Alfonso Cuaron is not keen on doing a sequel to his megahit movie Gravity. So much so, in fact, that the director has dreamed up an alternate ending for the movie that would squash any sequel hopes. How? [Spoiler alert!] READ FULL STORY
Tag: George Clooney (11-20 of 74)
Another 2013 movie is on hold.
George Clooney told the Los Angeles Times Tuesday that his World War II drama The Monuments Men would not meet its scheduled Dec. 18 opening and will instead hit theaters in early 2014. A representative from Sony Pictures, who is distributing the film, confirmed the news to EW and stated that the film would be released sometime in the first quarter of 2014, but no release date has been set.
Alfonso Cuarón’s Gravity, which is shaping up to be one of the fall’s biggest hits — as well as a major Oscar contender — will receive a major financial boost when it opens in China in November. The Beijing News, a Chinese government-associated newspaper, reported that the official Film Bureau had approved Gravity for release, a much-desired privilege since the world’s second-largest movie market maintains a quota on the number of foreign films. In order to promote their own homegrown movie industry, the Chinese government limits the number of foreign-made films to 34 per year. This late in the year, it was feared that all those slots were taken, but Gravity, a 3-D IMAX movie that features the nascent Chinese space program, reportedly made the cut.
China’s growing clout has been felt throughout Hollywood, as studios have gone to great lengths to make films that appeal to an Asian audience. Several tentpoles — like Michael Bay’s next Transformers movie — have arranged to be Chinese co-productions in order to guarantee a wide release in China. To appreciate what such placement is worth, Iron Man 3 grossed more than $121 million in China, and Pacific Rim earned more in China ($112 million) than it did in the United States ($102 million).
In Gravity, Sandra Bullock’s lost-in-space astronaut retreats to the Chinese space station after her space shuttle and the International Space Station are shredded by space debris.
Box Office report: 'Gravity' brings in astronomical $44.2 million; 'Captain Phillips' a strong No. 2
Alfonso Cuarón’s heady outer-space thriller is proving a phenomenon in its second week, dropping just 21 percent from its opening weekend and rocketing past the $100 million mark on Saturday to a stellar $123.4 cume in just 10 days. It’s the smallest second-week decline for a film that debuted to more than $55 million. Gravity is already the fourth and third highest-grossing film for stars Sandra Bullock and George Clooney, respectively. A whopping 84 percent of the yield comes from 3-D showings and 20 percent from I-MAX, proving moviegoers are still willing to pay the surcharges, at least when promised panoramic zero-gravity shots and inner-helmet closeups of Bullock’s face. Expect small drop-offs in the future as word of mouth continues to spread and awards season draws nearer.
Captain Phillips, another awards hopeful, earned a strong $26 million opening weekend and scored the No. 2 spot. The biggest hit for Tom Hanks since 2009’s Angels & Demons, the PG-13 true story of a U.S. cargo ship captain who protected his crew from Somali pirates in 2009 will play well to families and older audiences through the holidays.
With little family-movie competition, Cloudy with a Chance of Meatballs 2 has matched its budget of $78 million after its 17th day. Lagging far behind is Robert Rodriguez’s Machete Kills, which earned a brutal $3.79 million. The sequel to 2010’s Machete is the director’s lowest-grossing wide opening. Runner Runner, the online poker drama starring Justin Timberlake and Ben Affleck, seems to be folding early — after a $7.7 million opening weekend, Fox’s $30 million bad bet dropped to $3.73 million.
1. Gravity – $44.2 million
2. Captain Phillips – $26 million
3. Cloudy with a Chance of Meatballs 2 – $14.2 million
4. Machete Kills – $3.79 million
5. Runner Runner – $3.73 million
Warning: Spoilers ahead!
Gravity took off at the box office over the weekend, and astro-experts have been fact-checking the film’s science left and right. After Neil deGrasse Tyson took to Twitter to chime in on the film’s faults, we decided to ask a panel of experts — astronomer Phil Plait and former astronauts Leroy Chiao and Tom Jones — to give us some definitive answers to our burning questions about the film’s accuracy. And they explained everything, from the mechanics of Sandra Bullock’s spacesuit to using a fire extinguisher in space. READ FULL STORY
Warner Bros.’ $100 million Alfonso Cuarón-directed thriller Gravity blasted off on its opening weekend at the box office, scoring a stunning $55.6 million from 3,575 theaters. The sci-fi title, which stars Sandra Bullock and George Clooney, set a new October opening weekend record, surpassing Paranormal Activity 3‘s $52.6 million debut in 2011.
Gravity also marks the best-ever debut for both of its stars, beating Bullock’s $39.1 million start for this summer’s The Heat (talk about having a great year at the box office!) and Clooney’s $42.9 million debut for Batman & Robin in 1997. And to put a cherry on top of Warner Bros.’ incredible weekend, audiences issued Gravity an excellent “A-” CinemaScore grade, which will yield great word-of-mouth for weeks to come. READ FULL STORY
Box office update: 'Gravity' blasts off with $17.5 million Friday, could hit $50 million for the weekend
Warner Bros.’ $80 million thriller Gravity demonstrated some major pull on its opening day at the box office. The film, which stars Sandra Bullock and George Clooney as stranded astronauts, scored a tremendous $17.5 million on its first day, which puts the film on pace for a weekend in the $50 million range.
Gravity will almost certainly become the best opening weekend ever for both of its stars, surprassing Bullock’s $39 million start for The Heat earlier this year and Clooney’s $42.9 million debut for Batman & Robin in 1997. It looks like Warner Bros.’ bold, stylish ad campaign has paid off. READ FULL STORY
A paradox of watching special-effects films in the all-fantasy-all-the-time CGI era is that you can go to the movies every week, especially in the summer, and experience things that really ought to seem magical — a man of steel zipping through the air, an endless zombie army shimmying over a wall, cracks opening in the earth as the world ends — and as entertaining as much of this stuff is, none of it, at heart, leaves you truly, deeply amazed, because eye-popping visual miracles have become so routine that they’re simply the new normal. (How far we’ve evolved from the days of “You’ll believe a man can fly!”) But when you watch Gravity, a tale of floating astronauts starring Sandra Bullock and George Clooney, set in what used to be called outer space (and now might be called 600 kilometers over the earth), you may find yourself thinking, over and over again, “How the heck did they do that?” It’s not because you’re seeing anything that’s all that outrageously fanciful. Gravity, though it’s set in space, isn’t really science fiction. It’s a drama built around the technology of space travel as it more or less exists today. What’s astonishing about the film is its hypnotic seamlessness — the way that the director, Alfonso Cuarón, using special effects (and 3D) with a nearly poetic simplicity and command, places us right up there in space along with the people on screen.
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