One bona fide movie legend will fete another on June 11 when John Carpenter presents Roger Corman with the New Media Film Festival‘s Legend Award at the Landmark Theatre in Los Angeles. Carpenter is, of course, the director of such genre classics as Halloween and The Thing while the list of notable films made by producer and director Corman merely begins with The Trip, Death Race 2000, Rock ‘n’ Roll High School, and the original Little Shop of Horrors. As a distributor he was also responsible for introducing American audiences to an array of European art house films. (Those interested in learning more about the latter’s storied career should definitely check out my colleague Chris Nashawaty’s recent tome, Crab Monsters, Teenage Caveman, and Candy Stripe Nurses—Roger Corman: King of the B Movie.)
Tag: Film (11-20 of 947)
'Bad Words' Q&A: In directing debut, Jason Bateman gets small picking on those who aren't his own size
That pretty much spells out Jason Bateman’s savagely sinister directorial debut, Bad Words, which features him as a man determined to destroy a national children’s spelling bee by exploiting a loophole that will allow him to compete against the little geniuses.
The film opens nationwide today, and Bateman talked to Entertainment Weekly about his decades-long desire to direct a movie, being very nasty to smarty-pants little kids, and the little boy who got it the worst. READ FULL STORY
When the surprise news broke earlier this week that a fifth Phantasm movie — called Phantasm: Ravager — was not just in the works but had actually been completed, it raised an awful lot of questions. Who directed the latest entry in the beloved cult horror franchise about the ghoulish, mysterious Tall Man and his lethal flying spheres? Which previous actors from the series (if any) would be making an appearance in the film? And when might we see some footage from the first Phantasm movie in 16 years?
If you’ve seen the fabulously entertaining Ozploitation documentary Not Quite Hollywood – which tracks the rise of Down Under genre films in the ’70s and ’80s — then you will be familiar with producer and Quentin Tarantino favorite Antony I. Ginnane, the so-called “Roger Corman of Australia” whose output includes the horror movies Patrick, Dead Kids, and Thirst. “But how can I learn more about these films?” I pretend to hear you cry. Well, good news! This month, Severin Films is releasing all three terror flicks in Blu-ray/DVD combo packs (as well as the self-explanatory DVD, Ozploitation Trailer Explosion) which seemed an excellent excuse to call Ginnane and have him talk about them.
Will you celebrate Saint Patrick’s Day by hoisting a Guinness? Or will you instead check out the first clip from Leprechaun: Origins, the out-this-summer horror reboot starring Dylan Postl (aka WWE wrestler Hornswoggle)?
Actually, thinking about it, this isn’t really an “either/or” situation. So may we suggest you order up a pint of the black nectar and, while you’re waiting for the sucker to settle, check out the Hornswoggle-introduced footage below.
Filmmaker Gareth Evans has been responsible for some of the most jaw-dropping images to appear on movie screens over the past few years, thanks to his directing of 2011′s extraordinary action movie The Raid and his co-directing (with Timo Tjahjanto) of the insane “Safe Haven” segment of horror anthology V/H/S/2. So what’s next for the Welsh-born, Indonesia-based auteur? That would be The Raid 2, which expands the universe of the first movie well beyond its one-building locale as rookie Jakarta cop Rama (Iko Uwais) reluctantly goes undercover, and into prison, to take down a criminal empire — and beat the crap out of a whole lot of people.
In the new thriller Grand Piano, a stage-fright-stricken classical pianist (Elijah Wood) is informed he must perform his comeback recital perfectly or get shot to death. Don’t you just hate it when that happens?
Directed by Eugenio Mira (Agnosia) and costarring John Cusack and Alex Winter, the film opens theatrically in New York and Austin, Tx., today. To mark the film’s release, we spoke to Wood about tickling the ivories — and why it pays to hang out in Austin bars.
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