A trailer is here for Joe Wright’s take on Peter Pan, and let’s just say it looks a lot different than Peter Pan Live!. READ FULL STORY
Tag: Joe Wright (1-6 of 6)
Hugh Jackman’s next film will be rated arrrrr.
Warner Bros. announced today that the X-Man will star in director Joe Wright’s upcoming, yet-untitled live-action Peter Pan film. Jackman is set to play Blackbeard, the villain of this version of the story. (Jason Fuchs’ script casts Pan and Captain Hook as allies, at least initially.)
“There is a reason that Hugh is known and loved the world over,” Warner Bros. Pictures Worldwide Marketing and International Distribution president Sue Kroll said in a statement. “He is uncompromising in his dedication to every role, and we are all thrilled to be working with him again.” Jackman can next be seen in X-Men: Days of Future Past, Bryan Singer’s eagerly-anticipated superhero flick.
Though Pan himself has yet to be cast, Tron: Legacy actor Garrett Hedlund has been tapped to play the more sympathetic Hook in Wright’s film. The movie is scheduled for release July 17, 2015.
Joe Wright is poised to join the increasingly crowded airspace between Hollywood and Neverland. The Atonement filmmaker is in talks with Warner Bros. to direct an origin movie about Peter Pan, J.M. Barrie’s beloved boy who never grew up. Sources confirm Deadline’s report that Jason Fuchs (Ice Age: Continental Drift) has penned a script and Greg Berlanti (Arrow) will produce.
The Warner Bros. movie is just one of three high-profile Pan projects. Channing Tatum and Joe Roth have their own version in-development at Columbia, and Disney is in business with Gary Ross to make Peter and the Starcatchers.
British director Joe Wright has emerged as a favorite to direct the adaptation of E L James’ sex-soaked bestseller Fifty Shades of Grey, according to the Hollywood Reporter. (Universal had no comment on the report.) Wright, 40, has ties with Universal and Focus Features, who ponied up $5 million for the movie rights, having directed four films for Focus: Anna Karenina, Hanna, Pride and Prejudice, and perhaps most promisingly for Fifty Shades fans, the Oscar-nominated Atonement. In the most stirring scene of the 2007 film, doomed lovers Keira Knightley and James McAvoy emit tremendous heat pressed up against the library shelf. It’s sparks like these that fans of tentative Anastasia Steele and her pathologically intense lover Christian Grey are hungry for in the adaptation. Watch the beginning of the scene below: READ FULL STORY
Neil Gaiman’s The Ocean at the End of the Lane isn’t even in bookstores yet, but EW can confirm that a film adaptation of the novel is already in the works. Playtone co-founders Tom Hanks and Gary Goetzman are closing a deal to adapt the story for the screen — and they’ve also snagged Atonement and Anna Karenina director Joe Wright to helm the project.
The Ocean at the End of the Lane is a dark modern fantasy set in the English countryside. Here’s how publisher William Morrow describes it:
“It began for our narrator 40 years ago when the family lodger stole their car and committed suicide in it, stirring up ancient powers best left undisturbed. Dark creatures from beyond the world are on the loose, and it will take everything our narrator has just to stay alive: there is primal horror here, and menace unleashed — within his family and from the forces that have gathered to destroy it.
Leo Tolstoy’s Anna Karenina is an immense novel, not just in size, but reputation: It’s regarded by many as one of the best (if not outright the best) ever written in any language. So it follows that the first major feature film adaptation of the book since 1997 would look appropriately massive. Keira Knightley — reuniting with her Atonement and Pride & Prejudice director Joe Wright — stars as the title Russian aristocrat who’s married to a major statesman (Jude Law) 20 years her senior, but violates the ironclad rules of social decorum by entering into an affair with the dashing calvary officer Count Vronsky (Aaron Johnson). The new trailer is filled with opulent, Oscar-baiting costumes and art direction, but the most exciting thing about it may be the final image: a title card reading “Screenplay by Tom Stoppard.”
Check it out below: READ FULL STORY
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