What would you do immediately after you won an Oscar? Not sure? Well, apparently neither were some of these past winners. From moments of excitement with Ben Affleck and Matt Damon to being reduced to tears like Jennifer Hudson or literally jumping out of your seat like Roberto Benigni, there are many ways to react after hearing your name follow the famous “And the Oscar goes to…” Who knows who will make their moment even more memorable on Sunday after winning, but in the meantime watch our clip of some of the best moments in Oscar acceptance speeches. READ FULL STORY
Tag: Matt Damon (1-10 of 54)
There may not yet be a U.S. release date for The Zero Theorem, but eager fans can get a first look at how Terry Gilliam has created the movie’s futuristic world in a brand new trailer just released online. It sure seems like Gilliam has pulled out all the stops – crazy wigs, fun futuristic clothes, lots of colorful cinematography…and yes, that is Christoph Waltz with a bald head and no eyebrows.
In the film, Waltz stars as Qohen Leth, an eccentric computer programmer who is on a futile search for the meaning of life. Working under his boss, a figure only known as “Management,” (Matt Damon) he attempts to solve the “Zero Theorem” which may finally bring the answers to his — and the universe’s – questions. The film also stars Melanie Thierry, Lucas Hedges, Ben Whishaw, Tilda Swinton, and David Thewlis.
Watch the trailer below. READ FULL STORY
EW is inside all the Golden Globes parties tonight. Check out our reports from inside all the carousing and celebrating. Check back often for updates and follow us on Twitter at #EWglobes.
READ FULL STORY
Terry Gilliam’s new film The Zero Theorem is a futuristic dive into a near-future crammed with advertising — a world not too far off from our own. The film, starring Christoph Waltz, Matt Damon, and Tilda Swinton, debuts at the Venice Film Festival Sept. 2 and echoes the tone of earlier films by the absurdist director, like 12 Monkeys and Brazil.
The story follows Waltz’s character, a computer programmer who is assigned to work on a special formula that his boss, known only as “Management” (Damon), believes holds the meaning to our existence. On the street, advertising and technology bombard the senses in every available nook and cranny.
“I think it paints a stark picture of where we are right now,” Gilliam tells EW. “The future has come and met us, we actually don’t live in the present anymore, we live in the future because it’s happening so quickly. It’s really about the world we’re living in and being connected. When, as an individual, can we be alone in a connected world like this? Those are the things that intrigue me.”
Below, Gilliam details the making of a scene at the beginning of the film that introduces us to Waltz’s character, Qohen Leth (pronounced Cohen), and the world around him. The film was shot on location in Bucharest, Romania, and Gilliam discusses how he used elements of the city to dictate the futuristic landscape. He also delves into the unique costumes created by designer Carlo Puggioli for the film, featured in the exclusive photos above.
READ FULL STORY
• Matt Damon may have laughed off speculation that he’d play Robin to Ben Affleck’s Batman, but he will be teaming up with The Dark Knight director Christopher Nolan for Interstellar. He’ll join the Iceland-based production of the secretive time travel epic starring Anne Hathaway, Jessica Chastain, and Matthew McConaughey for two weeks out of the four month shoot. Damon’s “small role” is, naturally, being kept under wraps. The large ensemble cast also boasts Casey Affleck, David Oyelowo, Topher Grace, Michael Caine, John Lithgow, and Ellen Burstyn. This marks Damon’s first time working with Nolan. [IndieWire]
Box office report: 'Elysium' tops crowded weekend with $30.5 million; 'We're The Millers' strong in second
Matt Damon scored his best box office debut since leaving the Bourne franchise thanks to Elysium, which flew into first place this weekend with $30.5 million. The Neill Blomkamp-directed film started off smaller than his debut feature, District 9, which began with $37.4 million in 2009. That’s problematic for Sony, which entrusted the South African director with a $115 million budget for Elysium. If the film performs similarly to District 9, which ended its run with $115.6 million, it’s headed to a $94 million domestic finish; though, it seems unlikely that Elysium will have strong legs (even if they are robotically enhanced) given its tepid reception and “B” CinemaScore grade.
Elysium couldn’t match the debuts of fellow original sci-fi tales like Oblivion and Pacific Rim, both of which opened above $37 million earlier this year, but it did outdraw After Earth, which grossed a weak $27.5 million in its debut weekend. Elysium played best with men, who made up 61 percent of the crowd (sci-fi is now the only genre that reliably attracts more men than women), and it opened very well on 328 IMAX screens, which accounted for $4.9 million (16 percent) of its opening weekend total. Overall, the film earned a $9,287 average from 3,284 theaters.
