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Tag: Peter Jackson (21-30 of 81)

Box office update: 'The Hobbit' journeys back to No. 1; 'Django' and 'Les Mis' stay strong

UNEXPECTED-JOURNEY

Snowstorms in the northeast may be limiting moviegoing attendance this weekend, but inclement weather won’t stop Bilbo Baggins and Gandalf from ringing in the New Year in style.

The Hobbit: An Unexpected Journey returned to the top of the box office on Friday, crossing the $200 million mark in the process. The $250 million Warner Bros. release grossed an estimated $10.7 million on Friday, putting it on pace for a $31 million weekend, which would bring its total to about $221 million and lift its worldwide cume past $600 million. READ FULL STORY

'The Hobbit': The story behind Neil Finn's dwarvish end credits tune, 'Song of the Lonely Mountain'

The films of the Lord of the Rings trilogy left its audiences on the note of three ethereal women’s voices, including Annie Lennox, who earned Return of the King one of its 11 Oscars. Now as director Peter Jackson returns to Middle-earth with the dwarf-packed The Hobbit: An Unexpected Journey, the voice of New Zealand musician Neil Finn serenades the audience when its final frame fades to black.

“The story is very much a dwarf tale as much as it is called The Hobbit,” says Finn, who sings “Song of the Lonely Mountain,” the majestic and epic yet intimate and warm ballad of the dwarves that closes out the first film of Jackson’s new trilogy.

“Song of the Lonely Mountain” shares its melody with “Misty Mountains,” a tune heard earlier in the film that the 13 dwarves bellow in solemn baritone before setting out on their quest with Bilbo Baggins. New Zealand artists Plan 9 and David Long, who wrote and performed songs in The Lord of the Rings, brought their talents again to The Hobbit, setting J.R.R. Tolkien’s verse to music for “Misty Mountains.” The melody also appears in Howard Shore’s score, where it is brought to even greater heights with a stately brass section. READ FULL STORY

Movie Talk with Owen & Lisa -- A 'small movie' called 'The Hobbit'

In the latest edition of “Movie Talk with Owen & Lisa,” EW critics Owen Gleiberman and Lisa Schwarzbaum discuss “a small movie called The Hobbit.” Back in the days of The Lord of the Rings, Lisa was the Tolkien devotee, and Owen the appreciative not-quite-a-fan. Have their perspectives changed with the latest cinematic return to Middle Earth? Watch their full discussion below. READ FULL STORY

Box office update: 'The Hobbit' earns $13.0 million at midnight showings

THE-HOBBIT

Warner Bros. has just announced that The Hobbit earned an estimated $13.0 million from midnight showings at 3,100 locations last night, giving it a per-theater average of $4,193 from midnight shows alone. It’s a nice recovery from the doldrums of the past two frames. When combined, the last two wide releases to hit theaters, Playing for Keeps and Killing Them Softly, couldn’t earn $13.0 million over their entire opening weekends. Included in The Hobbit‘s midnight figure is $1.6 million that the film earned from 326 IMAX theaters.

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'The Hobbit' at 48 frames per second: Is it possible for a movie to look TOO good?

When you think of all the radical, paradigm-shifting leaps that technology has taken over the last two decades — analog to digital! print to Internet! desktop to mobile! cathode ray tube to liquid crystal display! — the very sound of 48 frames per second has a “New And Improved!” golly-gee I’ll-see-you-and-raise-you-24-frames clunkoid quaintness about it. It doesn’t sound like the future, exactly; it sounds like the past on steroids. Forty-eight frames per second, of course, is how fast the images are going to be shooting through projectors at 450 of the theaters showing Peter Jackson’s The Hobbit: An Unexpected Journey starting today. If you see the film at one of those theaters, you’re going to experience the kickoff moment of an up-and-coming film-image revolution. Or so the producers of The Hobbit would have you believe. READ FULL STORY

Box office preview: 'The Hobbit' will make a very expected journey to No. 1

Bilbo-Baggins

After two dreadful weekends at the box office, Gandalf, Bilbo, and a whole motley crew of dwarves have come to the film industry’s rescue — and not even the dragon Smaug will be able to keep them from grabbing a whole lot of treasure.

