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Tag: Joseph Gordon-Levitt (11-20 of 61)

Box office report: 'Cloudy With a Chance of Meatballs 2' rolls past 'Rush', 'Don Jon' with $35 million debut

Four years after the original Cloudy With a Chance of Meatballs stormed theaters, Sony’s $78 million sequel Cloudy With a Chance of Meatballs 2 topped the chart once again, earning $35 million in its first weekend. The film opened in an ultra-wide 4,001 theaters, and it notched a strong $8,748 location average.

The first Cloudy scored $30.3 million in its debut frame on the way to a $124.9 million finish. Most prognosticators were expecting Cloudy 2 to finish above the $40 million mark — in the same range as Sony Pictures Animation’s Hotel Transylvania, which opened last September with $42.5 million, the best September debut in history. Cloudy 2 finished a bit below that, but it still notched the fourth best September bow of all time behind Transylvania, Insidious Chapter 2 ($40.3 million), and Sweet Home Alabama ($35.6 million).

The film benefited from a lack of animated competition in the marketplace. Planes, the last animated title to hit theaters, debuted nearly two months ago, and moving ahead, Cloudy should endure quite well due to a dearth of family films in October. The next kiddie flick entering theaters is the Thanksgiving-themed Free Birds on Nov. 1. Thus, Cloudy, with its “A-” CinemaScore grade, should have no trouble playing to parents and children for weeks to come.

Last weekend’s champion, Prisoners, locked up another $11.3 million in its second frame, with a 46 percent drop from its $20.8 million debut last weekend. Warner Bros.’ $46 million revenge thriller, which stars Hugh Jackman and Jake Gyllenhaal, has now earned $39 million. Despite great reviews, though, the drama is facing serious competition from other well-reviewed adult fare such as Rush and Don Jon (and next weekend’s Gravity), which could limit its final box office potential.

That said, Ron Howard’s Formula One racing drama Rush raced off with a rather lackluster $10.3 million in its expansion from five theaters into 2,297 locations. The Universal-distributed film, which stars Chris Hemsworth and Daniel Brühl, marks a major decrease from Howard’s last sports drama, Cinderella Man, which punched up $18.3 million in its 2005 debut. For Hemsworth, Rush (obviously) started off slower than both Thor and The Avengers, but it also under-performed compared to his non-superhero vehicles The Cabin in the Woods ($14.7 million) and Red Dawn ($14.3 million). The film will need great word of mouth to drive it to profitability, and given its strong “A-” CinemaScore, it may achieve that. Also working in Rush‘s favor? Its relatively low $38 million budget.

Two newcomers rounded out the Top 5, though both finished the weekend with rather lackluster totals. The Paula Patton-starring romantic comedy Baggage Claim flew away with $9.3 million from 2,027 theaters, while Joseph Gordon-Levitt’s porn-addiction comedy Don Jon pulled in a more tepid $9 million from 2,422 theaters. Baggage Claim‘s  “A-” CinemaScore grade suggests it could find an audience in the weeks to come, though Don Jon’s weak “C+” grade may signify challenging word of mouth (despite strong reviews) down the road. Fortunately, Don Jon cost only $6 million to produce, so it should turn  a nice profit for Relativity. Fox Searchlight did not disclose the budget for Baggage Claim.

1. Cloudy with a Chance of Meatballs 2 – $35 million
2. Prisoners – $11.3 million
3. Rush – $10.3 million
4. Baggage Claim – $9.3 million
5. Don Jon – $9 million

Further down the chart, Eugenio Derbez’s Spanish-language comedy Instructions Not Included scored another $3.4 million from 948 theaters, for a remarkable $38.6 million cumulative total. The film surpassed Pan’s Labyrinth ($37.6 million) this weekend to become the highest-grossing Spanish-language film in U.S. box office history. It’s a major winner for young distributor Pantelion, a joint venture of Lionsgate and Mexican media company Televisa.

