What do legendary directors John Huston and Sam Peckinpah, Poseidon Adventure actress Shelley Winters, Lance Henriksen, a “cosmic Christ figure,” a demonic eight year old girl, and the fate of the universe have in common? They all feature in the obscure 1979 sci-fi-horror film The Visitor, which Drafthouse Films has announced it will rerelease in remastered form this Halloween weekend (a VOD/digital and home entertainment release will follow in January of next year.)
Tag: DVD/Blu-ray (31-40 of 150)
'Curse of Chucky': Director Don Mancini talks about his horror sequel (and why he wants to make 'Chucky -- The Musical!')
Legendary character actor Brad Dourif once again voices the titular killer-doll in Curse of Chucky, the sixth film in the Child’s Play series , which is released on Blu-ray and DVD tomorrow and is also available via VOD. The twist? One of the people Dourif’s doll most wants to kill — a wheelchair-bound woman named Nica — is played by the actor’s daughter, Fiona. “I think we’re the first horror franchise in history where the iconic villain is onscreen bedeviling his actual offscreen progeny, ” says Curse of Chucky writer-director and longtime franchise scribe Don Mancini. So did Mancini get a discount deal as a result of casting two actors from the same clan? “I personally get a deal in the sense that I probably get to have dinner at their house maybe a couple more times a year, having endeared myself to them,” laughs the filmmaker. “But, no. They both drive a hard bargain.”
A chapter has officially closed in the Batman mythology. Christian Bale retired the cowl, Ben Affleck now inherits the suit and will next fight Superman, and Christopher Nolan may be playing a diminished role in the hero’s future as Warner Bros. and DC Comics set the table for a Justice League movie. So it’s the perfect time to look back and celebrate what Bale and Nolan did with their Batman trilogy, resurrecting the character from neon-saturated camp after Joel Schumacher and George Clooney’s 1997 debacle, Batman & Robin. Beginning with Batman Begins in 2005 and punctuated by The Dark Knight in 2008, Nolan literally reinvented the superhero genre, planting a flawed hero in a recognizable physical and moral landscape that made room for ambiguity, political commentary, and literary subtext.
On Tuesday, Warner Bros. puts a bow on its Dark Knight Trilogy with an Ultimate Collector’s Edition Blu-ray set. There’s 90 minutes of new special features, including a conversation between Nolan and the godfather of superhero epics, Superman‘s Richard Donner, and a special featurette about the creation and the impact of the series. In an exclusive video from the latter video, titled “The Fire Rises,” Nolan explains his obvious-only-in-hindsight take on the material and how it took only 15 minutes to get a “Yes” from the Warner Bros brass. READ FULL STORY
“Can you be a little less of a bitch to those girls?” Sofia Coppola asks Claire Julien, which actually sounds like a fairly bitchy thing to say to someone.
Coppola isn’t being cruel or dismissive, though. She’s just directing Julien’s character Chloe, a jaded, cooler-than-thou Los Angeles teen who gets swept up in the now-infamous “Bling Ring” — the group of brand-obsessed high schoolers who robbed their celebrity idols of more than $3 million in shoes, clothes, and other glossy signifiers of wealth and status.
“You’re kind of friends with them…you don’t know them that well,” Coppola continues in a behind the scenes look at the filming of The Bling Ring, her fifth feature. “But,” she adds dryly, “you’re still a badass.”
Based on Nancy Jo Sales’ Vanity Fair article “The Suspects Wore Louboutins,” the film chronicles the rise and fall of the starry-eyed and sticky-fingered teens. Emma Watson and Taissa Farmiga also star as a pair of Adderall-riddled aspiring actress/model types, who are more than happy to casually walk into Paris Hilton’s home and pick up a few shiny things before heading out to party. Check out EW’s exclusive first look at one of the DVD/Blu-ray extras (available for purchase and download today) to hear Watson and Farmiga talk about Coppola’s unique way of prepping her young actresses for a scene.
From the Transformers movies to The World’s End to Frances Ha (probably), you can hardly move these days without seeing films about killer robots. But only the World War II-set Frankenstein’s Army boasts killer Zombots. This unforgettably grotesque, one-of-a-kind, found-footage horror movie stars Luke Newberry and Joshua Sasse as Russian soldiers on a mission behind German lines and Karel Roden as a crazed descendant of Baron von Frankenstein who has created an army of half-zombie, half-machine monstrosities.