The Hobbit: An Unexpected Journey, the first entry in a trilogy produced by Warner Bros. (and technically MGM as well) for a reported $600 million, arrives in theaters nine years after the original Lord of the Rings franchise concluded. Those three Lord of the Rings films opened over this same weekend in Dec. 2001, 2002 and 2003, grossing $47.2 million, $62.0 million, and $72.6 million in their respective debut weekends, and all three eventually earned over $300 million domestically. Because the series was so well-received from the very beginning, each subsequent release performed better than its predecessor, and the final entry, The Return of the King, topped out with $377 million domestically and $1.1 billion worldwide — not to mention an Academy Award for Best Picture.

After nearly a decade of waiting — during which the LOTR series was devoured voraciously on DVD — The Hobbit, based on J.R.R. Tolkien’s prequel to the LOTR series, is now poised to maintain the franchise’s box office vitality, at least on opening weekend. The Hobbit will almost certainly continue the trend of rising opening weekend grosses. The question is now how high it can climb. READ FULL STORY

Judge blocks release of low-budget mockbuster 'Age of the Hobbits'

One hobbit will rule them all—for now, at least. A California federal judge has issued a temporary restraining order barring the release of Age of the Hobbits, a low-budget straight-to-video release from an independent film production company called The Asylum that was slated for release on Tuesday, just days before the opening of director Peter Jackson’s The Hobbit: An Unexpected Journey. Warner Bros., New Line, MGM, and Hobbit producer Saul Zaentz filed suit against The Asylum last month, charging that the company was trying to infringe on their copyrights and confuse consumers with its film.

In response, The Asylum contended that Age of the Hobbits has nothing to do with the world of J.R.R. Tolkien but is, in fact, an action-adventure film about the pre-human hominid species homo floresiensis, which has been nicknamed “hobbits” in scientific literature—an argument that, as he wrote in his ruling, the judge found “disingenuous.”
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First look at 'The Hobbit: The Desolation of Smaug' -- EXCLUSIVE

With the Dec. 14 opening of the first installment of director Peter Jackson’s Hobbit trilogy, subtitled An Unexpected Journey, only days away, rabid J.R.R. Tolkien fans are already looking ahead and speculating about how the story will play out over the two films that’ll follow. Well, here’s a big clue. In this exclusive first image from the second film, The Desolation of Smaug, in theaters Dec. 13, 2013, we see Bilbo Baggins going for the gold. To be more exact, we see Martin Freeman’s reluctant hobbit hero splayed out on a massive pile of treasure, looking up in hobbit-y alarm at what we can probably safely assume is an enormous and not very happy fire-breathing dragon named Smaug.
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First look at Orlando Bloom in 'The Hobbit: There and Back Again' -- EXCLUSIVE

When the second and third installments of the Hobbit trilogy, The Desolation of Smaug (out Dec. 13, 2013) and There and Back Again (out July 18, 2014), arrive in theaters, we’ll encounter some familiar faces as well as some new ones as Bilbo and the dwarves continue their perilous journey to the Lonely Mountain, home of the dragon Smaug. One familiar face will be Orlando Bloom’s elf Legolas (pictured here in a shot from There and Back Again — click to enlarge), a major character in the Rings trilogy but one not mentioned in the Hobbit book.

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'The Hobbit' score: Howard Shore welcomes you back to Middle-earth -- EXCLUSIVE VIDEO

When fans of Peter Jackson’s Lord of the Rings trilogy return to Middle-earth for The Hobbit: An Unexpected Journey, the first of three films based on J.R.R. Tolkien’s earlier book, there will be plenty of familiar sights and sounds. Ian McKellen’s Gandalf plays a major role in this adventure, of course, and a few other favorite actors from LOTR return as well. But it’s the music that immediately washes over the audience like a warm blanket and reminds them that they’re “home” again. Composer Howard Shore, who won three Academy Awards for his work on the previous films, has weaved the now iconic “Concerning Hobbits” melody throughout the new film while expanding upon Middle-earth’s musical palette. “The Hobbit is a more gentle story than Lord of the Rings,” says Shore, in an exclusive video about the making of the film’s music, recorded by his wife, Elizabeth. “I always begin working with the book, the words, the most important thing.”

A lifelong Tolkien enthusiast, Shore revisits the books almost daily, and he often plotted the music as he read. That literary connection, in addition to his deep relationship with nature, helped create the musical fabric that has become so synonymous with Jackson’s films. “I just try to capture the spirit of each scene,” he explains.

Watch the clip below, which also shows him working with the London Philharmonic Orchestra at historic Abbey Road Studios. “More chaos,” he demands of his musicians at one point. “More, more terror. READ FULL STORY

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