This weekend, Sandra Bullock’s ultra buzzy sci-fi thriller Gravity floats into theaters — as does the rather unbuzzy Justin Timberlake-Ben Affleck thriller Runner Runner. Check back to EW to see how both films fare at the box office.

Box office update: 'Cloudy With a Chance of Meatballs 2' wins Friday with $9.3 million; 'Rush' races into second place

Sony’s $78 million sequel Cloudy With a Chance of Meatballs 2 pulled in $9.3 million on its Friday debut, putting it at the top of the box office. The film will easily outgross the original Cloudy With a Chance of Meatballs‘ $30.2 million debut, though it will likely miss the $40 million mark that most prognosticators assumed it would reach this weekend. Cloudy 2 should make it rain to the tune of about $35 million.

In second place, Ron Howard’s Formula One racing drama Rush drove away with $3.7 million on Friday after expanding from five theaters into 2,297 locations. The film, which stars Chris Hemsworth and Daniel Brühl, should score about $11 million this weekend — a big step down form Howard’s last sports drama, Cinderella Man, which punched up $18.3 million in 2005. READ FULL STORY

Joseph Gordon-Levitt: An origin story (courtesy of his mom)

Before he was the writer-director-star of Don Jon, or the do-it-yourself impresario behind hitRECord.org, Joseph Gordon-Levitt was a kid actor. For the current Entertainment Weekly cover story, we talked with the one person who vividly remembers those early jobs — his mom. READ FULL STORY

Joseph Gordon-Levitt: I appreciated an actor-director at age 11

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Don Jon, Joseph Gordon-Levitt’s feature directorial debut in which he also stars, hits theaters today. When EW’s current coverboy stopped by Entertainment Weekly Radio (SiriusXM channel 105) to talk with editor Jess Cagle about his career, he spoke not only about the Sunny Jim peanut butter commercial that began it at age 6, but also about filming a guest spot on Quantum Leap (pictured) when he was 11 — in an episode that its star, Scott Bakula, directed. Listen to Gordon-Levitt explain why those two memories stick out for him in the clip below, and you’ll understand exactly why he grew up to be a man who wears so many hats. READ FULL STORY

'Don Jon': How Joseph Gordon-Levitt wooed Scarlett Johansson for his sexy passion project

It was summer of 2011, and Joseph Gordon-Levitt arrived in New Mexico hoping to catch a Black Widow.

The actor had arranged a meeting with Scarlett Johansson, who was in Albuquerque filming The Avengers, and though he played it casual, this encounter would be a critical part of getting his first film as a writer-director off the ground. The two had crossed paths before, but didn’t know each other well. He was hoping she would take a chance on him.

This is how he won her over for the sexy satire Don Jon, which opens today, starring the two of them as a young New Jersey couple who are dazed, confused, and underwhelmed by their own fantasies.

READ FULL STORY

The Real Don Jons: How online porn has affected a generation

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In the R-rated comedy Don Jon, opening Sept. 27, Joseph Gordon-Levitt plays a twentysomething New Jersey gym rat and self-styled ladies’ man whose ability to maintain normal relationships with women is hampered by his obsession with online porn. While his girlfriend, played by Scarlett Johansson, swoons for the fantasies on display in Hollywood romantic comedies, Jon (Gordon-Levitt) wonders how the flesh-and-blood women he meets can ever measure up to the virtual vixens on his computer screen. If this sounds like pretty racy subject matter for a mainstream movie—well, it is. But Gordon-Levitt, who wrote and directed Don Jon, says he was interested in exploring how the media shapes our perceptions and expectations. “Pornography is a huge, huge part of our media culture,” he tells EW in this week’s cover story. “The message Don Jon is trying to bring to light—and make fun of—is reducing people, especially women, to nothing but sex objects.”

