Inside Movies Breaking Movie News and Scoops | Movie Reviews

Tag: Fast & Furious 6 (1-10 of 25)

Paul Walker: Luke Evans remembers his 'Fast & Furious 6' co-star as 'a very warm man'

Unlike many of Paul Walker’s Fast & Furious co-stars, who’d worked with and known the late actor for over a decade, Luke Evans was a newcomer to the game. He joined the franchise at the sixth movie — an intimidating prospect for anyone.

But Walker wasn’t about to make him feel like an outsider.
READ FULL STORY

The 15 most impressive box office performances of 2013 -- so far

We’re officially halfway through 2013, and if you’re an obsessive box office junkie like me, that means it’s time to reflect back on the past six months at the movies and give credit to some of the best box office performances so far this year.

By “best,” I don’t simply mean “highest grossing” — you can find that list here – I mean most impressive. Since each movie has its own budget, its own marketing costs, and its own distribution challenges, each movie also has its own standard for success. I like to judge films on their own rubrics — so I have!

This year, there were a lot of close calls. Films like Oz The Great and Powerful and This is the End were this close to making the list (A Good Day to Die Hard and Jack the Giant Slayer, meanwhile, were not), but not everything could make the cut. Thus, here is my totally-up-for-debate list of the 15 Most Impressive Box Office Performances of 2013 so far. (Shown in order of highest-to-lowest grossing)
READ FULL STORY

Jason Statham on crying in his new movie, 'Redemption' (and probably not crying in 'Fast 7')

Jason Statham knows he’s taking a bit of a risk with Redemption, the directorial debut of Eastern Promises and Dirty Pretty Things screenwriter Steven Knight in theaters and available On Demand June 28.

He stars as an ex-Special Forces soldier, Joey Jones, who drowns his guilt over a traumatic tour in Afghanistan with alcohol as a homeless veteran in London. When the young woman he shares a box with goes missing, Joey finds a reason to rehabilitate himself — to find her killer and avenge her death.There is some ass-kicking along the way as Joey’s skills are exploited by his new employer, but there’s also man tears. Lots of them, in fact, in the scene when Joey finally reveals why he’s hit the bottle. “You don’t know if people want to see you that way,” Statham says, with a laugh. “‘You’re not supposed to cry, you’re supposed to beat people up.’ Well, you can have all of that: You can have me beatin’ people up, and you can have me showing a sensitive side. [Joey’s] not a weak man. He’s been hurt. Most guys, tough or not, hide emotions. I know a lot of tough guys, they’re just as weak as the next man, but they don’t show it. It’s just how much are you prepared to show? I think we’re all in tune with pain and how vulnerable we are when certain things get to us, and it’s just are you prepared to give that up? I’m not gonna be doing it in every movie,” he adds, laughing again. “It worked for that one.”

Spoiler alert: Odds are he won’t be crying in Fast & Furious 7, though Statham won’t say anything about the film other than he will be in it (presumably as the brother of Luke Evans’ now-dead Owen Shaw). “I’m sworn to secrecy. You know what they’re like. Universal will kill me if I say anything. They really will,” he insists. “People think I’m gonna play the bad guy. People think I’m gonna be the villain. People don’t really know what’s comin’, and I think there’s something exciting about that. People are just dying to know what extent and what involvement I’m going to have in the movie. I think all good things come to those who wait.” READ FULL STORY

Box office report: 'Man of Steel' scores super $125.1 million debut, breaks June record

man-of-steel-09.jpg

Faster than a speeding bullet, Warner Bros.’ $225 million franchise reboot Man of Steel has become a box office behemoth.

The superhero film began its run with a massive $125.1 million ($113.1 million over the traditional weekend, $12 million from corporate screening programs on Thursday), breaking the record for the biggest June opening weekend ever, ahead of Toy Story 3‘s $110.3 million bow in 2010.  Among 2013 films, Man of Steel had the second best debut of the year behind Iron Man 3, which started with $174.1 million in May.

Man of Steel garnered a fantastic $29,731 per theater average from its 4,207 locations. The film grossed $13.3 million in IMAX theaters, and 41% of its business came from 3D ticket sales. Audiences were 56 percent male and 44 percent female, a more even gender distribution than Iron Man 3, which had a 61/39 percent male/female split on opening weekend. The dashing looks of Henry Cavill (and Amy Adams’ appeal) no doubt helped Man of Steel play well with women. Reviews were mixed, but crowds issued the film a strong “A-” CinemaScore.

For Cavill, Adams, and the rest of the cast — which includes Russell Crowe, Diane Lane, Kevin Costner, Laurence Fishburne, and Michael Shannon — Man of Steel became their best ever opening weekend. The same goes for director Zack Snyder, who formerly saw gigantic numbers when 300 bowed with $70.9 million in 2007.

