The hotly anticipated horror film The Cabin in the Woods will open the 2012 SXSW Film Festival in Austin, Tex., on March 9, the festival announced today. Produced by Joss Whedon, and co-written by Whedon with director Drew Goddard, The Cabin in the Woods stars Chris Hemsworth, Kristen Connolly, Fran Kranz, Richard Jenkins, and Bradley Whitford, and promises to take on the classic horror genre with Whedon’s signature wit. It hits theaters April 13. Whedon will also be on hand for a filmmaker panel the following day. READ FULL STORY
Tag: Judd Apatow (11-17 of 17)
Leave it to the director and star of 2011′s hit Bridesmaids to make a comedic entrance to their panel at the 11th annual New York Times Arts and Leisure Weekend. Paul Feig and Kristen Wiig waltzed in carrying glasses of red wine to their chat with moderator Melena Ryzik. The audience noticed their liquid addition to the chat, and the stars quickly decided that they’d turn their talk into a drinking game. The rules were simple: Drink every time someone says a–hole. (Which really meant one of the stars would just say a–hole any time they wanted to take a drink.) Wiig and Feig both talked about the success of the film, but mum’s the word on that much-talked-about sequel. Here are a few more highlights from the night’s event:
Even a two-hour-plus movie couldn’t contain all the comedy talent of these hilarious women. Now that Bridesmaids is out on DVD and Blu-ray, you finally get to see a ton of alternate takes and scenes you didn’t see in theaters. EW spoke to four of the Bridesmaids ladies — Kristen Wiig, Rose Byrne, Wendi McLendon-Covey, and Ellie Kemper (sorry, not recent Emmy winner Melissa McCarthy) — about the stuff salvaged from the cutting room floor, and their ideas for a sequel!
ENTERTAINMENT WEEKLY: The DVD has tons of extras and deleted scenes. What scenes are you most excited for fans to see for the first time?
KRISTEN WIIG: Well, I love the date scene with the little boy [who spouts off outrageous statements]. That’s in the new director’s cut. And the scene with Paul Rudd — I really missed those date scenes. READ FULL STORY
Elizabeth Banks was a complete unknown when she was cast as “Lindsay” in the 2001 film Wet Hot American Summer. And she stayed that way for a while after, thanks to the dismal box office performance of David Wain’s camp comedy. But, over time, the movie’s growing cult would help Banks become one of the most in-demand actresses around.
Kristen Wiig’s insanely funny-lady flick Bridesmaids opened Friday to rave reviews, scored an impressive $24.4 million box office, and introduced droves of women to a new kind of leading man. Admittedly, the lure of a Jon Hamm sex scene may have been what brought me to the theater, but Chris O’Dowd’s adorably honest traffic cop is really what made me swoon. I spoke with the Irish-brogued actor to discuss his newfound American appeal, his “hilarious” costar, and of course, his accent. Note: This interview contains some pretty unsavory language, including some Irish words that I can’t even find on UrbanDictionary. (“Fromicking,” anyone? Anyone?)
ENTERTAINMENT WEEKLY: So, how was your weekend? The big opening weekend?
CHRIS O’DOWD: What fun! What fromicking we had at the box office! It was wonderful. Yeah, I was just really delighted for everybody. I went to see it in Hollywood on Saturday night. Got my head low, it was really fun. People were really enjoying it and hittin’ the right moments and ohhing and ahhing and laughing and crying and everything that you would want and more. READ FULL STORY
Move over, Tina Fey! 'Bridesmaids' catapults Kristen Wiig from 'SNL' star to Hollywood triple threat
Talk about getting the story wrong! I’m always gratified when a movie that I love kills at the box office, and I can even deal with a little end-zone-dancing studio spin, but really — the notion that Bridesmaids, the terrific new matrimonial comedy of cracked sisterhood, somehow “exceeded expectations” by taking in $26.2 million at the box office this weekend (representative headline on TheWrap: “‘Bridesmaids Over-Performs”) is actually a little insulting. Sure, it sounds like a compliment (people dug the movie so much that they went even more than the marketers were predicting!). But why would a major comedy produced by Judd Apatow, heralded by enthusiastic reviews, featuring a breakout performance by a venerable Saturday Night Live star, the whole thing pitched as a funny, soulful date movie to an audience that regularly turns the worst sort of pandering chick-flick crapola into major hits… why would that movie surprise anyone by making as much on its opening weekend as The Bounty Hunter or Failure to Launch? READ FULL STORY
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