• Garrett Hedlund, who starred in Tron: Legacy and has a small role in Inside Llewyn Davis, has been offered the role of Hook in Anna Karenina director Joe Wright’s Pan. The Warner Bros. project, penned by Jason Fuchs (Ice Age: Continental Drift), will have a new take on J.M. Barrie’s Peter Pan tale. In the origin story, Hook is (initially at least) Pan’s ally. According to the report, Hedlund beat out Jack Huston and Ezra Miller for the role. Hugh Jackman is still in contention for the part of Blackbeard. The film is already set for a June 26, 2015, release. [Deadline]
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Tag: Joseph Gordon-Levitt (11-20 of 68)
Every Monday until the 2014 Sundance Film Festival, EW is celebrating a great success story from independent film’s most prestigious showcase. So far, we’ve revisited Lee Daniel’s Precious , Courtney Hunt’s Frozen River, Greg Mottola’s Adventureland, Today, we look back at Don Jon, the 2013 film from Joseph Gordon-Levitt.
The Sundance Film Festival is the place first-time directors aspire to go in order to be discovered. But sometimes, a rookie filmmaker arrives in Utah with a certain amount of fame already to his credit. Take Joseph Gordon-Levitt, for example, who premiered his first feature, then-titled Don Jon’s Addiction, at the 2013 festival. If his name wasn’t enough — as director and star — the movie also featured Scarlett Johansson and Julianne Moore; so even though it was “independent” in scale, it wasn’t exactly a make-or-break venture by some guy living out of his car.
But in other ways, Don Jon (as it was renamed for its theatrical release) was the epitome of what Sundance is all about. Gordon-Levitt, for all his success, is a Sundance kid. Not only did he launch his hitRECord website at the festival in 2010, but he played the boyhood version of Robert Redford’s narrator in A River Runs Through It. Since then, he’s been a major Sundance player, starring in festival movies like Mysterious Skin, Brick, and (500) Days of Summer. Throw in the film’s provocative subject matter — porn addiction — and Don Jon was as “Sundance” as any movie in recent memory.
In our clip from Sundance below, Gordon-Levitt and co-star Tony Danza discuss their characters and how media shape our obsessions. READ FULL STORY
• Joseph Gordon-Levitt (Don Jon), John Krasinski (The Office), and Emily Blunt (The Devil Wears Prada) are among the list of stars providing their voices to the English-language version of Director Hayao Miyazaki’s spectacular final feature The Wind Rises. Also voicing characters are Stanley Tucci (The Hunger Games), Martin Short (Saturday Night Live), Mandy Patinkin (Homeland), Werner Herzog (Jack Reacher), William H. Macy (Shameless), Mae Whitman (Parenthood), Jennifer Grey (Dirty Dancing), Darren Criss (Glee), Elijah Wood (Wilfred) and Ronan Farrow (From Up on Poppy Hill)
• Will Peltz (Paranoia) has joined the cast of Men, Woman & Children, Jason Reitman’s next directing gig. Peltz joins previously announced stars Adam Sandler, Judy Greer, Emma Thompson, and Jennifer Garner in the film based on Chad Kultgen’s novel. [Variety]
Previously: Josh Gad to star in Gilligan’s Island reboot
• Joseph Gordon-Levitt (Don Jon) is nearing a deal to produce a big screen adaptation of Sandman and is rumored to be in talks to direct and star in the comic book adaptation as the character Morpheus. David S. Goyer (The Dark Knight) is penning the adaptation of Neil Gaiman’s classic graphic novel for Warner Bros. Gordon-Levitt can be seen next in Sin City: A Dame to Kill For (out Aug. 22, 2014). [Deadline; BadassDigest]
When Sundance announced the films in competition for the 2014 festival yesterday, its organizers noted that they were impressed by the caliber of cinematic artistry — mostly due to technology — that freed up filmmakers to experiment with different genres. No category of the festival is more rooted in genre than Park City at Midnight, the late-night section that specializes in horror and the supernatural, and this year’s slate has several potential breakouts. “The Midnight lineup came together in a way that is about the strongest group we’ve ever had, top to bottom,” says Trevor Groth, Sundance’s director of programming. “I think a lot of those films are going to be real hot acquisitions — titles like Dead Snow 2, The Guest, Cooties. I think all of those are going to be big business, because they work on such great, fun genre levels.”