Unless you happened to take a strict vow of celibacy around 1991, you know that the Internet is, to a large extent, one massive porn delivery system. By one recent measure, 30 percent of all data transferred across the web is some form of pornography, and porn sites attract more unique visitors each month than Amazon, Twitter, and Netflix combined. What no one is quite sure about, though, is what effect this is having on us—and, in particular, on the generation of people reared in the Internet age. What kind of influence has growing up in an era of instantly accessible online porn had on men—and, for that matter, women—who are now in their 20s? Just how many real-life Don Jons out there are wrestling with the impacts of their porn use? READ FULL STORY

Make a movie with Joseph Gordon-Levitt!

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Wanna make a movie with Joseph Gordon-Levitt? All you need is a computer and a great idea.

With hitRECord, Gordon-Levitt’s ever-evolving collaborative production company, you don’t have to start in the mail room or cut your teeth as a personal assistant. You just have to create a profile on the totally free website hitRECord.org and start submitting your ideas, whether it’s a poem, a film, a piece of music or a drawing. Nearly all forms of art are fair game. You don’t even have to be the most popular user to catch the attention of Gordon-Levitt and his small core staff. You just have to be one of the best, which is actually a fairly big hurdle.

“I think the most important thing about anything that we make at hitRECord is ‘Is it good?’” hitRECord producer Jared Geller told EW. “At the end of the day, if the piece isn’t effective or entertaining, then it kind of doesn’t matter how it’s made. It becomes a gimmick. The method can’t be the most interesting thing about what you’re making. The piece itself has to be great.”

Check out the animated short below for an example of one of hitRECord’s most popular collaborations, and walk through the steps of how Gordon-Levitt helped turn the original poem into a Sundance Film Festival-worthy animated short, all through crowd-sourced creativity.
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Hotness alert! Steamy kisses between Joseph Gordon-Levitt and Scarlett Johansson in new 'Don Jon' trailer

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Viewers probably already knew from the first trailer that Don Jon — the Sundance fave about a porn-obsessed lothario and a rom-com-loving lady, written and directed by Joseph Gordon-Levitt — was going to be steamy.

But this new trailer, premiering last night during the VMAs, ups the heat index. The entire 33-second spot is Jon (Gordon-Levitt) seductively kissing Johansson’s character, Barbara, all while she’s attempting to firm up some longer-term relationship plans. “I want to meet your friends,” she purrs. “I want to meet your family.”

Check it out below: READ FULL STORY

Joseph Gordon-Levitt's 'Don Jon' gets a head-turning new poster -- EXCLUSIVE

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Whenever characters in comedic movies or TV shows end up looking at porn they always do that “head-tilt” trope, which suggests whatever they’re seeing (and the audience isn’t) is so twisted they’re having a hard time telling up from down.

The new poster for Joseph Gordon-Levitt’s Don Jon very subtly tricks the viewer into doing the same, at least if you want to get a good look at the seductive looks Julianne Moore and Scarlett Johansson are giving off.

Coincidence? Probably. But it’s also appropriate given this film’s twisted take on love and sex.

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Toronto International Film Festival releases lineup

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One thing is for certain: There will be a little something for everyone at this year’s Toronto International Film Festival. On Tuesday morning, the renowned festival released 70 titles set to hit the fest.

The titles with the most buzz include the Allen Ginsberg/Jack Kerouac/William Burroughs biopic Kill Your Darlings, which premiered at Sundance; August: Osage County, starring Meryl Streep and Julia Roberts and based on the Tony-winning play; the musical romance Can a Song Save Your Life?; and Steve McQueen’s slavery opus 12 Years a Slave, starring Chiwetel Ejofor, Michael Fassbender, and Benedict Cumberbatch.

In Special Presentations, first-time director Joseph Gordon-Levitt will show Don Jon, while Alfonso Cuaron’s eagerly awaited Gravity will also be presented. Blue Is the Warmest Color, the Palme d’Or-winning film from Abdellatif Kechiche, will show in the Special Presentations category as well.

Other titles released in the first round include:
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