A paradox of watching special-effects films in the all-fantasy-all-the-time CGI era is that you can go to the movies every week, especially in the summer, and experience things that really ought to seem magical — a man of steel zipping through the air, an endless zombie army shimmying over a wall, cracks opening in the earth as the world ends — and as entertaining as much of this stuff is, none of it, at heart, leaves you truly, deeply amazed, because eye-popping visual miracles have become so routine that they’re simply the new normal. (How far we’ve evolved from the days of “You’ll believe a man can fly!”) But when you watch Gravity, a tale of floating astronauts starring Sandra Bullock and George Clooney, set in what used to be called outer space (and now might be called 600 kilometers over the earth), you may find yourself thinking, over and over again, “How the heck did they do that?” It’s not because you’re seeing anything that’s all that outrageously fanciful. Gravity, though it’s set in space, isn’t really science fiction. It’s a drama built around the technology of space travel as it more or less exists today. What’s astonishing about the film is its hypnotic seamlessness — the way that the director, Alfonso Cuarón, using special effects (and 3D) with a nearly poetic simplicity and command, places us right up there in space along with the people on screen.
Tag: George Clooney (21-30 of 75)
From the first second of the just-released Gravity trailer, viewers are put right inside Sandra Bullock’s space suit — and it’s beyond terrifying. The actress relays a mixture of helplessness, fear, and confusion as her astronaut, Dr. Ryan Stone, goes hurtling through space with nothing in sight but stars and a distant Earth. She also has the dulcet tones of George Clooney’s voice in her ear, but even that can’t calm her down.
The two-minute-plus trailer is the longest look yet at the Alfonso Cuarón-directed space thriller, but we’re still left wondering just what a feature-length version of this story will look like. Take a sneak peek here:
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Disney is officially cutting the ribbon on Tomorrowland.
The Brad Bird-directed sci-fi film began shooting a little over two weeks ago, and secrecy has remained tight on the project, which stars George Clooney and Hugh Laurie, and takes its title from the futuristic section of Disneyland. Today the studio sent out its start-of-production announcement, which confirmed a few plot points — but left a lot still unclear.
Here’s a Nazi Germany story you may not know: There was a real platoon tasked with going behind enemy lines to retrieve art masterpieces stolen by the Nazis, and the men — featuring museum directors, curators and art historians –enlisted with that very idea in mind. “We’ve got to do our best to protect bridges, landmarks and art before the Nazis destroy everything,” George Clooney’s character explains in the trailer for the new movie The Monuments Men. Based on Robert Edsel’s book, the based-on-a-true-story action-thriller has a lighter tone than most World War II Hollywood pictures.
In addition to leading man, the film will be a Clooney tour de force, which will feature the Oscar-winner also directing, as well as co-writing and producing. The dream cast will also star Matt Damon, John Goodman, Bill Murray and Cate Blanchett and has an Oscar-bait ready release date of Dec. 18.
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The desperate astronauts are reaching, scrambling, grasping at anything they can get their hands on.
They end up seizing on the viewer’s throat.
Warner Bros. has released even more new clips from the upcoming Alfonso Cuaron-directed survival saga Gravity, with Sandra Bullock and George Clooney as two space walkers cut adrift in orbit after an accident rips apart their shuttle.
Terry Gilliam, James Franco, and Errol Morris are among the filmmakers who will premiere their new movies in competition at the 70th Venice Film Festival in late August, it was announced today. Gilliam’s The Zero Theorem (pictured above), which stars Christolph Waltz as a computer hacker close to cracking the code that explains humanity, is his first film since The Imaginarium of Doctor Parnassus in 2009. Franco directs himself in Child of God, an adaptation of the Cormac McCarthy novel, and The Unknown Known, Morris’ study of former U.S. Secretary of Defense Donald Rumsfield, is the first documentary to ever compete in the main category at Venice.
Overall, there is a strong contingent of American filmmakers showcasing their movies, including David Gordon Green’s Joe, starring Nicolas Cage and Mud‘s Tye Sheridan, and Peter Landesman’s Parkland, the story of the colliding lives at Dallas’ Parkland Hospital in the days around the Kennedy assassination in 1963. Seven of the 20 films in competition are American or co-American productions. “The richness of American cinema at the moment is really extraordinary,” said Alberto Barbera, artistic director of the Venice Film Festival, “both from the indies and from Hollywood.”
Also in the main competition are Stephen Frears’ Philomena, starring Judi Dench, Jonathan Glazer’s Under the Skin, with Scarlett Johansson, and Kelly Reichardt’s Night Moves, with Jesse Eisenberg, Dakota Fanning, Peter Sarsgaard. Click here for the entire list. READ FULL STORY
• Britt Robertson (Under the Dome) scored the lead in Disney’s Tomorrowland, alongside George Clooney and Hugh Laurie. The film — which will be directed by Brad Bird (The Incredibles) and written by Bird, Damon Lindelof (Star Trek Into Darkness), and Entertainment Weekly’s own Jeff “Doc” Jensen — is about “a high school girl with an unconventional understanding of technology” who “is launched on a journey to reclaim her future,” according to a Disney press release. The movie is due December 12, 2014.
• Max Greenfield (New Girl) is officially back as Detective Leo! While the actor spilled the beans about his involvement in the upcoming Veronica Mars movie last month, director Rob Marshall sealed the deal in a Kickstarter backer email Thursday. “When I first reached out to Max about being in the movie, he said he’d do the movie for free and pay for his own travel,” Marshall wrote. “This is only one of the many reasons I love Max. It’s also why actors have agents. (Don’t worry, SAG! We are paying Max!)” Greenfield also recorded a video message for his fans before he started filming.
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For a ubiquitous character actor who’s been working pretty much non-stop for 30 years in movies and television — including a heralded nine-season run on Roseanne — John Goodman is in the midst of one of the most successful stretches of his career. His most obvious score is Monsters University, the Pixar prequel to the 2001 smash that opened this weekend with $82 million, making it the fourth biggest animated-film debut in history. Goodman’s blue-furred Sully reunited with Billy Crystal’s one-eyed, walking green-pea Mike for the story of how the odd couple first met in college — when Sully was a lazy BMOC and Mike was an overachieving go-getter intent on becoming the scariest of Scarers.
But then there’s also Goodman’s recent on-camera work, which has included supporting roles in the last two Academy Award Best Pictures winners — The Artist and Argo — as well as a scene-stealing appearance opposite Denzel Washington in last year’s Flight. Throw in upcoming roles in the Coen brothers’ Inside Llewyn Davis and George Clooney’s World War II drama, Monuments Men, and Goodman just might be on course for an elusive but long-overdue Oscar nomination. (See also: Barton Fink.) “Right now, I’m at the high point of the roller coaster, but it’s always going to dip,” says Goodman. “So I’m just out there trying to enjoy it while it lasts.”
Click below for more from Goodman. READ FULL STORY
It’s been a long wait for anyone following the development of Alfonso Cuarón’s space thriller Gravity. The film, which stars Sandra Bullock and George Clooney as astronauts on a Space Shuttle mission, was originally set to be released in November 2012, but despite years of buzz, it wasn’t until this week that some footage from the movie finally hit the web. Now, we have the film’s first trailer.
In the spot, Bullock and Clooney bask in the striking view of Earth, while some soft piano and violin set the scene for the beautiful and serene surroundings — until everything changes. The space shuttle is destroyed while the two astronauts are on a spacewalk, and they’re left stranded in 372 miles above Earth.
Check out the trailer below: READ FULL STORY
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