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Tag: Moonrise Kingdom (1-10 of 19)

Check out this adorable annotated script for 'Moonrise Kingdom'

One of the delights of Wes Anderson’s Moonrise Kingdom were all the tiny, Wes Anderson-y details tucked inside his star-studded story of young love on the run, like the sprawling New England home of Suzy Bishop, or the highly organized Khaki Scouts campground Camp Ivanhoe.

As part of the film’s awards season campaign — and to celebrate the Oscar nomination for Best Original Screenplay for Anderson and Roman Coppola — Focus Features has created an annotated version of the script featuring props, costumes, set designs, and Anderson’s notes for some of his trademark elaborate tracking shots. It’s as festooned with adorable (and meaningful) bric-a-brac as one of Anderson’s films. Click here to check it out.

Read more:
‘Moonrise Kingdom’ director Wes Anderson would care about awards if …
Jason Schwartzman screens ‘Moonrise Kingdom’ for the Khaki Scouts — VIDEO
‘Moonrise Kingdom’: Wes Anderson’s animated take on the film’s imaginary books — EXCLUSIVE VIDEO

Composer Alexandre Desplat's very busy year

What do Argo, Zero Dark Thirty, Moonrise Kingdom, and Rust and Bone have in common? The seemingly tireless French composer Alexandre Desplat wrote the scores to all of them. No stranger to awards, with five Oscar nominations and six Golden Globes nominations in his career so far (he won a Globe for The Painted Veil in 2007), Desplat is one of the main contenders in this year’s Best Original Score race, with a Globe and Oscar nomination for his work on Argo.

Regardless of whether he’ll walk away with his second Golden Globe statue on Sunday, Desplat’s music made quite an impact on film in 2012. EW checked in with him to talk about some of his recent films. Click past the jump to see a featurette on the making of the Argo score, and to read about the bleakness of Zero Dark Thirty and why Wes Anderson drives him crazy (in a good way).

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'Moonrise Kingdom' director Wes Anderson would care about awards if ...

Wes Anderson doesn’t win a lot of awards. In his seven-film career, he’s gotten just two Oscar nominations, one for screenwriting on The Royal Tenenbaums and one for Best Animated Feature for Fantastic Mr. Fox.

His latest, Moonrise Kingdom, was somewhat of an awards wild card. Though it enjoyed critical praise and a healthy run in theaters ($45.5M domestic gross on an estimated budget of $16M), it premiered at Cannes in May. Regardless of Anderson’s history with awards, an early in the year premiere can make the possibility of awards recognition an uphill battle. You’re not only trying to convince people that it is an awards worthy film, you also have to remind them that it exists.

But there is hope for Moonrise, yet. Though it was overlooked for any SAG or Director’s Guild nominations, Moonrise won the Gotham Award for Best Film, and was nominated for five Film Independent Spirit Awards including Best Feature, Best Director, Best Screenplay (Roman Coppola and Wes Anderson), Best Cinematography (Robert Yeoman) and Best Supporting Actor (Bruce Willis). The film also snagged a Golden Globes nomination for Best Motion Picture – Comedy or Musical. The big question is whether or not Anderson will get any Oscar nods this Thursday, perhaps his first for directing a non-animated feature.

Though he’s currently shooting his eighth feature, The Grand Budapest Hotel with Bill Murray, Jude Law, Saoirse Ronan, and Owen Wilson, Anderson took a few minutes to speak with EW about awards, his favorite unsung heroes of Moonrise Kingdom, and casting Bruce Willis in an unlikely role.

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Best of 2012: The breakout kids

Image Credit: Murray Close

From a human-vampire hybrid to a pair of precocious love birds, these kids stole the show in some of this year’s biggest flicks. The peewee actors mirrored their strong-willed characters’ strengths, stirring Oscar buzz for several of their roles in 2012.