The demented work of first-time filmmaker Richard Raaphorst, Frankenstein’s Army is unleashed to Blu-ray and DVD today. But the brave of heart can check out an exclusive, mayhem-filled, and strong-language-featuring clip below.
READ FULL STORY
This October, the pitter-patter of tiny feet will once again be an occasion for screams of terror rather than squeals of joy when horror sequel Curse of Chucky premieres on Blu-Ray and DVD. The sixth entry in the Child’s Play franchise — but the first since 2004′s Seed of Chucky — the movie once again finds the great Brad Dourif voicing the titular, possessed, and homicidal doll and leading a cast which also includes his daughter Fiona (True Blood), A. Martinez (Longmire), Danielle Bisutti, and Brennan Elliott.
The End was just the beginning.
This is the End, the apocalyptic comedy starring James Franco, Jonah Hill, Seth Rogen, and their friends as versions of their real selves, arrives on Blu-ray and other home-viewing formats on Oct. 1. The movie, which has grossed $96.2 million since it opened in June, was the rare summer comedy that the critics loved. Now, you can finally enjoy the movie in the spirit that the end-of-the-world tale engenders: at home in the dark, behind locked doors and bolted windows, with only your closest frenemies and one Milky Way bar.
Fans won’t be disappointed by the extras, which include commentary from co-directors Rogen and Evan Goldberg, a featurette with the cast and crew discussing the delicate feat of playing heightened versions of their Hollywood personas, and the original short that Rogen and Jay Baruchal made that inspired the making of the movie. (Click on Jay & Seth vs. The Apocalypse below after the jump to see its foul-mouthed trailer.) READ FULL STORY
Two boys, river-rats on the mighty Mississippi, run smack into adulthood when they encounter and befriend a fugitive from the law. Mark Twain’s The Adventures of Huckleberry Finn echoes throughout every frame of Jeff Nichol’s Mud, the festival hit that became one of the summer’s under-the-radar hits. An Arkansas native, Nichols was mesmerized by the river and all that it represents, both in literature and its geographic importance, and his modern-day tale conjures up all the the familiar rhythms, drawls, and characters that filled Twain’s pages. Matthew McConaughey stars as the mysterious rascal whose name is literally Mud, and Tye Sheridan (The Tree of Life ) and newcomer Jacob Lofland play the two boys who cross his path when they all claim ownership of a storm-damaged boat miraculously resting in the branches of a tree on a Mississippi River island.
The movie, which arrives on Blu-ray tomorrow, co-stars Michael Shannon, Reese Witherspoon, and Sam Shepard, among others, but as Nichols tells EW, Mud was nearly DOA when it debuted at the Cannes Film Festival in 2012. The movie, which has drawn favorable comparisons to Stand By Me and Clint Eastwood’s A Perfect World, rallied to become a festival favorite and the latest stop on the McConoughey Renaissance Tour.
ENTERTAINMENT WEEKLY: In the movie, Mud is hiding out on an island where he and the boys discover a boat in a tree. Is that something of a metaphor about filmmaking — you have the vehicle of your escape, but you have to figure out how to get it in the water?
JEFF NICHOLS: That’s funny. I don’t know, as far as a metaphor for film. I’ve never seen it that way. Maybe more of a metaphor for life. The boat was a friend’s idea. There was an actual boat in a tree from a flood, and it just opened this window in my head. First off, it’s this magical amazing thing to see for these kids. Plus, it makes sense: those islands flood all the time. It’s totally fantastic, totally surreal, but it could also kind of happen. And that’s where this movie dances in between those two things. It all could happen but it’s also a little bit fantastic.
Matthew’s performance was so wonderful partially because it really embraces the relationship the audience feels like it has with him as an actor, yet tweaks it a bit. Mud is this charming rogue, but there’s a hint of danger underneath that Matthew can play so slyly at this point of his career.
Without knowing him, I wrote that character with his persona in mind. I remember speaking to his agent early on in this process, saying, “It’s like John Wayne playing Rooster Cogburn.” It takes advantage of all the good things that are John Wayne, but it funnels them into a true-blue character that he can play. So he’s not just repeating himself, but at the same time, it takes advantage of all those things that are part of why we like him.
For a long time, Matthew’s good looks almost seemed to be a blessing and a curse in the roles he was offered and how we graded them. Sometimes it seemed like we discounted him because he was so pretty and made things look so easy.
Yeah, pretty people have an uphill battle. We don’t trust them automatically. It’s almost like you have to earn our respect in the audience. At the same time, I think male actors hit their stride in their 40s a lot of times. They just need a little dirt on them and wear and tear before they really get interesting.