In addition to the Midnight movies, Sundance also announced lineups for its Spotlight, New Frontier, and the inaugural Sundance Kids sections on Thursday. One highlight in the eclectic Spotlight category, which features extraordinary films that may have previously played a festival or two elsewhere, is Locke, the real-time thriller starring Tom Hardy from Eastern Promises writer Steven Knight. “This is Tom Hardy in a car the entire time, speaking on a phone…as his world crumbles around him,” says Groth. “The dimensions of story that they weave into it, both through his performance and the dialog, is truly remarkable. It was one of the more unique watches we had this entire process.”
The New Frontier section welcomes back Joseph Gordon-Levitt and his hitRECord franchise. He launched the collaborative art project at Sundance in 2010, has returned for live shows since, and now has hitRECord on TV, a new kind of variety show that invites anyone with an Internet hook-up to join the fun.
Another interesting entry in that section is The Better Angels, the Abraham Lincoln movie about the women who steered him as a child toward his destiny, starring Jason Clarke, Diane Kruger, Brit Marling, and Wes Bentley. If it seems like an odd fit with New Frontier on paper, Groth explains that isn’t the case. “It’s a very artful approach to telling the story,” he says, pointing out that writer/director A.J. Edwards edited Terrence Malick’s last film, To the Wonder. “New Frontier is a section for ‘art’ and innovative storytelling, and A.J. tells this story in a very lyrical, poetic way. The audience’s expectation for having it in New Frontier will be, I think, the best way of having that film seen. When you read it on paper, it feels very straightforward: It’s Lincoln as a boy. But it ends up being much more meditative and experiential than that.”
Click below for a complete lineup of recently announced films. More categories, including Sundance Premieres, will be unveiled on Monday. The Sundance Film Festival runs Jan. 16-26.
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The superhero-industrial complex seems to want Joseph Gordon-Levitt in a cape, but the Don Jon star, who was left with the keys to the Batcave at the end of The Dark Knight Rises, apparently isn’t on the verge of donning a crime-fighting costume any time soon. Variety had reported on Monday that Gordon-Levitt was a frontrunner — along with Paul Rudd — for the role of Ant-Man in director Edgar Wright’s take on the Marvel hero that already has a July 31, 2015 release date. But the 32-year-old star tells the French edition of the Huffington Post that people shouldn’t believe everything they read. “You know I’m very transparent when there is news in my career,” he said. “I’m always the first to tell my fans if there’s really something happening, so if you don’t hear it from me, it’s just people spouting out rumors.”
He also told the French-language AlloCine outlet that reports that he’d passed some Ant-Man tests were false.
Technically, semantically, everything Gordon-Levitt reportedly said is not exactly a denial about his potential involvement in the project. But maybe Rudd now has a slight edge?
Box office report: 'Cloudy With a Chance of Meatballs 2' rolls past 'Rush', 'Don Jon' with $35 million debut
Four years after the original Cloudy With a Chance of Meatballs stormed theaters, Sony’s $78 million sequel Cloudy With a Chance of Meatballs 2 topped the chart once again, earning $35 million in its first weekend. The film opened in an ultra-wide 4,001 theaters, and it notched a strong $8,748 location average.
The first Cloudy scored $30.3 million in its debut frame on the way to a $124.9 million finish. Most prognosticators were expecting Cloudy 2 to finish above the $40 million mark — in the same range as Sony Pictures Animation’s Hotel Transylvania, which opened last September with $42.5 million, the best September debut in history. Cloudy 2 finished a bit below that, but it still notched the fourth best September bow of all time behind Transylvania, Insidious Chapter 2 ($40.3 million), and Sweet Home Alabama ($35.6 million).