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Best of 2012: 5 movies that stuck the landing

The Great Ending has become an unexpected casualty of Hollywood’s franchise era: Because a sequel is always strongly implied, the final moments of most big movies are now just temporary breaks in action, instead of definitive conclusions. But the movies on this list each left a mark, whether they ended with a bang or with a graceful coda. (One of them even managed to set the stage for a sequel and suggested the end of an emotional journey.) Here are our five favorite movie endings of 2012:

5. The Grey
“What? The film where Liam Neeson punches a wolf?” Well, yes and no. The most mismarketed movie of the year is actually a reflective examination of mortality — and it ends on a note that’s simultaneously ambiguous and fiercely life-affirming. READ FULL STORY

Best of 2012 (Behind the Scenes): Wes Anderson's animated take on the film's imaginary books

In Wes Anderson’s indie mega-hit Moonrise Kingdom12-year-old Suzy (Kara Hayward) packs an unusual set of items for her runaway adventure with her pen-pal boyfriend, Sam (Jared Gilman): A half-dozen (fictitious) storybooks she stole from the library, three of which she reads aloud over the course of the film. Anderson commissioned six artists to create the books’ evocative jacket covers, but initially the director wanted to take the artistry even further. “At one point in the process, when she’s reading these passages from these books, I’d thought about going into animation,” he says.

Anyone who’s seen the film knows Anderson ultimately chose to simply hold on the faces of his cast as they listen to Suzy read, but with his experience making the stop-motion animated Fantastic Mr. Fox still fresh in his mind, Anderson never quite let go of the idea.

So in April, the idiosyncratic filmmaker decided to animate all six books anyway, as a supplementary treat to the film itself. “I wrote passages for the other books that didn’t have any text [read aloud in the film], and we animated that too,” he says. “So we now have this piece where our narrator, Bob Balaban’s character, takes us through these little sections of each of these books.”

You can watch the result below. (They contain no Moonrise Kingdom spoilers, so feel free to check it out even if you haven’t yet seen the film.) Here, in a piece originally published as the movie hit theaters, Anderson takes us inside the process. For more stories behind this year’s top TV and movie moments, click here for EW.com’s Best of 2012: Behind the Scenes coverage.

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'Moonrise Kingdom' and 'Silver Linings Playbook' lead Indie Spirit noms

moonrise-kingdom-review

Runaway kids and a guy with a runaway temper led the Independent Spirit Award nominations with Moonrise Kingdom and Silver Linings Playbook collecting five bids each, including best picture.

Their rivals in the best picture race are Bernie, Beasts of the Southern Wild, and Keep the Lights On.

With big-screen behemoths like Lincoln, Argo, and Les Miserables dominating Oscar talk, Film Independent’s awards  — chosen by filmmakers, actors, critics, and festival programers — cast the spotlight on some smaller films that are nonetheless worthy of consideration this award season.

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The 15 most impressive* box office performances of 2012 so far

We’re officially halfway through 2012, and if you’re an obsessive box-office junkie like me, that means it’s time to reflect back on the past six months at the movies and give credit to some of the best box-office performances. (Theoretically, it’s also time to think back to box-office disasters like Battleship, John Carter, and That’s My Boy, but we’ll save that for another time…)

There have been loads of strong performers with sensible budgets, so it was difficult to whittle down the slate (sorry, Safe House and Contraband, you were thisclose to making the cut!), but whittle I did. Thus, here is my totally-up-for-debate list of the 15 Most Impressive* Box Office Performances of 2012… so far. READ FULL STORY

Jason Schwartzman screens 'Moonrise Kingdom' for the Khaki Scouts -- VIDEO

Wes Anderson’s Moonrise Kingdom has grossed over $7 million in just 178 theaters since it opened four weekends ago, a most impressive word-of-mouth run. To help keep that momentum going, Anderson shot a cute extended ad for the film, with premiered today on Funny or Die. Seems Jason Schwartzman’s Khaki Scout leader Cousin Ben runs a very tight ship when it comes time for movie night. Check out the clip below:  READ FULL STORY

Box office report: 'Madagascar 3' roars with $60.4 million debut, holding 'Prometheus' at No. 2

Six weeks ago, The Avengers entered theaters and blew everyone’s expectations out of the water with its record-breaking $207.4 million debut.

In the weeks that followed, though, the box office fell into a bit of a slump. Expensive tentpoles like Battleship and Dark Shadows outright bombed, while major studio fare like What to Expect When You’re Expecting and The Dictator underperformed, and even Men In Black 3‘s number one opening felt weak given its predecessors’ strength.

Last weekend, Snow White and the Hunstman exceeded industry expectations, giving Hollywood hope that summer 2012 might live up to the hype that The Avengers had suggested. This weekend, Madagascar 3: Europe’s Most Wanted and and Prometheus continued to ease any fears that the box office was in trouble with robust debuts in first and second place, respectively. These hefty starts helped the Top 10 films gross $169.6 million, up a whopping 30 percent over the same weekend in 2011, when Super 8 topped the chart. READ FULL STORY

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