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Tag: John Carpenter (1-6 of 6)

2014's most influential director: John Carpenter?

John Carpenter was once among Hollywood’s most prolific filmmakers. But the man who brought us such genre classics as Halloween, The Thing, Escape From New York, and Assault on Precinct 13 has only made one movie in the past 13 years—2010’s psychological thriller The Ward—and hasn’t troubled the box office in a big way since 1998’s James Woods-starring Vampires. (And Carpenter, 66, doesn’t sound like he’s in any rush to get back behind the camera: “I worked really hard for more years than I’d like to count, but now I can pick and choose things,” says the director, who most recently co-penned a comic book follow-up to his 1986 kung fu-fantasy film Big Trouble in Little China. “I was doing too much—music and writing and all this shit. I had to take a break. I’m developing a couple of things. But we’ll see. There’s no urgency.”)

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Five things we learned about John Carpenter's horror classic 'The Thing' at EW's CapeTown Film Fest

You know you’re among some true horror fans when below-the-line filmmakers get eager cheers.

At the Entertainment Weekly CapeTown Film Festival on Thursday, the mention of frequent Carpenter collaborators cinematographer Dean Cundey and special makeup effects designer Rob Bottin got lots of applause and cheers. But a standing ovation was reserved for the man of the hour, horror master John Carpenter. The celebrated director of all things gross and creepy participated in a Q&A moderated by American Cinematheque programmer Grant Moninger before Antarctica-set sci-fi horror flick The Thing screened at the packed Egyptian Theatre in Hollywood. The event marked the third night of EW’s inaugural CapeTown Film Festival. READ FULL STORY

John Carpenter talks 'The Thing' at EW's CapeTown Film Festival -- VIDEO

During a special Q&A at the EW Capetown Film Festival screening of The Thing, director John Carpenter joked, ”I do know in the end who The Thing is, but I cannot tell you.”

”The movie tanked when it came out, by the way,” Carpenter reminded the audience. ”It was hated, hated by fans. I lost a job. People hated me. They thought I was this horrible, violent… and I was. But now here we are 31 years later and here you are filling a theater. It’s really great that you came out for this film.”

Watch a clip from the interview below:

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Leonard Nimoy, Terry Gilliam, Neil Gaiman, 'Goonies' added to EW CapeTown Festival

Leonard Nimoy, Terry Gilliam, Richard Donner, John Carpenter, Neil Gaiman and Edgar Wright are among the starry names that will bring universes of imagination together at the EW CapeTown Film Festival (April 30 – May 6) in Los Angeles, the editors of Entertainment Weekly announced Friday.

Those guests, along with the previously announced appearance by Kurt Russell and the anniversary screenings of Star Wars Episode VI: Return of the Jedi, represent a powerful line-up for the inaugural CapeTown festival, which shares its name with EW.com’s recently launched hub for sci-fi and fantasy coverage.

CapeTown has covered the news in pop culture’s most vivid sectors since January, but now it is making news with the appearance of Nimoy, the television and film icon who returns from retirement for one night and one night only on May 6, the finale night of the festival. Nimoy will be interviewed on stage by Geoff Boucher, the EW senior writer who programmed the festival, and the Q&A will have a tie-on screening of Star Trek, the 2009 J.J. Abrams hit that represents Nimoy’s farewell to the cinematic universe of Starfleet.

The festival, a co-presentation with the American Cinematheque, will be staged at the historic Egyptian Theater, the grand old movie palace that introduced a Tinseltown tradition in 1922 when it rolled out the carpet for Robin Hood and Douglas Fairbanks for the first Hollywood world premiere. All ticket and concession proceeds from the EW CapeTown Film Festival go to the non-profit Cinematheque.

The seven-day program of screenings and on-stage Q&As is sponsored by TNT’s Falling Skies, which will be given a special big-screen showcase on May 3 when the season 3 premiere is included as a bonus treat to fans attending the screening of Escape from New York. The full schedule is available here.

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'They Live': John Carpenter on why his sci-fi classic is as timely as ever, plus EXCLUSIVE clips from the new Blu-ray

As Americans get ready to head to the polls, the timing couldn’t be better for a fresh look at John Carpenter’s 1988 sci-fi flick They Live. Fortunately, a brand new Blu-ray version of the film is hitting stores on election day. Aside from a slew of new bonus features and a crisp-as-a-hundred-dollar-bill high-def transfer, the film (about a blue-collar drifter who finds a pair of sunglasses that allow him see that aliens have turned us all into passive zombies) comes complete with an incendiary class-warfare political message that’s just as relevant today as it was back at the height of the Reagan/Bush era. If all of that doesn’t seal the deal, there’s also this: the sight of pro wrestling legend Rowdy Roddy Piper spouting his gem of a one-liner: I have come here to chew bubble gum and kick ass…and I’m all out of bubble gum.”

On the eve of the Blu-ray’s release, we got an EXCLUSIVE peek at some of the disc’s new extras and spoke with Carpenter about his rage-against-the-machine classic…  READ FULL STORY

Rewatching John Carpenter's 1982 'The Thing': When special effects don't hold up

Like a lot of movie nuts, I love to watch movies more than once. It’s an experience that generally enhances the pleasure of what you saw the first time. But not always. One of the fascinating things about rewatching a movie that you haven’t seen for years is that the film in question may now look totally different — even though not a single frame of it has actually changed. What’s changed is you: your rhythm, your eye and your ear, your experience and sophistication. And, as much as that, the culture around you has changed, and that culture is part of your cell structure. It influences how you take things in. Which means that a movie, merely by standing still, really can change. READ FULL STORY

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