Image Credit: Michael Muller
I’ve never had much patience for the “transgressive” avant-grunge indie-cinema noodlings of Harmony Korine. But Spring Breakers, his movie about four college women who go on a psychotic Spring Break bender (and, in vintage B-movie cautionary fashion, pay the price), is now threatening to become a crossover sensation in more ways than one. Without a doubt, it’s the first Korine movie that could at least be mentioned in the same paragraph with the word “mainstream.” Opening today on 1,100 screens, Spring Breakers will probably make more money in one hour than all of Korine’s previous films (Gummo, Julien Donky-Boy, Trash Humpers, etc.), added up together, did over the last 15 years. Then again, that wouldn’t be too hard — Korine’s films have basically been provocations falling in the forest without making a sound. The real crossover news about Spring Breakers is that last weekend, in limited release, it averaged a whopping $90,000 on three screens, indicating that it could be an indie smash in the making. READ FULL STORY »







