• In the midst of the frenzy surrounding the release of Star Trek Into Darkness, Chris Pine has revealed where he’ll boldly go next. EW has confirmed that Pine will appear in comedic thriller Stretch, a project that reunites the actor with Joe Carnahan, who directed one of Pine’s earliest films, 2006′s Smokin’ Aces. Patrick Wilson (Watchmen) will star in the new film as a down-on-his-luck chauffeur who drives around a mysterious billionaire to get rid of his debt. Details on Pine’s role have not yet been revealed. [The Wrap] READ FULL STORY »
Tag: Garrett Hedlund (1-5 of 5)
Jack Kerouac’s On the Road is such a seminal, sui generis work of Beat Generation fiction that it’s taken 55 years since its publication for a feature film adaptation to make its way to movie theaters. Everyone who’s read the book has an idea of how the story of two friends on a meandering road trip across America should look. Perhaps the biggest challenge facing director Walter Salles (The Motorcycle Diaries) was distilling all those disparate ideas into a single, unified feature film.
Then comes an even trickier question: How do you sell it? The Beats weren’t exactly known for being commercially oriented artists, but when you have a film featuring stars like Kristen Stewart, Viggo Mortensen, Amy Adams, and Kirsten Dunst, you kinda want to have them on your movie poster. How do you do that without making it seem like a crass play to boost your box office?
The design team at Percival & Associates have come up with an elegant solution in the final one sheet for the film, and EW has an exclusive first look. Check it out below (click the image to embiggen): READ FULL STORY »
Toronto Film Fest: 'On the Road' cast, crew celebrate at after-party (sans Kristen Stewart), despite premiere delays
Oh the trials and tribulations of technology, not to mention film projectors.
The highly anticipated Toronto International Film Festival premiere Thursday of beat drama On the Road, starring Kristen Stewart and based on Jack Kerouac’s stream-of-consciousness road novel, started off to a rocky start, but bounced back, all cylinders running.
Director Walter Salles confirmed to EW.com at a late-night after-party for the film, at the new Toronto bar-restaurant Patria, that projector and other tech issues following Jason Reitman’s live-read of American Beauty at TIFF venue the Ryerson Theatre led to the premiere of On the Road, scheduled after at the same venue, being delayed an hour.
Instantly entering the race for the best trailer of the year, the new, dialogue-free teaser for On the Road mixes an expertly edited collage of shots from the long-awaited adaptation of Jack Kerouac’s seminal Beat Generation novel with a propulsive jazzy score and a key excerpt from the novel itself spoken by Kerouac stand-in Sal Paradise (voiced here by actor Sam Riley). Also: Some excellent fontage. Check it out below: READ FULL STORY »
Cannes: 'On the Road,' with Garrett Hedlund and Kristen Stewart, is a reverent, if not overly faithful ramble
In On the Road, Walter Salles’ reverent, at times almost painfully faithful adaptation of Jack Kerouac’s birth-of-the-Beat-spirit novel, the characters are always getting high on one thing or another, and I don’t just mean drugs — though they do smoke weed and dissolve Benzedrine into their coffee. They also go to after-hours clubs and listen to twisty ecstatic jazz, their bodies shaking and writhing as the music works its way inside them. They have a lot of sex, too, some of it pretty exposed (hello, NC-17!): On a car ride to nowhere, Sal (Sam Riley), the Kerouac character, who is eager but recessive — a boy-man taking careful stock of everything he drinks in — gets naked in the front seat along with Dean (Garret Hedlund), the Neal Cassady life-force stud narcissist, and Marylou (Kristen Stewart), Dean’s naively game young ex-wife, who is seated, also naked, between the two men as she pleasures each of them with her hands. (I’m not kidding when I say that Kristen Stewart acts this scene very well — for once, she looks more ebullient than cool.) The other high at work is the religion of words. Sal keeps dipping into a volume of Proust, and he types into the night and scribbles in his notebook, doing all that he can to give form to feeling. READ FULL STORY »
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