The film benefited from a lack of animated competition in the marketplace. Planes, the last animated title to hit theaters, debuted nearly two months ago, and moving ahead, Cloudy should endure quite well due to a dearth of family films in October. The next kiddie flick entering theaters is the Thanksgiving-themed Free Birds on Nov. 1. Thus, Cloudy, with its “A-” CinemaScore grade, should have no trouble playing to parents and children for weeks to come.
Last weekend’s champion, Prisoners, locked up another $11.3 million in its second frame, with a 46 percent drop from its $20.8 million debut last weekend. Warner Bros.’ $46 million revenge thriller, which stars Hugh Jackman and Jake Gyllenhaal, has now earned $39 million. Despite great reviews, though, the drama is facing serious competition from other well-reviewed adult fare such as Rush and Don Jon (and next weekend’s Gravity), which could limit its final box office potential.
That said, Ron Howard’s Formula One racing drama Rush raced off with a rather lackluster $10.3 million in its expansion from five theaters into 2,297 locations. The Universal-distributed film, which stars Chris Hemsworth and Daniel Brühl, marks a major decrease from Howard’s last sports drama, Cinderella Man, which punched up $18.3 million in its 2005 debut. For Hemsworth, Rush (obviously) started off slower than both Thor and The Avengers, but it also under-performed compared to his non-superhero vehicles The Cabin in the Woods ($14.7 million) and Red Dawn ($14.3 million). The film will need great word of mouth to drive it to profitability, and given its strong “A-” CinemaScore, it may achieve that. Also working in Rush‘s favor? Its relatively low $38 million budget.
Two newcomers rounded out the Top 5, though both finished the weekend with rather lackluster totals. The Paula Patton-starring romantic comedy Baggage Claim flew away with $9.3 million from 2,027 theaters, while Joseph Gordon-Levitt’s porn-addiction comedy Don Jon pulled in a more tepid $9 million from 2,422 theaters. Baggage Claim‘s “A-” CinemaScore grade suggests it could find an audience in the weeks to come, though Don Jon’s weak “C+” grade may signify challenging word of mouth (despite strong reviews) down the road. Fortunately, Don Jon cost only $6 million to produce, so it should turn a nice profit for Relativity. Fox Searchlight did not disclose the budget for Baggage Claim.
1. Cloudy with a Chance of Meatballs 2 – $35 million
2. Prisoners – $11.3 million
3. Rush – $10.3 million
4. Baggage Claim – $9.3 million
5. Don Jon – $9 million
Further down the chart, Eugenio Derbez’s Spanish-language comedy Instructions Not Included scored another $3.4 million from 948 theaters, for a remarkable $38.6 million cumulative total. The film surpassed Pan’s Labyrinth ($37.6 million) this weekend to become the highest-grossing Spanish-language film in U.S. box office history. It’s a major winner for young distributor Pantelion, a joint venture of Lionsgate and Mexican media company Televisa.
This weekend, Sandra Bullock’s ultra buzzy sci-fi thriller Gravity floats into theaters — as does the rather unbuzzy Justin Timberlake-Ben Affleck thriller Runner Runner. Check back to EW to see how both films fare at the box office.
Box office update: 'Cloudy With a Chance of Meatballs 2' wins Friday with $9.3 million; 'Rush' races into second place
Sony’s $78 million sequel Cloudy With a Chance of Meatballs 2 pulled in $9.3 million on its Friday debut, putting it at the top of the box office. The film will easily outgross the original Cloudy With a Chance of Meatballs‘ $30.2 million debut, though it will likely miss the $40 million mark that most prognosticators assumed it would reach this weekend. Cloudy 2 should make it rain to the tune of about $35 million.
In second place, Ron Howard’s Formula One racing drama Rush drove away with $3.7 million on Friday after expanding from five theaters into 2,297 locations. The film, which stars Chris Hemsworth and Daniel Brühl, should score about $11 million this weekend — a big step down form Howard’s last sports drama, Cinderella Man, which punched up $18.3 million in 2005. READ FULL STORY
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