Tag: Box Office (61-70 of 875)

Jan 19 2013 12:42 PM ET

Box office update: 'Mama' scares up $10 million on Friday; Arnold Schwarznegger's latest D.O.A.

Mama-Box-Office-02

Image Credit: Universal Pictures

Mama just killed a man. Well, a whole bunch of men, actually. Namely, Arnold Schwarznegger, Russell Crowe, and Mark Wahlberg.

Universal’s $15 million Guillermo Del Toro-produced horror film Mama easily topped the box office on Friday with a sizzling $10 million, putting it on pace for a shriek-worthy $31 million over the four-day frame. Mama will become the second straight chart-topper for star Jessica Chastain, who reigned atop the box office last week with Zero Dark Thirty. READ FULL STORY »

Jan 17 2013 07:22 PM ET

Box office preview: 'Mama' may take Jessica Chastain to No. 1 (again) over holiday weekend

Mama-Box-Office-01

Image Credit: Universal Pictures

Jessica Chastain is having a banner week. On Sunday, the statuesque actress won a Golden Globe for her performance in Zero Dark Thirty, which simultaneously topped the box office with $24.4 million. Tomorrow, Chastain will attempt to replace herself at the top of the chart with the Guillermo Del Toro-produced horror flick Mama. And she’s done all this while still performing in Broadway’s The Heiress!

Mama isn’t the only new entry this weekend. The Mark Wahlberg/Russell Crowe thriller Broken City will face the Arnold Schwarznegger vehicle The Last Stand in a quest to win over male action fans. Oscar hopeful Silver Linings Playbook is also moving into wide expansion, giving many audiences their first opportunity to see the award-festooned dramedy.

Here’s how the box office may shake out over the four-day holiday weekend:

1. Mama – $21 million
As Texas Chainsaw 3D proved two weekends ago, horror movies play well in January, and Universal’s latest effort, Mama, which boasts a slim $15 million budget, should have no trouble scoring a solid opening weekend. Jessica Chastain’s increased awards season visibility should lift the film’s prospects, as will the cache of Del Toro’s producing credit. Of course, hordes of horror-loving teens, who don’t care much about awards prestige, will likely make up the most substantial part of the audience, and in 2,647 theaters, Mama could scare up just over $20 million in its first four days. READ FULL STORY »

Jan 17 2013 05:09 PM ET

'Django Unchained' Quentin Tarantino's top grossing film in the U.S., but not worldwide

DJANGO-UNCHAINED

Image Credit: Andrew Cooper

The “D” may be silent in Django Unchained, but it clearly stands for “dollar signs.” Quentin Tarantino’s revenge Western has topped Inglourious Basterds as the writer-director’s top grossing film — in the United States. With $129.1 million as of Wednesday, the controversial riff on American slavery looks headed to top out somewhere close to $150 million, placing it well ahead of Basterds‘ $120.5 million total domestic gross.

Whether Django Unchained can beat Basterds‘ global total of $321.5 million, however, remains to be seen. READ FULL STORY »

Jan 13 2013 01:56 PM ET

Box office report: 'Zero Dark Thirty' tops chart with $24 million; 'A Haunted House' beats 'Gangster Squad'

zero-dark-thirty-02.jpg

Image Credit: Jonathan Olley

After weeks of controversy in limited release, Sony’s $40 million Osama Bin Laden assassination film, Zero Dark Thirty, shot into first place with $24.0 million this weekend following five Oscar nominations (though not one for director Kathryn Bigelow) and an expansion from 60 to 2,937 theaters. After four weekends, the well-reviewed drama has earned $29.5 million total, and given its omnipresence during awards season, there’s no telling how high it could ultimately climb. $100 million is certainly not out of the question.