Man of Steel also clobbered the debut of 2006’s Superman Returns, which opened with $52.5 million and earned $200 million domestically against a $270 million budget. Widely considered a box office misfire, Superman Returns did not, in fact, return. In about one week, Man of Steel will likely have surpassed that film’s domestic total.

The news couldn’t be better for Warner Bros., which — with the exceptions of The Great Gatsby and 42 — has badly struggled at the box office in 2013. Films like Jack the Giant Slayer, The Hangover Part III, Beautiful Creatures, Bullet to the Head, and The Incredible Burt Wonderstone have massively under-performed at the box office, so Man of Steel‘s success is a welcome change. “We’re thrilled,” says Dan Fellman, the studio’s president of domestic distribution, “and it will fly through the summer. We’re going to have legs on this film.”

Fellman also notes that Man of Steel‘s success brings Warner Bros. and DC Comics one step closer to creating a Justice League franchise that might rival Marvel/Disney’s Avengers. The exec wouldn’t confirm whether Henry Cavill has already been contracted to star in Justice League films, though he did coyly remark, “Henry will be around for a while.”

Internationally, Man of Steel soared with $71.6 million in its first weekend, including $17.6 million in the United Kingdom and $9.8 million in Mexico. The film has yet to open in a number of large markets, but it’s already clear that it will easily outdo Superman Returns $191 million international haul. READ FULL STORY

Box office report: 'The Purge' doubles the debut of 'The Internship' with $36.4 million

Many assumed that the weekend before the debut of Man of Steel would be a calm one at the box office, but that was not the case. Universal’s thriller The Purge surged into the top spot this weekend and shattered all expectations with a massive $36.4 million debut.

The film, produced by Paranormal Activity mastermind Jason Blum, cost only $3 million to make, and because its marketing campaign was predominantly digital (read: inexpensive), the micro-budgeted film will become a hugely profitable release for the currently on-fire Universal.

The Purge had an intriguing premise: for one night every year, all crime (including murder) is legal. Universal’s marketing team effectively communicated that twisted plot in trailers and ads, and the premise helped pack theaters, though it didn’t deliver on audiences’ high expectations. Crowds issued the film a discouraging “C” CinemaScore grade, and the film sank 38 percent from Friday to Saturday — a sign of poor word-of-mouth.

The Purge gave star Ethan Hawke his best opening weekend ever — trouncing Training Day‘s $22.6 million debut in 2001. Hawke also thrived on the indie circuit this weekend, as his film Before Midnight scored $585,000 from just 52 locations for an early $1.5 million total. Before Midnight‘s robust $11,243 per theater average trailed only one other film in the Top 20: The Purge, which had a sizzling $14,353 average at its 2,536 locations.

Universal reports that audiences for The Purge were quite diverse, with Hispanic moviegoers making up 33 percent of ticket buyers. Interestingly, the film also played predominantly to women, who accounted for 56 percent of the audience. READ FULL STORY

Box office update: 'The Purge' stuns on Friday with $16.7 million

The buzz around Universal’s Ethan Hawke thriller The Purge seemed like it was swelling heading into the weekend, but no one could have guessed that the film would over-perform the way it did yesterday.

The Purge earned an incredible $16.7 million on its first Friday (technically, that number includes Thursday night), and it’s headed to an opening-weekend gross of about $37 million, giving producer Jason Blum, the man behind the Paranormal Activity series, another runaway hit. The best part about all this for Universal? The Purge‘s budget was only $3 million.

It was a mixed bag of news for Fox’s Vince Vaughn/Owen Wilson comedy The Internship, which came in second. On the one hand, the film exceeded lowered expectations with $6.6 million on Friday, putting the $58 million movie on pace for an $18-19 million opening weekend. On the other hand, that’s a rather tepid result for the duo that helped Wedding Crashers climb to $209 million total back in 2005. Certainly not a disaster, though! READ FULL STORY

Box office preview: 'The Purge' ready to scare 'Fast & Furious' out of top spot

the-purge.jpg

We’re just one week away from the arrival of the likely box-office behemoth Man of Steel, and studios aren’t releasing any real tentpoles this weekend for fear that they’ll be cannibalized by Superman in their sophomore frames. Two newcomers, horror film The Purge and Vince Vaughn/Owen Wilson comedy The Internship, are hitting theaters, and while the former looks like it may score a weekend win, the latter seems headed for Burt Wonderstone territory.

The real question for The Purge is whether it can take out Fast & Furious 6, which hasn’t given up the pole position since its May 24 release. For Universal, distributor of both films, that’s a very good problem to have, and the studio may finish in first and second place this weekend — provided Now You See Me doesn’t (once again!) achieve a surprise second-place finish.

Here’s how the weekend is shaping up: READ FULL STORY

Did you know The Rock has had a top ten movie for 15 straight weekends?

How’s your year going? Probably not as well as the Rock’s.