Tye Sheridan is the heart of the film as Ellis, a boy who’s falling in love for the first time just as his parents’ marriage is crumbling. And for any adult male, the scene that stings the most is the one in the parking lot where he’s rejected by the girl who he thinks is his girlfriend. I fear that had to have been drawn from your own adolescence.
Absolutely. I took all of the pain and angst that came from not just one but multiple high school loves and rolled it into that scene. I balled it all up and tried to punch Ellis in the stomach with it. I like to think each movie I make has at least one real punch in the gut that reaches out and gets the audience, and that scene was always intended to be that. I think most people have felt rejection like that.
But I’m guessing Tye might not have been old enough to know that pain and humiliation.
He hadn’t, which is what makes him such a damn good actor. He was like, “Nah, I’ve never had my heart broken.” But that kid is a really good actor; it’s all on his face. You could see it. I didn’t make it up. I just rolled the camera, and it started to happen. I didn’t have to yell, “Cut,” and smack him across the head or anything like that. It was literally him just taking some time and bringing all that stuff up. You’re just like, “Where does it come from?” I’m kind of in awe.
When I spoke to Tye at Sundance, he mentioned that what helped him during that scene were the teenage boys who ripped into him pretty hard.
[Laughs] Now that I take credit for. It was in the script: to have him blurt “I love you” out in front of older kids, especially older guys. But I also went up to this group of guys, and I was like, “This kid is just a little dork and y’all need to just tear him apart.” And they did. They were not actors, they were these tough farmboy kids we found in Arkansas, so they kind of kept going, I think. So yeah, I think that was a big part of that scene.
The supporting cast is pretty amazing, from Reese Witherspoon and Michael Shannon to Joe Don Baker and Ray McKinnon. But I love most that you have Sam Shepard in the film. I love all his plays and I love that he’s Chuck Yeager! How did he come aboard?
Well, I’d written it for him, and one of the best days of my life is when we got a response from Sam’s agent: “He said not to change a word.” That’s Sam Shepard, Pulitzer Prize winning writer Sam Shepard! I was very flattered that he liked the material so much. And he was awesome. He just showed up. I had to pinch myself every once and awhile. There was this one day in particular. It was one of his off days, and we were on the island in the middle of Mississippi River, and I’m sitting in the sand, eating lunch. And I look over and Chuck Yeager’s just walking up, wearing aviator sunglasses. He walks up and he goes, “Hey Jeff, can I sit with you?” “Yes, yes you can.” And he sat down and we talked. He had just shown up because he liked being on an island in the middle of the Mississippi River, and he liked us, and he just kind of wanted to be around. I called my wife that night and said, “Honey, I’ll never be cooler than this day.”
Michael Shannon has appeared in all your films, but it also seems you have a growing relationship with the cast of HBO’s Boardwalk Empire. Shea Whigham was in Take Shelter and Paul Sparks plays the tough guy in Mud.
I actually think HBO has a fascination with the actors in my films! Totally a lie. To be honest, I hadn’t seen Boardwalk Empire. I watched the pilot but we don’t have HBO. But Shea was in David Gordon Green’s film, All the Real Girls, and I’ve loved him ever since. I knew I wanted him in Take Shelter, and he was going to play Carver in Mud, but he was busy with Silver Linings Playbook and it just didn’t work out. The casting director showed me this clip of Paul Sparks, and I said, “This guy’s great!” And then I come to find out Paul Sparks is Mike Shannon’s best friend in New York. So when I asked him, “Do you think Paul Sparks is somebody I should pursue?” Mike was like, “He’s one of the greatest actors I know.” And that’s coming out of Mike Shannon’s mouth. So Paul showed up and we had a blast. Apparently, Paul’s character is just worlds apart [from his Boardwalk character]. But he was telling me — because he’s from Oklahoma — this was the first movie he’s got to use anything close to his natural accent. That amazed me. He was great. I want to work with Paul forever.
Your movie ended up doing relatively well at the box-office, but it was extremely difficult, it seems, to get into theaters, despite the fact that you had a well-received festival movie starring Matthew McConaughey and Reese Witherspoon. That had to be frustrating.