Zero Dark Thirty, which earned an “A-” CinemaScore, finished in the same range as Act of Valor, another recent Navy SEAL film, which garnered $24.5 million in its opening weekend in February 2012. The film is already far bigger than Kathryn Bigelow’s last directorial effort, The Hurt Locker, which found $17.7 million in 2009, and it will easily surpass both K-19: The Widowmaker ($35.2 million) and Point Break ($43.2 million) as the biggest hit of her career. Zero Dark Thirty played mostly to older males — according to Sony, 59 percent of its audience was male, and 62 percent was older than 30. READ FULL STORY »

Jan 12 2013 12:39 PM ET

Box office update: Despite Kathryn Bigelow snub, 'Zero Dark Thirty' wins Friday with $9 million

zero-dark-thirty-03.jpg

Image Credit: Jonathan Olley

Director Kathryn Bigelow may not have earned an Oscar nomination (her snub, along with Ben Affleck’s, proved the main talking point on the morning of the nominations), but Sony’s Osama Bin Laden assassination drama Zero Dark Thirty is still riding a wave of good will from the five nominations it did receive, and it shot straight to number one at the box office on Friday.

Zero Dark Thirty expanded from 60 to 2,937 theaters yesterday, allowing it to gross a sizzling $9.0 million on its first day of wide release. The controversial film, which earned an “A-” CinemaScore, may take in about $25 million over the Friday-to-Sunday period — right in line with the $24.5 million that the last Navy SEAL film, Act of Valor, earned in its debut weekend last year. READ FULL STORY »

Jan 10 2013 10:17 PM ET

Box office preview: 'Zero Dark Thirty' and 'Gangster Squad' target No. 1 spot

zero-dark-thirty

Image Credit: Jonathan Olley

On the heels of Thursday morning’s Oscar nominations, Zero Dark Thirty is poised to shoot higher than newcomers Gangster Squad and A Haunted House and rise straight to the top of the box office.

Zero Dark Thirty, the controversial film about the assassination of Osama Bin Laden, has earned $5.2 million after three weeks of limited release, during which it has played in no more than 60 theaters. Sony is now expanding the $40 million film into 2,937 theaters following the five Oscar nominations — though, shockingly, not a directing nom for Kathryn Bigelow — it garnered today.
READ FULL STORY »

Jan 6 2013 01:49 PM ET

Box office report: 'Texas Chainsaw' massacres competition with $23 million; 'Zero Dark Thirty' shines in limited release

chainsaw-3d-box-office

Image Credit: Justin Lubin

Lionsgate’s Saw franchise may have gone the way of the dodo, but this weekend the studio re-birthed another horror franchise centered on a limb-mangling blade. Texas Chainsaw 3D, a sequel/reboot of the 1974 horror classic The Texas Chainsaw Massacre, bowed with a bloody good $23.0 million, making 2013 the second year in a row that a horror film has kicked off the year in first place. The Devil Inside debuted with $33.7 million last January.

Texas Chainsaw 3D started off slower than the 2003 Jessica Biel remake The Texas Chainsaw Massacre, which opened with $28.1 million and found $80.6 million total, but it performed better than the 2006 prequel, The Texas Chainsaw Massacre: The Beginning, which started with $18.5 million and earned $39.5 million overall. Texas Chainsaw 3D will likely finish somewhere between those two predecessors, perhaps with about $50-55 million domestically. READ FULL STORY »

Jan 5 2013 12:45 PM ET

Box office update: 'Texas Chainsaw 3D' slashes up bloody good $10.2 million on Friday

texas-chainsaw-3d-03

Image Credit: Justin Lubin

Nearly 40 years after the original Texas Chainsaw Massacre entered theaters, Leatherface is back once again for a new reboot/sequel called Texas Chainsaw 3D, which buzzed down the competition on Friday. Texas Chainsaw 3D scored a robust $10.2 million in its first day (well, technically that gross includes Thursday night shows), which easily put it in first place. Like almost all horror movies, though, Texas Chainsaw 3D, which earned a weak “C+” CinemaScore grade, will likely prove remarkably frontloaded over the course of its debut weekend, and it may finish the frame with about $22-23 million, making this the second year in a row — following The Devil Inside‘s $33.7 million bow last January — that a horror movie has kicked off the new year in first place. READ FULL STORY »

Jan 3 2013 06:58 PM ET

Box office preview: 'Texas Chainsaw 3D' faces off against 'The Hobbit'

Texas-Chainsaw-Massacre-3D

Image Credit: Justin Lubin

The Hobbit managed to hold both Django Unchained and Les Miserables out of the top spot last weekend, but will it be able to do the same when facing off against 2013′s first new release, Texas Chainsaw 3D, as well as expanding drama Promised Land? Well, probably.

