Most movies that break out of the pack, with their own special blend of technique and vision, can be said to defy categories. But Alfonso Cuarón’s Gravity, which drew massive audiences this weekend and, I suspect, spoke to them (as it did to me) in a powerful and transporting way, may be a unique case. Offhand, I can’t name a science fiction movie that mesmerizes you because it feels at once so novel and so retro, so thrillingly forward-thinking and so exquisitely cast from the visual poetry of a long-ago era. Just think about it: READ FULL STORY
Tag: George Clooney (11-20 of 69)
Warner Bros.’ $100 million Alfonso Cuarón-directed thriller Gravity blasted off on its opening weekend at the box office, scoring a stunning $55.6 million from 3,575 theaters. The sci-fi title, which stars Sandra Bullock and George Clooney, set a new October opening weekend record, surpassing Paranormal Activity 3‘s $52.6 million debut in 2011.
Gravity also marks the best-ever debut for both of its stars, beating Bullock’s $39.1 million start for this summer’s The Heat (talk about having a great year at the box office!) and Clooney’s $42.9 million debut for Batman & Robin in 1997. And to put a cherry on top of Warner Bros.’ incredible weekend, audiences issued Gravity an excellent “A-” CinemaScore grade, which will yield great word-of-mouth for weeks to come. READ FULL STORY
Box office update: 'Gravity' blasts off with $17.5 million Friday, could hit $50 million for the weekend
Warner Bros.’ $80 million thriller Gravity demonstrated some major pull on its opening day at the box office. The film, which stars Sandra Bullock and George Clooney as stranded astronauts, scored a tremendous $17.5 million on its first day, which puts the film on pace for a weekend in the $50 million range.
Gravity will almost certainly become the best opening weekend ever for both of its stars, surprassing Bullock’s $39 million start for The Heat earlier this year and Clooney’s $42.9 million debut for Batman & Robin in 1997. It looks like Warner Bros.’ bold, stylish ad campaign has paid off. READ FULL STORY
A paradox of watching special-effects films in the all-fantasy-all-the-time CGI era is that you can go to the movies every week, especially in the summer, and experience things that really ought to seem magical — a man of steel zipping through the air, an endless zombie army shimmying over a wall, cracks opening in the earth as the world ends — and as entertaining as much of this stuff is, none of it, at heart, leaves you truly, deeply amazed, because eye-popping visual miracles have become so routine that they’re simply the new normal. (How far we’ve evolved from the days of “You’ll believe a man can fly!”) But when you watch Gravity, a tale of floating astronauts starring Sandra Bullock and George Clooney, set in what used to be called outer space (and now might be called 600 kilometers over the earth), you may find yourself thinking, over and over again, “How the heck did they do that?” It’s not because you’re seeing anything that’s all that outrageously fanciful. Gravity, though it’s set in space, isn’t really science fiction. It’s a drama built around the technology of space travel as it more or less exists today. What’s astonishing about the film is its hypnotic seamlessness — the way that the director, Alfonso Cuarón, using special effects (and 3D) with a nearly poetic simplicity and command, places us right up there in space along with the people on screen.
From the first second of the just-released Gravity trailer, viewers are put right inside Sandra Bullock’s space suit — and it’s beyond terrifying. The actress relays a mixture of helplessness, fear, and confusion as her astronaut, Dr. Ryan Stone, goes hurtling through space with nothing in sight but stars and a distant Earth. She also has the dulcet tones of George Clooney’s voice in her ear, but even that can’t calm her down.
The two-minute-plus trailer is the longest look yet at the Alfonso Cuarón-directed space thriller, but we’re still left wondering just what a feature-length version of this story will look like. Take a sneak peek here:
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Disney is officially cutting the ribbon on Tomorrowland.
The Brad Bird-directed sci-fi film began shooting a little over two weeks ago, and secrecy has remained tight on the project, which stars George Clooney and Hugh Laurie, and takes its title from the futuristic section of Disneyland. Today the studio sent out its start-of-production announcement, which confirmed a few plot points — but left a lot still unclear.
Here’s a Nazi Germany story you may not know: There was a real platoon tasked with going behind enemy lines to retrieve art masterpieces stolen by the Nazis, and the men — featuring museum directors, curators and art historians –enlisted with that very idea in mind. “We’ve got to do our best to protect bridges, landmarks and art before the Nazis destroy everything,” George Clooney’s character explains in the trailer for the new movie The Monuments Men. Based on Robert Edsel’s book, the based-on-a-true-story action-thriller has a lighter tone than most World War II Hollywood pictures.
In addition to leading man, the film will be a Clooney tour de force, which will feature the Oscar-winner also directing, as well as co-writing and producing. The dream cast will also star Matt Damon, John Goodman, Bill Murray and Cate Blanchett and has an Oscar-bait ready release date of Dec. 18.
Watch below: READ FULL STORY
The desperate astronauts are reaching, scrambling, grasping at anything they can get their hands on.
They end up seizing on the viewer’s throat.
Warner Bros. has released even more new clips from the upcoming Alfonso Cuaron-directed survival saga Gravity, with Sandra Bullock and George Clooney as two space walkers cut adrift in orbit after an accident rips apart their shuttle.
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