Antonio Banderas has dabbled in science fiction with The Skin I Live In and the Spy Kids movies. But the Spanish actor goes full-on future-shock in his new film, Automata. Set half a century into the future, the film stars Banderas as an insurance agent who investigates cases of defective androids and, according to the official synopsis, “uncovers a truth that is far more complex than the make or model of any machine.”
Tag: Film (11-20 of 1020)
How do you make one of the best low-budget horror movies of the past few years? With a lot of booze and no underwear. At least, that’s what the folks responsible for zombie film The Battery claim in the trailer for a making-of documentary—which will be included among the bonus extras when Scream Factory releases the film on Blu-ray and DVD, September 16.
In the 2011 comedy The Trip, British funnymen Steve Coogan and Rob Brydon—playing themselves—entertainingly bickered their way around the north of England while reviewing restaurants for U.K. newspaper The Observer. The pair have now reteamed for a second course of quips, face-stuffing, and Michael Caine impersonations in the self-explanatory sequel The Trip to Italy.
On August 22, 1972, a man named John Wojtowicz attempted to rob a bank in Brooklyn to pay for his lover’s sex-change operation—at least, that is what has been long believed. The bungled heist would later inspire Sidney Lumet’s classic 1975 film Dog Day Afternoon, which starred Al Pacino as “Sonny Wortzik” and John Cazale as his fellow robber, Sal. Now, four decades on, Allison Berg and Frank Keraudren have made The Dog, a documentary which relates the real, incredible true story of that August day, and what happened to Wojtowicz afterwards.
Brian Trenchard-Smith has been a director for 40 years and has made around the same amount of movies, from 1975’s George Lazenby-featuring action film The Man from Hong Kong through 1986’s cult film Dead End Drive-In to last year’s straight-to-DVD thriller Absolute Deception, which starred Cuba Gooding Jr. “I’ve never met a green-light I didn’t like,” chuckles the urbane auteur.
“Keep watching the skies!” warned Douglas Spencer’s reporter at the end of the 1951 science-fiction classic The Thing From Another World. More than 60 years on, that remains good advice for characters in alien-themed horror movies such as the Tribeca-screened Extraterrestrial. This third film from directors the Vicious Brothers (Grave Encounters) details a weekend getaway by five college friends which goes horribly awry when aliens invade.
Comic-Con may be one of the biggest movie-related shindigs on the face of the planet, but it still makes space for some of life’s smaller—not to mention Irish-er—things. That’s in reference, of course, to Leprechaun: Origins, the horror reboot starring WWE wrestler Dylan “Hornswoggle” Postl as the titular Emerald Isle monster.
A few years back, shortly before the release of his debut horror film The Pact, writer-director Nicholas McCarthy told EW, “I think hearing people scream is almost too addictive of a moment for me—I want to do it one more time.” Now, McCarthy is doing it one more time with At the Devil’s Door, another likely scream-inducing project which is released on VOD on August 8 and arrives in cinemas September 12.
Those familiar with James Wan’s supernatural tale The Conjuring—or the occult museum of real-life purported ghostbuster Lorraine Warren—will know about the allegedly haunted doll, Annabelle. Well, now the figurine o’ fright has been gifted her own movie, the Wan-produced origin story Annabelle, which arrives in cinemas October 3.
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