The big winner of the weekend finished in second place. Jason Sudeikis and Jennifer Aniston’s R-rated pot comedy We’re the Millers smoked expectations with $26.6 million over the Friday-to-Sunday period. The film, which opened on Wednesday, has grossed $38 million in its first five days in theaters — already earning back its $37 million budget. We’re the Millers started in the same range as Horrible Bosses (another film starring Sudeikis and Aniston), which opened with $28.3 million en route to a $117.3 million finish, as well as The Campaign, which opened with $26.6 million on the same weekend last year.
READ FULL STORY
This week, four new releases — Elysium, Percy Jackson: Sea of Monsters, Planes, and We’re the Millers — are flooding theaters, and they will likely take up the first four spots at the box office. Here’s how the chart might look this weekend:
1. Elysium – $32 million
Sony’s $115 million sci-fi film has the best shot at winning the weekend, though it may not be able to match the debut of director Neill Blomkamp’s first film, District 9, which opened with $37.4 million in 2009. Matt Damon’s star power will certainly draw crowds, but in a summer that’s been stuffed with sci-fi fare, Elysium is a high-concept original film arriving rather late to the party. Comparable titles include Oblivion, which opened with $37.1 million, and Pacific Rim, which opened with $37.2 million, but Elysium may have to work harder to reach those heights with an R rating. The film could open to about $32 million this weekend.
READ FULL STORY
Here’s a Nazi Germany story you may not know: There was a real platoon tasked with going behind enemy lines to retrieve art masterpieces stolen by the Nazis, and the men — featuring museum directors, curators and art historians –enlisted with that very idea in mind. “We’ve got to do our best to protect bridges, landmarks and art before the Nazis destroy everything,” George Clooney’s character explains in the trailer for the new movie The Monuments Men. Based on Robert Edsel’s book, the based-on-a-true-story action-thriller has a lighter tone than most World War II Hollywood pictures.
In addition to leading man, the film will be a Clooney tour de force, which will feature the Oscar-winner also directing, as well as co-writing and producing. The dream cast will also star Matt Damon, John Goodman, Bill Murray and Cate Blanchett and has an Oscar-bait ready release date of Dec. 18.
Watch below: READ FULL STORY
In Elysium, director Neill Blomkamp’s political science-fiction follow-up to 2009′s District 9, Matt Damon plays a poor factory drone whose only chance at survival is reaching the utopian satellite that orbits Earth where the world’s richest people now reside in luxury. He only has five days to live after being exposed to radiation during a workplace accident, but Elysium isn’t about to share its medical technology with some Earthling peon. Jodie Foster plays Elysium’s frosty bureaucrat who sics her henchman, played by District 9‘s Sharlto Copley, on the desperate renegades.
In this scene, Copley’s heavily-armed team drops in on Damon and his crew. The mission is clear: extermination, and though the hero survives, one poor revolutionary isn’t fast enough to outrun Elysium’s explosive weapon-technology. It’s a gruesome sight, worth a warning in advance. Watch it below: READ FULL STORY
The legacy of Jason Bourne will continue… but likely without Jason Bourne.
Universal has hired screenwriter Anthony Peckham (Sherlock Holmes) to pen the next chapter in the Bourne franchise, which will remain focused on Jeremy Renner’s drug-enhanced super-soldier, Aaron Cross. (Deadline initially reported the news.) Renner took the reins from Matt Damon after the original Bourne trilogy concluded with 2007′s Bourne Ultimatum. Last year’s Bourne Legacy, which pitted Cross against Edward Norton’s shady government handler, was a modest hit, grossing $276 million worldwide. Though that didn’t equal Damon’s output in Ultimatum ($443 million), it was more than the original 2002 franchise-starter.
READ FULL STORY
Latest Videos in Movies
- 'SNL': How'd Lena Dunham do?
- Oscars: What it's like to go with Jennifer Lawrence
- 'True Detective': Fun fan sites
- 'Supernatural' spinoff gets new title
- 'Reign': What did 'uncensored' sex scenes add?
- 'Bachelor': Clare and Juan Pablo find wedding song?
- TV pilot season: 10 trends for fall
- Stephen Colbert visits Jimmy Fallon: 'Truth or Truth?'
- Jennifer Lawrence's best friend wrote a behind-the-scenes account of Oscars night
- Fox renews 'Mindy Project,' 'The Following,' more
- Second time around: TV stars who reprised iconic roles
- Lena Dunham hosts 'Saturday Night Live' this weekend: Talk about it here!
- Box office update: '300: Rise of an Empire' obliterates competition with a $17.7 million Friday