Credit: David Appleby

This weekend, Hansel and Gretel: Witch Hunters hunted down the No. 1 spot at the box office with $19 million from 3,372 theaters. Although Hansel and Gretel can hardly be called a fairy-tale success at this point, it proved far more bewitching than fellow newcomers Parker and Movie 43, which were left with only bread crumbs in their sad debut frame.

Paramount and MGM spent $50 million to produce Hansel and Gretel, which was shot in 2011 and originally scheduled to be released in March 2012. Distributor Paramount moved the film’s release to this month to capitalize on star Jeremy Renner, whom the studio hoped would blossom into a true box-office draw following The Avengers and The Bourne Legacy. (It also seems likely that Hansel and Gretel got placed in January due to its poor quality — January tends to be a dumping ground for studios’ stinkers.) Whether or not Renner had anything to do with it, the date change proved at least somewhat effective — Hansel and Gretel outgrossed the last supernatural fantasy with Hunter in the title, Abraham Lincoln: Vampire Hunter, which staked a weak $16.3 million in its debut frame. READ FULL STORY »

Jan 26 2013 01:19 PM ET

Box office update: 'Hansel and Gretel' wins Friday with $6 million; 'Parker' and 'Movie 43' bomb

HANSEL-AND-GRETEL

Image Credit: David Appleby

For the second week in a row, three new movies entered cinemas, and only one of them is scoring healthy grosses, leaving the other two to languish right out of the gate.

Almost a year after its originally scheduled March 2012 release, Paramount’s $50 million Hansel and Gretel: Witch Hunters topped the chart on its first Friday with $6.0 million from 3,372 theaters. The poorly reviewed film (a phrase that applies to all this weekend’s new releases) stars Gemma Arteron and Jeremy Renner, but the Avengers star has demonstrated little drawing power as a leading man so far. Hansel and Gretel may take in about $16 million worth of [gingerbread] dough over the full weekend frame. READ FULL STORY »

Jan 25 2013 09:00 AM ET

Sundance: How are the big films of 2012's drama competition faring at the box office?

beasts-of-the-southern-wild_510x317.jpg

Image Credit: Jess Pinkham

As this year’s Sundance Film Festival winds down, there’s a collection of stand-outs, films that have already sparked bidding wars among distributors and are gaining buzz that filmmakers hope turns into success beyond the festival.

But where are the films that were in the midst of this festival frenzy a year ago? Now that 13 of the 16 films in the U.S. dramatic competition have opened in theaters nationwide, they yield a list that’s mainly box office duds, but there was one movie that had plenty of life in it post-Sundance — the acclaimed Beasts of the Southern Wild. READ FULL STORY »

Jan 24 2013 06:36 PM ET

Box office preview: 'Hansel and Gretel' set to lead Grimm weekend

HANSEL-AND-GRETEL-WITCH-HUNTERS

Image Credit: David Appleby

Last weekend, Mama managed to break out at the box office, while fellow newcomers The Last Stand and Broken City were left with only crumbs. This time around, Hansel and Gretel: Witch Hunters is looking to follow those crumbs straight to the top of the chart.

Also opening is the comedy Movie 43 and the Jason Statham action film Parker. Perhaps unsurprisingly, virtally no critics have seen any of the three new releases. Welcome to January at the box office. READ FULL STORY »

Jan 24 2013 01:07 PM ET

Watch the trailer for 'Top Gun 3D'

Goose and Maverick are back and quite literally bigger than ever.

Beginning on Feb. 8 and ending Feb. 13, Tom Cruise’s hit film Top Gun will return to theaters, but this time, you can feel the need for speed in a whole new way: IMAX 3-D. And if the movie’s 1986 success — it grossed more than $350 million in the box office worldwide — is any indication, we’d expect a large turnout.

Take a look at the Top Gun 3D trailer … which looks a lot like just another Top Gun trailer … which it kind of is. READ FULL STORY »

Jan 21 2013 03:24 PM ET

Box office report: 'Mama' punishes the boys with scary good $33 million holiday weekend

mama-bo

Image Credit: Universal Pictures

As reported yesterday, Jessica Chastain accomplished the rare feat of simultaneously starring in both the number one and number two movies in the country this weekend (not to mention, crushing two new releases in the process), and that stayed true over the extended holiday frame.

Over the four-day weekend, Mama scared up a tremendous $33 million (its three-day cume was adjusted up to $28.5 million), making the $15 million film a huge winner for Universal. Horror movies play particularly well in January — just two weeks ago Texas Chainsaw 3D topped the chart — but Mama had a lot working in its favor. Its female protagonist (Chastain) and PG-13 rating drew young women into the theater, as 61 percent of the opening weekend audience was female, and 63 percent were below the age of 25. The cachet of exec-producer Guillermo Del Toro also brought cinephiles through the doors.

Mama debuted in 2,647 theaters, where it earned a very healthy $12,480 average, but given the film’s weak “B-” CinemaScore grade and the horror genre’s frontloaded nature, it seems likely that Mama will nosedive from here. It may perform in the same range as last October’s Paranormal Activity 4, which opened with $29.0 million in its first three days on the way to $53.9 million total. READ FULL STORY »

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