Expectations for The Maze Runner, the latest YA best-seller turned franchise wannabe, seemed low, so much so that critical faint praise suddenly feels like a ringing endorsement. “Don’t let that YA tag put you off,” says EW’s Chris Nashawaty, in his review. “There isn’t a dying heroine or hunky vampire to be found anywhere in this better-than-average adaptation of the James Dashner bestseller. Just a bunch of confused kids on the run from a mysterious organization known as W.C.K.D.“
Based on Dashner’s 2007 post-apocalyptic novel, the first chapter of a trilogy that includes The Scorch Trials and The Death Cure, The Maze Runner is about a Lord of the Flies community of teen boys called Gladers who are trapped in a maze by unclimbable walls and lethal, giant spider-like creatures called Grievers. Each month, another boy is deposited within the walls, with no memory of his life before that moment besides his name. But when Thomas (Teen Wolf‘s Dylan O’Brien) arrives, his ability as a Runner to safely navigate the maze opens the possibility for escape and the answers behind their mysterious incarceration.
Will Poulter (We’re the Millers) plays Gally, the tribe’s enforcer who’s suspicious of Thomas’ gifts, and Kaya Scodelario (The Skins) plays the pretty girl—the only girl—who’s dropped into their midst and has clues about Thomas’s past. First-time director Wes Ball, a visual-effects guru who was hired on the basis of an 8-minute short titled Ruin, has seemingly accomplished his mission: The Maze Runner is no Beautiful Creatures or The Host. Thomas could live to run another day.
Read more from EW’s review, as well as a roundup of other notable critics, below. READ FULL STORY