The wrestling star (and host of TNT’s The Hero, which premieres tomorrow night) is in the midst of an amazing box-office streak. He’s starred in four movies so far in 2013 — Snitch (Feb. 22), G.I. Joe: Retaliation (March 28), Pain and Gain (April 26), and Fast & Furious 6 (May 24) — and while they haven’t all been massive hits, three of them opened at No. 1. All together they’ve grossed over $937 million worldwide, giving the Rock (a.k.a. Dwayne Johnson) some major box-office bragging rights.

“As you know, I’ve been around for some time now,” Johnson told EW recently. “This is my 12th and 13th year in the business. Building an empire was the goal.” And built an empire he has!

In fact, for the past 15 weekends — yes, since Feb. 22 — the Rock has had at least one movie in the Top 10 at the U.S. box office. And considering audiences’ enduring love of the Fast franchise, he’s got a few more weekends left before that streak ends, too. Here’s how it’s all worked out: READ FULL STORY

Box office report: 'After Earth' crashes, marks Will Smith's worst summer opening in 20 years

After

Ever since Independence Day‘s $50.2 million debut on July 4th weekend in 1996, Will Smith has been the undisputed king of the summer box office. He’s led films like Men In Black; Bad Boys II; I, Robot; and Hancock to massive grosses — both domestically and around the world.

But his latest effort, After Earth, landed with a major thud on opening weekend, grossing just $27 million (distributor Sony told outlets it was expecting $35 million before the weekend) and opening in third place with a tepid “B” CinemaScore. The $130 million M. Night Shyamalan-directed sci-fi film, based on an original story idea by Will Smith himself, also starred the A-lister’s son, Jaden. The father/son duo previously found success with 2006’s The Pursuit of Happyness, which earned $163.6 million, but this time around, the casting gimmick wasn’t enough to get audiences into the door.

After Earth‘s opening weekend was Smith’s lowest summer debut since his first wide release, Made In America, which bowed with $11.8 million in 1993. Discouragingly, After Earth opened with even less than Smith’s oft-ridiculed Wild Wild West, which wrangled $27.8 million in its opening weekend in 1999.

So what went wrong? Well, M. Night Shyamalan’s name certainly repelled many potential viewers. The director has lost credibility with audiences after films like Lady In The Water, The Happening, and The Last Airbender, and Sony wisely kept his name out of all marketing materials. Still, film buffs (and anyone that read the scathing reviews) weren’t fooled. The blame can’t lie solely with the director, though, especially at a time when people seem to feel little affection for the Smith family. Between accusations of Hollywood nepotism, backlash against eyebrow-raising interviews, and lingering suspicions about their involvement with Scientology, Will, Jaden, and the rest of the gang seem to be in a bit of a public opinion rut.

Whatever the reason for After Earth‘s domestic under-performance, Sony is hoping that international grosses can make up lost ground. And that certainly could happen since Will Smith’s film’s often gross more overseas than they do in America. Last year, Men In Black 3 took in $179 million domestically and $445 million internationally, and time will tell whether After Earth enjoys a similar fate.

But there were other movies at the box office this weekend, too. Let’s talk about those! READ FULL STORY

Box office update: 'After Earth' trumped by 'Now You See Me' as 'Fast & Furious' wins Friday (again)

after-earth-12

Will and Jaden Smith may want to pick up some new Cartier before they take a look at this week’s box office numbers. It might help to ease the pain.

The father/son duo’s new M. Night Shyamalan-directed adventure After Earth only earned $9.8 million on its opening Friday (technically, that number includes Thursday night shows as well), which puts it on pace for a weekend of just $27 million — a tough result considering the poorly reviewed Sony effort cost $130 million and carried Will Smith-sized expectations.

Moreover, After Earth was overshadowed by Summit’s magician thriller Now You See Me, which worked up some box office magic on Friday, pulling an impressive $10.1 million out of its hat. Now You See Me will also end the weekend with about $27 million, which sounds a whole lot healthier given its $80 million budget.

Of course, neither of the newcomers were able to topple Fast & Furious 6 from the top of the chart. The explosive hit scored $10.5 million on its second Friday and should finish the weekend in first place with about $35 million and $170 million total.

Rounding out the Top 5 was The Hangover Part III, which dropped 64 percent from its first Friday to $5.2 million, and Star Trek Into Darkness, which beamed up another $4.4 million. Both films should finish the weekend with over $15 million — a figure that Epic, which came in sixth place with $4.1 million, will likely reach as well.

1. Fast & Furious 6 – $10.5 million
2. Now You See Me – $10.1 million
3. After Earth – $9.8 million
4. The Hangover Part III – $5.2 million
5. Star Trek Into Darkness – $4.4 million

Check back tomorrow for the full box office report, and follow me on Twitter for more up-to-the-minute box office updates.

Read more:
Analysis: People love ‘Fast & Furious 6′, but not as much as they loved ‘Fast Five’
Box office preview: ‘After Earth’ ready to race ‘Fast & Furious’ for the top spot

Latest Videos in Movies

Advertisement

From Our Partners

TV Recaps

Powered by WordPress.com VIP