Inside Movies Breaking Movie News and Scoops | Movie Reviews

Tag: Last Tango in Paris (1-2 of 2)

Bernardo Bertolucci to head international jury at Venice Film Festival

Bernardo Bertolucci, the Oscar-winning director of The Last Emperor, Last Tango In Paris, and many other films, has been selected to chair the international jury at the 70th Venice Film Festival, the festival announced today.

“I cheerfully accept to chair the jury of the 70th Venice International Film Festival,” said Bertolucci in a release. “Over a handful of days, I am being given the opportunity to see the most interesting work being done in filmmaking around the world. My friend and film buff Alberto Barbera has the knack of discovering the most mysterious niches of filmmaking in the most mysterious countries in the world. This is my second time. In 1983 the Venice Film Festival was celebrating its 40th edition. My jury, composed almost entirely of directors, could not help but award the Golden Lion to Jean-Luc Godard, to whom we all owed so much and who had never won an important prize in his life. At the time what I wanted from films was surprise and enjoyment. I haven’t changed much since then.” READ FULL STORY

Maria Schneider in 'Last Tango in Paris': Farewell to an art-film baby doll

LAST-TANGO-IN-PARIS_320.jpg   Image Credit: Everett CollectionI felt a special pang of nostalgic melancholy when I learned, on Thursday, that Maria Schneider had died of cancer. She was only 58, but what highlighted the sadness of her passing is that there’s one role that, for a lot of us, will define her forever, and in that one role she incarnated the spirit and beauty and giggly bloom of youth. Yes, she was good in a few other movies (notably The Passenger), but to me she will always be Jeanne, the baby-cheeked Parisian dumpling of Last Tango in Paris (1972), who descends into a torrid three-day tryst/dance/relationship/psychodrama with a desolate middle-aged widower played by Marlon Brando. Schneider was only 19, an unknown model-slash-actress with just a single movie role behind her, when director Bernardo Bertolucci cast her opposite the most legendary movie star in the world, who at that moment was on his way back to becoming the greatest screen actor in the world. More than just a movie, Last Tango would be a study — of sexual desire, of midlife agony, of Brando himself, of freedom and loss, of what movies could really be if they opened up, more than ever, to the actors who lived inside them. READ FULL STORY

Latest Videos in Movies

Advertisement

TV Recaps

Powered by WordPress.com VIP