Well, it started horrible and gut-wrenching, and turned out quite well. We had a sales screening the first day of Cannes and Harvey Weinstein walked out of it. People just didn’t respond. I got a call the next day from my agent. He’s like, “It didn’t go well.” Little did I know that it was worse than that because they don’t let journalists in [to the sales screenings]. So all the journalists are dying to know, “Hey, how’s the next Jeff Nichols movie?” And all the buyers are like, “Um, bad. Disaster.” So then all these journalists are stewing around all week, hearing about how terrible it is, and then we have a public screening… and it’s great. Not just because they gave us a standing ovation at the end. You could just tell in the theater: they’re laughing at the right parts, they’re jumping in their seats at the right parts. They were engaged in the film. You could just feel it in the crowd. So I was faced immediately with this strange dichotomy between, “Nobody likes your movie, kid” and “Hey, all these people love it.” It took awhile, but finally we landed with Roadside Attractions who’s partnered with Lions Gate. Roadside did a great job releasing it, really intelligent. We picked to hold it a whole year almost, and release it in the spring this year — for lots of reasons. Mainly, just to get out of the way of some of McConaughey’s other films that were coming out at the end of last year. And then it kind of started to shift. Sundance did us a big favor by taking it, and the Sundance screening went great. Then we went to SXSW, and it played through the roof. Then some really great reviews started to come out and it felt like the tables had turned, giving us the confidence to put even more money into the marketing. I thought they did exactly what this movie needed, which is a cool place to find yourself in a year after hearing crickets from your buyers’ screening.
Those issues don’t look to be concerns for your next movie, which you’re making for Warner Bros. with Michael Shannon and Joel Edgerton. I’ve read “present-day sci-fi chase film inspired by 1980s John Carpenter films.” Is that about right?
Yup, yup. That’s the kind of go-to line and then you build from there. This is something I wrote, and I wrote it thinking that this could be my first studio film. It just made sense, and it really made sense at Warner Bros. They kind of saw it the same way, and if we keep the budget reasonable, then hopefully I’ll be able to make a film that is my film that remains as personal and unique to me as I want to inside that system. So far, everyone’s been amazing and it feels like I’m getting to make my movie with a studio, which is rad. I have all the faith that it will keep up. But it was, like, “Should I take this back and try and finance it independent and risk going through all this again?” Or do I take this shot. But since Warner Bros was so receptive, it felt like time to try to my hand at it. There’s a lot going on in this movie. The script is done and we start shooting in January.
Michael Shannon is with you again, so that’s a great start.
We like each other, yeah. I think we sync up together. The things I write and the way I write, I think Mike really enjoys it and enjoys saying the line, so that makes me a very very lucky guy.
You’re not tell me anything about the movie, are you?
I’ll probably sit on that a little more, but to be honest, it would be hard to even tell without getting into — it’s like pulling a thread on a sweater. I would keep talking and that would be bad.
World War Z, Brad Pitt’s hit zombie apocalypse epic, will debut on Blu-ray and other home-viewing formats on Sept. 17. The action-thriller was envisioned as a trilogy, and after grossing $474 million around the world, Pitt can expect another date with the dead. The Blu-ray Combo will include an unrated cut of the film and several featurettes. “I’m really excited for fans to see the new unrated version of World War Z on Blu-ray,” said Pitt, in a statement. “We were thrilled with the audience response to the film in theaters and wanted to give viewers even more of the action and intensity that they loved when they watch the film at home.”
Z was subjected to some on-the-fly rewriting and the original ending was completely abandoned. It will be interesting to see if portions of those scenes are restored in the unrated cut, or if Pitt & Co. discuss those decisions in the extras.
For fans who can’t wait until Sept. 17, World War Z will become available as a digital-download a week earlier, Sept. 10. Click below for a description of the Blu-ray extras.
This fall, your TV will boldly go where no TV has gone before.
EW can exclusively reveal that J.J. Abrams’s Star Trek Into Darkness will be released on DVD, Blu-ray, Blu-ray 3D, and On Demand on September 10, 2013. A digital download of the film will be available three weeks earlier, on August 20.
“I’m thrilled with how everything looks and sounds,” Abrams said in a statement. “We also have some really fun behind-the-scenes special features that we shot on the Red [Epic cameras] and created entirely in-house at Bad Robot. They really look amazing and unlike anything I’ve seen on DVD or Blu-ray before.”
Those special features include making-of shorts about creating the Red Planet and the Klingon home world of Kronos, as well as a sit-down with stars Zachary Quinto and Benedict Cumberbatch — and a segment called “The Enemy of My Enemy,” which explores “how, and why, the identity of the film’s true villain was kept a mystery to the very end.”
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