I can testify that when you go to a film festival, and someone inquires about how the movies were that year, the answer you end up giving — “Really terrific!” “Lousy!” “They were okay!” — is often dictated by exactly one movie. If you saw something that totally knocked you out, the sort of film that you think is going to get major play in the real world, and you’re already dusting off a place on your 10 Best list for it, then that one movie can determine your entire perception of the festival. That’s what happened to me last year at Sundance when I saw Fruitvale (they hadn’t added the Station yet). The fact that you’ve witnessed a certified home run makes the festival feel to you, in hindsight, like…well, a baseball game in which your team hit a home run. It’s more than a good movie; it’s why you came — to see an unheralded filmmaker knock one out of the park. A single movie that rocks your world can define, year in and year out, the Sundance experience — the reason that a festival like this one exists. Some of the films I’ve seen at Sundance that have had that effect include Crumb (1995), Welcome to the Dollhouse (1995), I Shot Andy Warhol (1996), Buffalo 66 (1998), The Blair Witch Project (1999), Chuck & Buck (2000), Wet Hot American Summer (2001), American Splendor (2003), Capturing the Friedmans (2003), Thirteen (2003), Hustle & Flow (2005), Precious (2009), and Fruitvale (2013). READ FULL STORY
Tag: Laggies (1-6 of 6)
Going in to the first Sundance showing of The Skeleton Twins, in which Kristen Wiig and Bill Hader play a troubled sister and brother coping with the legacy of their screwed-up family, I knew nothing about the film except that it was being billed as the movie that reunited the two former SNL teammates but wasn’t a comedy. Glancing at that photo above, I thought to myself: Hmmmmm, I hope it’s not one of those glum dysfunctional-family indie specials in which gifted comedians blank themselves out for the sake of art. I needn’t have worried. The Skeletons Twins is very much a drama, but it has lots of laughs, too — the kind of good, soul-ticking laughs that emerge, organically, from dramatic situations. Its tone is comparable to that of The Kids Are All Right or Alexander Payne’s films. The Golden Globes would have no problem nominating The Skeleton Twins in the Best Comedy or Musical category. Yet as directed and co-written by Craig Johnson, this is a tenderly sincere, and smart, and beguiling, and penetrating movie about the way that ordinary messed-up people can wind up stumbling through their lives. And let me say right up front: The two actors are fantastic together, every bit as powerful as Laura Linney and Mark Ruffalo were as the woundedly bound siblings of You Can Count on Me. But then, we already know from Bridesmaids what a knockout of a leading lady Kristen Wiig can be. It’s Bill Hader who’s the revelation. I think he could become a major screen actor. READ FULL STORY
In director Lynn Shelton’s Sundance film Laggies, Keira Knightley’s character Megan is having a quarter-life crisis until she meets Annika (Chloe Grace Moretz) and her dad Craig (Sam Rockwell).
So what does Star Wars have to do with all this? We’ll let Rockwell, Moretz, and Shelton explain it, in this Sundance interview with EW’s Sara Vilkomerson:
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A wedding isn’t the only exciting news for Keira Knightley fans this week: The actress is in negotiations to play the female lead in the dark comedy Laggies, according to a rep for the film. The independent production, written by first-timer Andrea Seigel and directed by Lynn Shelton (Your Sister’s Sister), tells the story of a young woman who reacts to her boyfriend’s marriage proposal by pretending to go on a business retreat while she actually hunkers down with a new 16-year old friend (Chloë Grace Moretz). Anne Hathaway was originally on board for the lead but had to depart due to scheduling conflicts with her next project, Christopher Nolan’s sci-fi epic Interstellar.
Knightley, 28, has a mix of small and big-budget films on her docket, including the Kenneth Branagh-directed Jack Ryan (co-starring Chris Pine) and the indie Can a Song Save Your Life? by writer-director John Carney (Once). The actress married musician James Righton in a small ceremony in France on Saturday. (A rep for Knightley did not immediately reply to a request for comment.)
Casting Net: Anne Hathaway and Chloe Moretz might play best friends; Plus, Kate Mara, Peter Fonda, more
• Things have been pretty quiet for Anne Hathaway on the casting front since her Best Supporting Actress win, but we just assumed that she was waiting to line up the perfect post-Oscar project. She may have found that in Lynn Shelton’s (Your Sister’s Sister) next project Laggies — a dark comedy about a late 20-something afraid of growing up. Chloë Moretz, Sam Rockwell, and Mark Webber are also in talks to star. With a script by Like the Red Panda author Andrea Siegel, Hathaway would play Megan, the 20-something in question. When her boyfriend (potentially Webber) proposes to her, she decides to hide from life with her 16-year-old best friend Annika (Moretz). [Deadline]
• House of Cards’ Kate Mara is coming back to the big screen to join Johnny Depp and Rebecca Hall in Wally Pfister’s Transcendence. No word yet on her role, but we continue to be very excited for Pfister’s directorial debut. He’s even got the support of his longtime collaborator Christopher Nolan who is serving as a producer on the project along Emma Thomas (Nolan’s wife and producer). Pfister has tapped Jess Hall (Brideshead Revisited) to serve as cinematographer. [Deadline]
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