As a director, Ben Affleck is three-for-three, a perfect batting average that includes Gone Baby Gone, The Town, and a Best Picture Oscar for his last film, Argo. But he’s not above picking up pointers from his own directors. To that end, Affleck is in the midst of what might be considered a Ph.D. filmmaking class on the set of Gone Girl, David Fincher’s adaptation of Gillian Flynn’s best-selling novel about a woman who goes missing on her fifth wedding anniversary. “I truly kind of show up with a notepad,” says Affleck, who plays Nick Dunne, the husband who is suspected of his wife’s murder. “He’s the only director I’ve worked with who I felt like could do everyone else’s job as well, if not better, than they could; who is able to articulate exactly what he was thinking; and who understands the technical side of the work as much as the creative side, which is to say, a lot. I’ve learned more from David in a day or two than I have most movies I’ve spent 80 days on.” READ FULL STORY
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