How far would you go to become famous? Hopefully not as far as the actress played by Alexandra Essoe in the festival-favorite horror film Starry Eyes, which hits both VOD and select cinemas on Nov. 14.
Tag: movie (11-20 of 1534)
Horror directors these days seem to almost automatically genuflect before the altars of such ’70s and ’80s filmmakers as John Carpenter and Dario Argento. But writer-director Jennifer Kent sought inspiration from much older auteurs while crafting her debut film, the much-acclaimed, Sundance-screened, The Babadook. “I’ve watched everything, from Mario Bava to Dario Argento—all of those ‘70s guys, including John Carpenter, who I love,” she says. “But I feel very drawn also to the early stuff. There were directors in the ’20s and ’30s—Carl Dreyer, Fritz Lang—who were making films that were art and they just happened to be terrifying. I think somewhere along the way we denigrated the art form and horror really has become a dirty word. I think that’s a shame, because it’s really cinematic.”
Horror anthology sequel ABCs of Death 2 delivers a second slate of 26 fatality-featuring short films overseen by an array of directors, which, this time around, includes Evan Katz (Cheap Thrills), Larry Fessenden (Beneath), Rodney Ascher (Room 237), Jen and Sylvia Soska (American Mary, See No Evil 2), Vincenzo Natali (Cube, Splice), and Julian Barratt, from cult British comedy duo The Mighty Boosh. But one of the film’s highlights comes very early with its opening credit sequence, an animated riff on the children’s books which inspired the franchise in the first place.
Directed by Jesse Moss, new documentary The Overnighters , details the attempts of a Lutheran pastor named Jay Reinke to help the homeless migrants who flocked to the oil boom town of Williston, ND, in search of work.
“The lure of the boomtown and its powerful place in the American imagination resides in its seductive promise of redemption and fortune for the brave and the desperate,” Moss says in his director’s statement. “It is this theme—played out in stark, raw terms in North Dakota and viewed through the prism of Pastor Reinke’s Church—that drew me to this story. As a student of American history, I was fascinated by the idea that a boomtown existed in modern-day America. Stories about Williston suggested an intoxicating and possibly combustible mixture of oil, men, money, opportunity and crime.” The Overnighters enjoyed an acclaimed festival run, currently boasts an impressive 95% score on Rotten Tomatoes, and was awarded a B+ by EW‘s Leah Greenblatt.
What would you do if you discovered a sound frequency that allowed you to hypnotize people? Well, if you’re a fan of science fiction, movies you might compel them to watch the new film, LFO. Written and directed by Antonio Tublen, this sci-fi-comedy stars Patrick Karlson as an amateur sound engineer who makes just such a discovery and, according to the official synopsis, uses it to “indulge in his most megalomaniacal fantasies.”
What do you do if you wind up being in one of the most hilariously terrible films of all time? You make a comedy about it. That’s the exact approach being actress-turned-filmmaker Robyn Paris is taking. More than a decade after she appeared in writer-director-star Tommy Wiseau’s infamously awful cult film The Room, Paris has now launched a Kickstarter campaign to fund a Christopher Guest-style mockumentary about what happened to the cast after shooting concluded.
In the new horror film Starry Eyes, an aspiring actress named Sarah (Alex Essoe) discovers there are much worse things that can happen in Hollywood than not getting called back for that dandruff shampoo commercial. Written and directed by Kevin Kolsch and Dennis Widmyer, the tale of “paranoia and possession” garnered rave reviews on the festival circuit and is produced by Snowfort Pictures, the boutique production company that has been on something of a tear of late with Jodorowsky’s Dune, Big Ass Spider!, and Cheap Thrills. READ FULL STORY
Those who appreciate the various macabre and/or fantastical works of author, artist, and auteur Clive Barker are having a happy Halloween, thanks to horror imprint Scream Factory releasing the “Director’s Cut” of his 1990 film, Nightbreed. And it looks like they’re going to have a terrifyingly terrific Christmas as well.
Scream Factory announced today that on Dec. 16, it will release a collector’s edition Blu-ray of Barker’s third—and so far final—film as director, 1995′s Lord of Illusions. The 2-disc set will include both the theatrical version of the film and a director’s cut, a commentary from Barker, deleted scenes, previously unseen on-set footage, a photo gallery, and a new interview with storyboard artist Martin Mercer. Barker-heads who order the title from ShoutFactory.com will receive an exclusive 18″x24″ poster featuring the Blu-ray’s newly commissioned artwork, while supplies last.
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