Here’s how the box office may shake out this weekend: READ FULL STORY »

Dec 31 2012 12:38 PM ET

Box office report 2012: Film industry climbs to record-breaking $10.8 billion

The economy may be teetering on the edge of a fiscal cliff, but such dire financial woes were nowhere to be found at the box office in 2012. Over the past 365 days, Americans spent many of their hard-earned dollars at the movies — paying to see everything from Channing Tatum’s abs to a foul-mouthed talking teddy bear, and as a result, the box office had its best* year ever.

Movie theaters sold an estimated $10.84 billion worth of tickets domestically in 2012, beating the previous record of $10.59 billion set in 2009 (when Avatar led a late-December surge), and marking a new record in terms of revenue earned in a single calendar year. All told, the 2012 box office finished 6.6 percent ahead of 2011′s $10.17 billion take and 2.5 percent of 2010′s $10.57 billion cume. 3D and IMAX surcharges, which have now become a common part of the moviegoing experience, no doubt helped the box office reach such heights, though this year’s average ticket price (it stood at $7.94 through Q3, per the MPAA) just barely increased over 2011′s ($7.93).

So, it was those surcharges coupled with a boost in admissions that helped the industry achieve record-breaking grosses. An estimated 1.365 billion tickets were sold in North America this year. That’s 6.3 percent higher than 2011 (when 1.283 billion were sold) and 1.9 percent higher than 2010 (1.339 billion tickets sold), but 3.4 percent lower than 2009 (1.412 billion tickets sold) and a full 13.4 percent lower than 2002 (1.576 billion tickets sold), which was the most attended box office year of the past three decades. (BoxOfficeMojo has a handy chart that sums up much of this info.)

Of course, ticket admissions wouldn’t have increased unless there were new releases that moviegoers wanted to see — and this year had no shortage of blockbusters. The Avengers was the year’s biggest hit, grossing a thunderous $623.4 million — and over $1.5 billion worldwide — and The Dark Knight Rises finished in second place with $448.1 million. Those two films ruled the summer, but it was The Hunger Games that ruled the spring. Games exploded out of the gate in March with $408 million, thereby becoming the year’s third-biggest hit. Skyfall ($289.6 million) and The Twilight Saga: Breaking Dawn – Part 2 ($286.1 million) rounded out 2012′s Top 5.

This year saw its fair share of flops, too. John Carter bombed with only $73.1 million against a $250 million budget, which forced Disney to publicly announce an expected $200 million loss. Battleship, another film starring Taylor Kitsch, sank as well, finding just $65.2 million against a $209 million budget. The $150 million production Dark Shadows drained a lackluster $79.7 million, and the $125 million Total Recall remake proved D.O.A. with a weak $58.9 million. Oh yeah, and The Oogieloves in the Big Balloon Adventure had the worst debut weekend of all time.

Still, for the 655(!) movies released in theaters this year, the impressive box office performances far outweighed the bad ones, and now the industry has its sights set on 2013, which — thanks to Iron Man 3, Man of Steel, The Hangover Part III, World War Z, Star Trek Into Darkness, Despicable Me 2, and The Hunger Games: Catching Fire — could give 2012 a run for its money. Bring it on, Hollywood.

*As is always the case in box office writing, “best” is a relative term. For as long as the media has covered the box office, the film industry has (shrewdly) reported grosses instead of ticket sales — that way, Hollywood can keep claiming “record-breaking” years, even if ticket sales aren’t record-breaking. (I bet the music industry wishes it had set that precedent when it started reporting sales.) I understand the inherent flaws in this system, so I’ve done my best to include as many specifics about ticket sales and ticket price as possible.

For more box office musing, follow me on Twitter.

RELATED Box office report 2011: The year dips

Advertisement

Find Movies and Showtimes

Choose Your Movie

All movies

TV Recaps

Powered by WordPress.com VIP
'Star Trek Into Darkness' MVP?