Pretty soon there may be more films about cult movie The Room than people who actually saw the hilariously awful movie when it was originally released in 2003. We exaggerate—but not by much. James and Dave Franco are set to star in a big-screen adaptation of Room star Greg Sestero’s book The Disaster Artist while Sestero’s fellow cast member Robyn Paris recently launched a Kickstarter campaign to fund a mockumentary called The Room Actors: Where Are They Now? And that’s not all! Grab your cutlery, folks, because a trailer for a real documentary about writer-director-star Tommy Wiseau’s passion project called Room Full of Spoons has just been released. You can check out the clip below.
Tag: Movies (11-20 of 1005)
It’s been a decade since Mean Girls was released, but affection for the film only seems to get stronger with each passing year. Tina Fey has already announced that a stage musical is in development—but could the Plastics ever team up for another big-screen outing? (Paramount did release a straight-to-DVD sequel in 2011.)
As fans of The Hunger Games know, when we catch up with Katniss Everdeen in Mockingjay—Part 1, she isn’t exactly excited about the idea of becoming the symbol of Panem’s revolution. That being said, she will eventually become said symbol—and a defining moment in her journey comes when she realizes that Peeta is still alive.
We get a glimpse at that moment in a new clip from the film, in which the Capitol puts Peeta on television for an interview with none other than Caesar Flickerman. In the film, Katniss doesn’t go so far as to reach out and touch the television—which seems to be out of reach—but much like he did in the book, Peeta has her full attention.
One sure sign of a film’s legacy: Does it inspire its own holiday?
If you happened to be anywhere near the Internet on Oct. 3, you probably noticed an outpouring of nostalgia for 2004′s Mean Girls. The reason? A throwaway line uttered by Lindsay Lohan’s Cady: “It’s October 3rd.”
That may seem a pretty slim thread to hang an entire day on, but it’s indicative of the fervent fan base for this new-classic teen comedy. Written by Tina Fey and directed by Mark Waters (Vampire Academy), Mean Girls stars Lohan as a high school student at a new school who infiltrates the Plastics, a group of nasty popular girls led by queen bee Regina (Rachel McAdams) and her underlings: insecure Gretchen (Lacey Chabert) and dumb-as-a-stump Karen (Amanda Seyfried). The film became a surprise sleeper hit, earning $129 million worldwide and gaining an even bigger following on DVD. In the decade since, Mean Girls has joined Clueless and Sixteen Candles in the teen-comedy canon.
For its 10th anniversary, EW invited the film’s female leads to our own little pep rally, where they talked about their memories, behind-the-scenes magic, and what they think their characters would be doing now. READ FULL STORY
The last time Kurt Russell signed on to appear in a Western the result was 1993′s Tombstone, a film which over time has acquired the reputation as a bona fide classic of the genre as well as one of the movies most quoted whenever poker players get together. (“I’m your huckleberry.”) So it’s hard not to get pretty rootin’-tootin’ excited about the news that, 21 years on, the Escape from New York star has once again saddled up for the just-wrapped Western, Bone Tomahawk.
It’s here: the first trailer for the latest entry in the long running film franchise that’s really, at it’s heart, all about family. Furious 7. Watch it below!
In the new independent horror movie Refuge, Carter Roy, Amy Rutberg, and young actress Eva Grace Kellner play a family trying to survive in a post-apocalyptic world where the population has been almost entirely wiped out by disease. Given recent, panic-causing news events, the film could hardly be more topical. So what is it like to have made a movie about a global pandemic just as people are reaching for their face masks? “It’s incredibly coincidental that it’s peaking right now,” says Refuge director Andrew Robertson, whose film recently played the Toronto After Dark and L.A.-based Screamfest genre festivals. “It’s certainly not something that we would want to exploit. The particular nature of this extinction event just happens to be a plague. But there are so many other things that we have anxiety about: nuclear war, or asteroids hitting the earth, or climate change.” And a “Happy Halloween!” to you too, sir!
Horror directors these days seem to almost automatically genuflect before the altars of such ’70s and ’80s filmmakers as John Carpenter and Dario Argento. But writer-director Jennifer Kent sought inspiration from much older auteurs while crafting her debut film, the much-acclaimed, Sundance-screened, The Babadook. “I’ve watched everything, from Mario Bava to Dario Argento—all of those ‘70s guys, including John Carpenter, who I love,” she says. “But I feel very drawn also to the early stuff. There were directors in the ’20s and ’30s—Carl Dreyer, Fritz Lang—who were making films that were art and they just happened to be terrifying. I think somewhere along the way we denigrated the art form and horror really has become a dirty word. I think that’s a shame, because it’s really cinematic.”
Horror anthology sequel ABCs of Death 2 delivers a second slate of 26 fatality-featuring short films overseen by an array of directors, which, this time around, includes Evan Katz (Cheap Thrills), Larry Fessenden (Beneath), Rodney Ascher (Room 237), Jen and Sylvia Soska (American Mary, See No Evil 2), Vincenzo Natali (Cube, Splice), and Julian Barratt, from cult British comedy duo The Mighty Boosh. But one of the film’s highlights comes very early with its opening credit sequence, an animated riff on the children’s books which inspired the franchise in the first place.
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