What do you do if you wind up being in one of the most hilariously terrible films of all time? You make a comedy about it. That’s the exact approach being actress-turned-filmmaker Robyn Paris is taking. More than a decade after she appeared in writer-director-star Tommy Wiseau’s infamously awful cult film The Room, Paris has now launched a Kickstarter campaign to fund a Christopher Guest-style mockumentary about what happened to the cast after shooting concluded.
Tag: Movies (31-40 of 1005)
In the new horror film Starry Eyes, an aspiring actress named Sarah (Alex Essoe) discovers there are much worse things that can happen in Hollywood than not getting called back for that dandruff shampoo commercial. Written and directed by Kevin Kolsch and Dennis Widmyer, the tale of “paranoia and possession” garnered rave reviews on the festival circuit and is produced by Snowfort Pictures, the boutique production company that has been on something of a tear of late with Jodorowsky’s Dune, Big Ass Spider!, and Cheap Thrills. READ FULL STORY
Director Alex Ross Perry takes a chainsaw to the tweedy highbrow literary scene and the toxic men who inhabit it in Listen Up Philip.
Philip Lewis Friedman (Jason Schwartzman) is one of those fully realized personalities. A successful novelist awaiting the publication of his second book, Philip is at turns cripplingly insecure and a megalomaniac who’s unafraid to alienate and offend. In this exclusive clip, you’ll see Philip meeting up with an ex early in the film.
With the droll, unflinching narration (from Eric Bogosian), and bristly intelligent humor, it’s an indicative sample of the belligerent arrogance Philip displays throughout the film as he leaves his girlfriend (Elisabeth Moss) in the city and retreats to the country house of his literary idol Ike Zimmerman (Jonathan Pryce) for some peace. EW spoke with Perry about his third feature, its cinematic and literary influences, the value in dark humor and why this film transcends the misogyny of the wretched men at its center
Those who appreciate the various macabre and/or fantastical works of author, artist, and auteur Clive Barker are having a happy Halloween, thanks to horror imprint Scream Factory releasing the “Director’s Cut” of his 1990 film, Nightbreed. And it looks like they’re going to have a terrifyingly terrific Christmas as well.
Scream Factory announced today that on Dec. 16, it will release a collector’s edition Blu-ray of Barker’s third—and so far final—film as director, 1995′s Lord of Illusions. The 2-disc set will include both the theatrical version of the film and a director’s cut, a commentary from Barker, deleted scenes, previously unseen on-set footage, a photo gallery, and a new interview with storyboard artist Martin Mercer. Barker-heads who order the title from ShoutFactory.com will receive an exclusive 18″x24″ poster featuring the Blu-ray’s newly commissioned artwork, while supplies last.
No stranger to awards with an Oscar, Emmy, and Golden Globes nomination (and win) under her belt, Queen Latifah is set to host the inaugural broadcast of the Hollywood Film Awards, CBS announced Friday.
“Queen Latifah is the real deal,” said Jack Sussman, CBS’ executive vice president of specials, music and live events, in a statement. “She is a triple threat—she can act, she can sing, she can dance—she is beloved by audiences across multiple genres and she entertains millions of people every day.”
For her part, Latifah said she is “honored to be part of a legendary award show,” which has been kicking off awards season for the past 17 years, honoring films that are sometimes not even finished yet. It will air live (with a West Coast delay) on CBS from the Hollywood Palladium on November 14 and includes a live red carpet and post-show with CBS This Morning anchors Charlie Rose, Norah O’Donnell and Gayle King.
Gone Girl may have had a cozy two weeks at the top of the box office, but there’s a new contender in town: Fury. Brad Pitt stars in the David Ayer-directed WWII pic that’s expected to march to the top spot by the weekend’s close, in spite of the crowded adult-targeted market.
The Guillermo del Toro-produced animated pic The Book of Life hits theaters this weekend, too, as does the weepy Nicolas Sparks adaptation The Best of Me. Jason Reitman’s Men, Women, and Children also expands nationwide after two uninspiring weeks in limited release.
Here’s how things might play out.
John Cleese says movie casting directors should not be put off from hiring him by recent reports that the Monty Python comedy legend is retiring from films.
“Sometimes you read these things and you say, ‘I don’t remember saying that,’” explains Cleese, 74, whose acting credits include fellow Python Terry Gilliam’s 1981 film Time Bandits, 1988′s Cleese-written A Fish Called Wanda, and two of the Harry Potter films. “What I would say is, when you get to my age, the number of parts that you get offered is very, very small. They’re not looking for 75-year-old comedians most of the time. I have been offered a large part in a movie which, if they get the finance together, will happen in the spring. But that doesn’t happen a lot. What I did say is that I don’t enjoy movies very much. Terry Gilliam, who has nothing better to do with his life, loves to have movies because it structures him and gives him a purpose, which otherwise he lacks. I don’t like the way that they take your life over.”
With Johnny Depp and Geoffrey Rush both returning for Pirates of the Caribbean: Dead Men Tell No Tales, the fifth film in the hit franchise, fans have turned their attention to which actor will play the film’s villain.
How good is the low budget New Zealand horror film Housebound?
Well, Lord of the Rings director Peter Jackson has hailed it as “Bloody brilliant!”—and the man knows what he’s talking about, having started his career with such minimally financed but fabulous splatterfests as 1987′s Bad Taste.
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