In what is either the least or most timely film news of the month, it was announced today that writer-director Eli Roth is executive producing a remake of his 2002 flesh-eating virus horror film, Cabin Fever.
Tag: Film (21-30 of 1101)
Those who appreciate the various macabre and/or fantastical works of author, artist, and auteur Clive Barker are having a happy Halloween, thanks to horror imprint Scream Factory releasing the “Director’s Cut” of his 1990 film, Nightbreed. And it looks like they’re going to have a terrifyingly terrific Christmas as well.
Scream Factory announced today that on Dec. 16, it will release a collector’s edition Blu-ray of Barker’s third—and so far final—film as director, 1995’s Lord of Illusions. The 2-disc set will include both the theatrical version of the film and a director’s cut, a commentary from Barker, deleted scenes, previously unseen on-set footage, a photo gallery, and a new interview with storyboard artist Martin Mercer. Barker-heads who order the title from ShoutFactory.com will receive an exclusive 18″x24″ poster featuring the Blu-ray’s newly commissioned artwork, while supplies last.
John Cleese says movie casting directors should not be put off from hiring him by recent reports that the Monty Python comedy legend is retiring from films.
“Sometimes you read these things and you say, ‘I don’t remember saying that,'” explains Cleese, 74, whose acting credits include fellow Python Terry Gilliam’s 1981 film Time Bandits, 1988’s Cleese-written A Fish Called Wanda, and two of the Harry Potter films. “What I would say is, when you get to my age, the number of parts that you get offered is very, very small. They’re not looking for 75-year-old comedians most of the time. I have been offered a large part in a movie which, if they get the finance together, will happen in the spring. But that doesn’t happen a lot. What I did say is that I don’t enjoy movies very much. Terry Gilliam, who has nothing better to do with his life, loves to have movies because it structures him and gives him a purpose, which otherwise he lacks. I don’t like the way that they take your life over.”
How good is the low budget New Zealand horror film Housebound?
Well, Lord of the Rings director Peter Jackson has hailed it as “Bloody brilliant!”—and the man knows what he’s talking about, having started his career with such minimally financed but fabulous splatterfests as 1987’s Bad Taste.
There are a couple of notable things to mention about the new film A Girl Walks Home Alone at Night: One, I’m pretty sure it’s cinema’s first-ever Farsi language, female vampire-featuring, romance-Western and two, I’m absolutely sure it is one of the most hotly anticipated horror movies of the year.
The film received a warm reception on its recent festival run and has received the imprimatur of noted horror fan Elijah Wood, who is one of the film’s executive producers and described the movie as “stunning” when EW spoke with the actor about it last year.
Where would Halloween season be without Edgar Allan Poe? Still positioned in October, of course, but with a much less creepy hold on the month.
In the new horror-comedy Summer of Blood, Onur Tukel plays a schlubby, self-obsessed Brooklynite called Erik who, after rejecting his girlfriend’s marriage proposal, becomes a veritable sex magnet when he is bitten by a vampire. The result is partly a Woody Allen-esque comedy about commitment—and partly an out-and-out bloodbath.
“If you’re making a horror film, you have to make it about fear,” says Tukel, who also wrote and directed the movie. “I’m 42 years old right now and my biggest fear is commitment and marriage. So I thought I would make a film about those things.”
In the new, much-buzzed-about horror film The Babadook, a children’s book comes to life and turns the life of single mother Amelia (Essie Davis) into a living hell. Given that premise, we thought twice about debuting the poster for the film, which opens in cinemas Nov. 28, lest a similar fate befall us here at EW Towers.
But, hey, you only live (and die!) once.
Community creator Dan Harmon is a comedy heavyweight. He’s also something of an actual heavyweight. (I write this as a man who could stand to lose a pound or 20 myself.) But did that stop the mercurial, mirth-creating madman attempting to crowd surf when he took his Harmontown podcast on the road in early 2013? It most certainly did not, as the exclusive clip below from the tour-documenting, and utterly fascinating, new film Harmontown very much makes clear.
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